DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens
The DZOFilm 32mm T2.1 2x is a 32mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

DZOFilm PAVO 32mm T2.1 2x Anamorphic Prime Lens
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Lens Overview — DZOFilm 32mm T2.1 2x
Key Features — DZOFilm 32mm T2.1 2x
2x Anamorphic Squeeze: Delivers the characteristic widescreen look with oval bokeh and horizontal lens flares associated with anamorphic cinematography.
T2.1 Maximum Aperture: Provides strong light-gathering capability for a prime anamorphic lens, useful in controlled and low-light shooting environments.
32mm Prime Focal Length: A standard-range focal length suitable for wide scene coverage, dialogue shots, and environmental cinematography on Super 35 sensors.
Super 35 Coverage: Designed to cover Super 35 format sensors, ensuring compatibility with the majority of professional cinema cameras in active use.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major cinema manufacturers.
Manual Focus Design: Smooth manual focus ring built for repeatable, precise focus pulls in professional cinema workflows.
Lens Specifications — DZOFilm 32mm T2.1 2x
| Spec | Detail |
|---|---|
| Use Cases | Documentary, Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 32mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1.3kg |
Description — DZOFilm 32mm T2.1 2x
The DZOFilm PAVO 32mm T2.1 is a prime anamorphic cinema lens built for Super 35 format cameras using the PL Mount standard. With a maximum aperture of T2.1, it delivers capable light transmission for a variety of production environments. The lens type is classified as anamorphic and sits within the standard focal length range at a fixed 32mm.
Focus is entirely manual, putting creative control directly in the hands of the operator and making it well suited for narrative and controlled production environments. Weighing 1.3kg, it is built with practical use on stabilized rigs and cinema platforms in mind. Image stabilization is not present in this lens, so external stabilization is required for moving camera work.
The PL Mount is a well-established cinema industry standard, making the PAVO 32mm T2.1 a straightforward fit for productions already working within that ecosystem.
Pros — DZOFilm 32mm T2.1 2x
- ✓T2.1 maximum aperture provides strong light-gathering for a prime anamorphic lens
- ✓Super 35 lens format ensures compatibility with a broad range of cinema camera sensors
- ✓PL Mount is a widely adopted industry-standard cinema mount for professional productions
Cons — DZOFilm 32mm T2.1 2x
- ✗No autofocus support — manual focus only, which may slow down run-and-gun workflows
- ✗No image stabilization, requiring reliance on external stabilization for smooth footage
- ✗Single PL Mount with no additional mount options listed in specifications, limiting camera compatibility
Reviews — DZOFilm 32mm T2.1 2x
Videos — DZOFilm 32mm T2.1 2x
The lenses to rule anamorphic filmmaking? Test and comparison of the DZOfilm PAVO lenses — Media Division
Frequently Asked Questions — DZOFilm 32mm T2.1 2x
What mount does the DZOFilm PAVO 32mm T2.1 use?+
The lens uses a PL Mount, as listed in the specifications. This is a standard cinema mount found on a wide range of professional cinema cameras.
What sensor format does this lens cover?+
The PAVO 32mm T2.1 is designed for Super 35 format coverage, as specified in the lens format field. It is not listed as covering larger formats such as full frame.
Does this lens support autofocus?+
No. The specifications confirm that autofocus is not supported and focus type is manual only. Cinematographers will need to pull focus manually or use a follow focus system.
How heavy is the PAVO 32mm T2.1?+
The lens weighs 1.3kg according to the specifications. This makes it a consideration when building out gimbal or stabilizer rigs where payload limits apply.
Does the lens have image stabilization?+
No. The specifications list image stabilization as None, so stable rigging, gimbals, or other external stabilization methods will be necessary for steady shots.
Is this lens a zoom or a prime?+
It is a prime lens with a fixed focal length of 32mm, as confirmed by both the zoomPrime field and the matching minimum and maximum focal length values in the specifications.