DZOFilm 55mm T2.1 2x Anamorphic Prime Lens
The DZOFilm 55mm T2.1 is a 55mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
DZOFilm 55mm T2.1 2x Anamorphic Prime Lens
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Lens Overview — DZOFilm 55mm T2.1
Key Features — DZOFilm 55mm T2.1
2x Anamorphic Squeeze: A 2x squeeze ratio delivers the wide aspect ratio and characteristic anamorphic look — including horizontal lens flares and oval bokeh — when desqueezed in post.
55mm Standard Focal Length: A fixed 55mm field of view sits in the standard range, making it a versatile choice for dialogue scenes, documentary work, and general narrative cinematography.
T2.1 Maximum Aperture: A bright T2.1 stop allows shooting in lower light conditions without heavy reliance on artificial lighting.
Super 35 Coverage: Designed to cover the Super 35 image format, ensuring compatibility with a broad range of professional cinema cameras from ARRI, RED, Sony, and others.
PL Mount: Industry-standard PL mount integrates directly into professional cinema camera systems without the need for adapters.
Manual Focus Design: A dedicated manual focus ring is built for use with follow focus systems and wireless lens control units, as is standard in professional cinema production.
Lens Specifications — DZOFilm 55mm T2.1
| Spec | Detail |
|---|---|
| Use Cases | Documentary, Fashion, Studio, Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 55mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 86mm |
Description — DZOFilm 55mm T2.1
The DZOFilm 55mm T2.1 Anamorphic Prime is a manual focus cinema lens built for Super 35 camera systems and fitted with a PL Mount. With a fixed 55mm focal length in the standard range, it suits a broad variety of cinematic applications from intimate character work to environmental storytelling. The T2.1 maximum aperture delivers reliable performance in scenes where light management is critical, and the T-stop rating ensures consistent exposure across matched lens sets.
Classified as Type: Anamorphic within the DZOFilm catalog, this prime is purpose-built for the distinctive visual qualities associated with anamorphic capture on Super 35 sensors. The 86mm filter thread accommodates industry-common filtration sizes, and the 1.3 kg build weight keeps the lens practical for use on a range of support systems including stabilization rigs and aerial platforms. There is no image stabilization, consistent with cinema lens convention where stabilization is handled at the camera or rig level.
Focus operation is fully manual, aligning with professional cinema workflows that rely on dedicated focus control systems.
Pros — DZOFilm 55mm T2.1
- ✓T2.1 maximum aperture provides strong light-gathering performance for a cinema prime
- ✓Super 35 lens format ensures broad compatibility with professional cinema camera bodies
- ✓PL Mount is the industry-standard cinema lens mount, fitting a wide range of cinema cameras
Cons — DZOFilm 55mm T2.1
- ✗Manual focus only — no autofocus capability, which limits run-and-gun or solo operator scenarios without a dedicated focus puller
- ✗No image stabilization, so handheld or mobile shooting requires external stabilization solutions
- ✗Single PL Mount configuration means direct use is limited to PL-compatible camera bodies without an adapter
Videos — DZOFilm 55mm T2.1
The lenses to rule anamorphic filmmaking? Test and comparison of the DZOfilm PAVO lenses — Media Division
Frequently Asked Questions — DZOFilm 55mm T2.1
What camera mount does this lens use?+
The DZOFilm 55mm T2.1 Anamorphic Prime uses a PL Mount, which is the standard professional cinema lens mount. This makes it directly compatible with PL-mount cinema cameras without any adapter required.
What sensor size does this lens cover?+
The lens is designed to cover a Super 35 image format. It is recommended to verify that your specific camera's sensor does not exceed this coverage area to avoid vignetting.
Does this lens support autofocus?+
No, the lens is manual focus only. In a cinema context, this is standard practice, as focus pulling is typically handled via a dedicated follow focus system or wireless lens control unit.
What is the maximum aperture of this lens?+
The lens has a maximum aperture of T2.1. T-stops are a cinema-standard measurement of actual light transmission, making this a useful spec for exposure consistency across a lens set.
What filter size does this lens accept?+
The front filter thread is 86mm, which is a common size in the cinema lens range. Standard 86mm screw-in filters, including NDs and polarizers, are compatible.
How heavy is this lens, and is it suitable for use on gimbals or drones?+
The lens weighs 1.3 kg. While it is a substantial optic, its weight is noted as a consideration for aerial filming platforms and stabilization rigs, and users should verify payload limits on their specific equipment before mounting.