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DZOFilm 65mm T2.8 Gnosis Macro Cine Prime Lens

The DZOFilm 65mm T2.8 is a 65mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

DZOFilm 65mm T2.8 Gnosis Macro Cine Prime Lens

DZOFilm 65mm T2.8 Gnosis Macro Cine Prime Lens

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Lens Overview — DZOFilm 65mm T2.8

The DZOFilm Gnosis 65mm is a manual focus cinema prime lens designed for full frame coverage, sitting in the standard focal length range. Built for the cinema and video ecosystem, it carries a PL Mount as its native fitting, making it immediately compatible with a wide range of professional cinema camera bodies. The lens opens to a maximum aperture of T2.8, providing a solid foundation for controlled depth of field work in a variety of lighting conditions.

As a macro type lens, it is purpose-built for close-up cinematography work, bringing subjects into detailed focus at near distances — a capability that distinguishes it within the Gnosis line. The lens is a prime, meaning there is no zoom mechanism, which typically contributes to optical consistency and a more compact, predictable handling experience on set. Weighing in at 1447.5g and featuring a 105mm filter thread, the Gnosis 65mm is a substantial optic built to cinema production standards.

Image stabilization is not present, and focus is entirely manual — both characteristics consistent with professional cinema lens practice where follow focus systems and remote heads are standard. This lens is well suited to narrative, documentary, and commercial production requiring precise, repeatable manual focus pulls.

Key Features — DZOFilm 65mm T2.8

1:1 Macro Capability: True macro reproduction allows cinematographers to fill the frame with fine subject detail at close focus distances.

PL Mount: Industry-standard cinema mount ensures direct compatibility with professional camera systems from ARRI, RED, and others.

Full-Frame Coverage: Image circle covers full-frame sensors, supporting large-format cinema cameras without vignetting.

T2.8 Maximum Aperture: A fast, consistent T-stop rating allows for controlled depth of field and reliable exposure across matched lens sets.

65mm Prime Focal Length: Standard focal length with no zoom mechanism, delivering optical consistency and predictable perspective for narrative and commercial work.

Manual Focus Design: Smooth, cinema-grade manual focus ring is built for precise, repeatable focus pulls with standard follow focus systems.

Lens Specifications — DZOFilm 65mm T2.8

DZOFilm 65mm T2.8 full specifications
SpecDetail
Use CasesMacro, Studio, Video / Cinematography
Lens TypeMacro
FormatFull Frame
Zoom/PrimePrime
Focal Length65mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread105mm

Description — DZOFilm 65mm T2.8

The DZOFilm Gnosis 65mm is a prime cinema lens built for full frame coverage in the cinema and video camera system. Featuring a native PL Mount, it connects directly to professional cinema cameras without adapters. The lens is classified as a macro type, purpose-designed for close-up and detail-focused cinematography that demands precise rendering at near distances.

With a maximum aperture of T2.8, it delivers consistent and measurable light transmission across focus distances — a key characteristic for exposure control in professional production environments. Focus is entirely manual, in keeping with cinema lens standards where precision follow focus systems are the norm, and image stabilization is not present. The lens carries a 105mm filter thread, accommodating large-format cinema filtration solutions.

Weighing 1447.5g, the Gnosis 65mm is a solid, production-grade optic. Its standard focal length range classification at 65mm makes it a versatile choice for a wide variety of shot types, from interview setups to detailed close-up sequences requiring the macro capability that defines this lens series.

Pros — DZOFilm 65mm T2.8

  • ✓Full frame coverage accommodates larger sensor cinema cameras
  • ✓PL Mount provides compatibility with professional cinema camera bodies
  • ✓T2.8 maximum aperture offers useful light-gathering for controlled shooting

Cons — DZOFilm 65mm T2.8

  • ✗Manual focus only — no autofocus capability, requiring follow focus or skilled hand focus
  • ✗Single PL Mount native fitting may limit direct compatibility without adapters
  • ✗At 1447.5g, the lens adds significant weight to a camera rig

Reviews — DZOFilm 65mm T2.8

Videos — DZOFilm 65mm T2.8

DZOFilm Gnosis Macro Primes: 32mm, 65mm & 90mm T2.8 — B&H Photo Video Pro Audio

Resources & Downloads — DZOFilm 65mm T2.8

Manuals & Guides

Frequently Asked Questions — DZOFilm 65mm T2.8

What camera mount does the DZOFilm Gnosis 65mm use?+
The lens is natively fitted with a PL Mount, which is the standard mount used across many professional cinema cameras. This makes it directly compatible with PL-mount cinema bodies without any adapter required.
Does this lens cover full frame sensors?+
Yes, the specifications confirm a full frame lens format, meaning it is designed to cover full frame cinema sensors without vignetting or image circle limitations.
Is autofocus available on the Gnosis 65mm?+
No, this lens is manual focus only with no autofocus capability. It is intended for use with follow focus systems, remote lens control systems, or skilled manual focus operators, which is standard practice in cinema production.
What filter size does the DZOFilm Gnosis 65mm accept?+
The lens has a 105mm filter thread, which accommodates large-diameter cinema filters. This size is common among professional cinema primes and is compatible with 105mm matte box and filter systems.
How heavy is the Gnosis 65mm?+
The lens weighs 1447.5g, which is a substantial weight typical of professional cinema optics. This should be factored into rig balancing when mounting on gimbals, remote heads, or handheld configurations.
What makes this lens a 'macro' cinema prime?+
The specifications classify this lens as a macro type, indicating it is designed for close-up cinematography work. This makes it particularly suited for detail shots, product work, and any scenario requiring close subject-to-lens distances.

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