DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens
The DZOFilm 35mm T1.4 FF/VV is a 35mm f/1.4 lens designed for PL Mount, Canon EF, Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens
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Lens Overview — DZOFilm 35mm T1.4 FF/VV
Key Features — DZOFilm 35mm T1.4 FF/VV
FF/VV Image Circle: Covers Full Frame and Vista Vision formats, making it compatible with larger-sensor cinema cameras without vignetting.
T1.4 Maximum Aperture: Calibrated T-stop rating reflects actual light transmission, giving cinematographers reliable exposure consistency across a lens set.
35mm Standard Focal Length: A versatile perspective well-suited to dialogue scenes, environmental shots, and general narrative cinematography.
Three Mount Options: Available in PL Mount, Canon EF, and Sony E configurations to accommodate a wide range of cinema and mirrorless camera bodies.
Manual Focus Design: Smooth, dedicated focus ring built for precise, repeatable focus pulls in professional cinema production workflows.
PL Mount Compatibility: Supports the industry-standard PL mount used on professional cinema cameras from ARRI, RED, and others.
Lens Specifications — DZOFilm 35mm T1.4 FF/VV
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Studio, Creative Effects |
| Lens Type | Prime |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/1.4 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount, Canon EF, Sony E |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1200g |
Description — DZOFilm 35mm T1.4 FF/VV
The DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens is a 35mm fixed focal length cinema prime designed to cover Full Frame and Vista Vision formats. Its T1.4 maximum aperture — expressed as a true T-stop value — makes it a strong performer when light is at a premium and when a shallower depth of field is the creative goal. The lens is strictly manual focus, in keeping with the demands of professional cinema production workflows where precise, repeatable focus control is essential.
Weighing 1200g, it has a solid, production-ready build. Mount options include PL Mount, Canon EF, and Sony E, giving productions the flexibility to deploy this lens across a variety of camera platforms. There is no image stabilization, so external support equipment is recommended for smooth, stable imagery.
Whether you're working on a narrative feature, a commercial, or any project requiring a fast, reliable standard prime on a full-frame or VV-format camera, the Arles 35mm T1.4 brings a straightforward, cinema-focused tool to your kit.
Pros — DZOFilm 35mm T1.4 FF/VV
- ✓Fast T1.4 maximum aperture provides excellent light transmission for low-light cinematography
- ✓Covers Full Frame and Vista Vision (FF/VV) image circle, maximizing compatibility with larger-format sensors
- ✓Available in three mount options — PL Mount, Canon EF, and Sony E — offering broad camera system flexibility
Cons — DZOFilm 35mm T1.4 FF/VV
- ✗No autofocus capability — fully manual operation only, which may limit use in fast-paced run-and-gun scenarios
- ✗No image stabilization, requiring external support systems for stable handheld shooting
- ✗At 1200g, the weight is considerable and may require additional lens support on lighter camera rigs
Videos — DZOFilm 35mm T1.4 FF/VV
DZOFilm Arles vs Vespid 35mm | Is T1.4 vs T2.1 Worth the Upgrade? — Keith Knittel