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DZOFilm VESPID 12mm T2.8 Cinema Lens

The DZOFilm 12mm T2.8 is a 12mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

DZOFilm VESPID 12mm T2.8 Cinema Lens

DZOFilm VESPID 12mm T2.8 Cinema Lens

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Lens Overview — DZOFilm 12mm T2.8

The DZOFilm VESPID 12mm T2.8 is a wide-angle prime cinema lens built for Super 35 camera systems. Offering a maximum aperture of T2.8 and a 12mm focal length, it delivers a dramatic field of view — 119° horizontal, 81° vertical, and 126° diagonal — making it well suited for expansive environmental shots, confined spaces, or any situation demanding a truly wide perspective. The lens is manually focused, consistent with professional cinema workflows where precise, repeatable focus control is prioritized over autofocus convenience.

A 10-blade iris produces smooth, rounded out-of-focus rendering at wider apertures. The 77mm front filter thread makes accessory integration straightforward, while the PL mount is the standard connection point for professional cinema camera bodies. Flange distances are specified at 52mm for PL and 44mm for EF, giving useful reference data for camera-to-lens compatibility planning.

Weighing in at 725g, the VESPID 12mm strikes a practical balance for operators working with gimbals, drones, or handheld rigs where mass matters. With no image stabilization on board, stable support systems are recommended to get the best out of this lens in motion applications.

Key Features — DZOFilm 12mm T2.8

12mm Wide-Angle Prime: A fixed 12mm focal length delivers a dramatic perspective well suited for environmental shots, tight interiors, and immersive wide compositions.

T2.8 Maximum Aperture: A fast T2.8 stop provides solid light-gathering capability for a lens of this focal length, useful in lower-light shooting conditions.

Super 35 Coverage: Designed to cover the Super 35 format, making it compatible with the most widely used sensor size in professional cinema cameras.

PL Mount: Industry-standard cinema mount with a 52mm flange distance, compatible with professional camera systems from ARRI, RED, and others.

Wide Field of View: An extremely wide diagonal field of view captures expansive scenes or fills the frame in confined shooting spaces.

10-Blade Iris: Produces smooth, rounded bokeh in out-of-focus areas when shooting at wider apertures.

Lens Specifications — DZOFilm 12mm T2.8

DZOFilm 12mm T2.8 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatSuper 35
Zoom/PrimePrime
Focal Length12mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

Description — DZOFilm 12mm T2.8

The DZOFilm VESPID 12mm T2.8 is a prime cinema lens in the Wide Angle focal length range, purpose-built for Super 35 format cameras. Its T2.8 maximum aperture provides reliable light transmission in a compact, cinema-ready package. The field of view spans 119° horizontal, 81° vertical, and 126° diagonal, giving cinematographers a genuinely expansive perspective suited to architecture, landscapes, and tight interior environments alike.

The 10-blade iris ensures smooth aperture transitions and rounded out-of-focus rendering. Operating via manual focus only, the lens fits naturally into professional cinema setups where a dedicated focus puller controls focus with precision. The PL mount connection — with a specified flange distance of 52mm — provides a solid, industry-standard interface with professional cinema camera bodies.

Weighing 725g and featuring a 77mm front filter thread, the VESPID 12mm is designed with practical on-set use in mind. There is no image stabilization, so stable rigging or support systems are important for smooth results.

Pros — DZOFilm 12mm T2.8

  • ✓Wide T2.8 maximum aperture delivers solid light gathering for a 12mm cinema prime
  • ✓Dramatic 126° diagonal field of view ideal for expansive wide-angle compositions
  • ✓10-blade iris produces smooth, rounded bokeh at wider aperture settings

Cons — DZOFilm 12mm T2.8

  • ✗Manual focus only — no autofocus capability, requiring dedicated focus pulling on set
  • ✗No image stabilization, making stable support essential for handheld or moving-camera work
  • ✗Super 35 coverage may limit usability on larger sensor formats without vignetting

Reviews — DZOFilm 12mm T2.8

Videos — DZOFilm 12mm T2.8

DZOFILM Vespid Primes Review: SUPRISINGLY GOOD Full Frame Cine Lenses! — Gerald Undone

Resources & Downloads — DZOFilm 12mm T2.8

Manuals & Guides

Frequently Asked Questions — DZOFilm 12mm T2.8

What sensor format does the VESPID 12mm T2.8 cover?+
The lens is designed for Super 35 format coverage. Shooters working with larger sensor formats should verify that coverage is sufficient for their specific camera.
What mount does this lens use?+
The VESPID 12mm T2.8 uses a PL mount, with a specified flange distance of 52mm. An EF flange distance of 44mm is also listed in the specifications, which may indicate adapter or conversion compatibility.
Does this lens have autofocus or image stabilization?+
No — the VESPID 12mm T2.8 is a fully manual focus lens with no autofocus or image stabilization. This is standard for professional cinema lenses, where manual control is preferred for repeatable, precise focus work.
What is the iris blade count and why does it matter?+
The lens features a 10-blade iris. A higher blade count generally produces a rounder aperture opening, which contributes to smoother out-of-focus highlights and more natural-looking bokeh in cinema footage.
What filter size does the VESPID 12mm accept?+
The front filter thread is 77mm, making it compatible with a wide range of standard 77mm screw-in filters and many cinema matte box setups.
How heavy is the VESPID 12mm T2.8?+
The lens weighs 725g. This relatively modest weight for a cinema prime makes it a practical choice for weight-sensitive setups such as gimbals or aerial drone rigs.

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