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DZOFilm VESPID 16mm T2.8 Cinema Lens

The DZOFilm 16mm T2.8 is a 16mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

DZOFilm VESPID 16mm T2.8 Cinema Lens

DZOFilm VESPID 16mm T2.8 Cinema Lens

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DZOFilm Arles FF/VV 10-Lens set (14mm to 180mm)
DZOFilm Arles FF/VV 10-Lens set (14mm to 180mm)

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$12,000.00

Lens Overview — DZOFilm 16mm T2.8

The DZOFilm VESPID 16mm T2.8 is a manual-focus prime cinema lens designed for Super 35 cameras, mounted in PL. Sitting at the wide end of the focal length spectrum, this 16mm lens offers a maximum aperture of T2.8, giving cinematographers a solid light-gathering capability for a wide-angle prime. Its wide-angle character makes it a natural choice for establishing shots, tight interiors, dynamic action coverage, and immersive handheld or gimbal work where a compact footprint matters.

Weighing in at 930g, it strikes a practical balance between build quality and portability, keeping rigs manageable without sacrificing the robust feel expected on a professional cinema set. The lens ships with an 80mm front filter thread, ensuring compatibility with standard cine matte box systems and follow focus rigs commonly found across film and commercial production workflows. Designed around the Super 35 format, it integrates naturally into the most widely used sensor standard in cinema production.

As part of the broader VESPID series, the 16mm T2.8 is built to maintain consistent physical characteristics across focal lengths, supporting multi-lens setups where matching front diameters and gear positions simplify transitions between lenses on set. Manual focus operation puts full control in the hands of the focus puller, which remains the professional standard on narrative and commercial productions.

Key Features — DZOFilm 16mm T2.8

16mm Wide-Angle Prime: A fixed 16mm focal length suited for establishing shots, tight interiors, and immersive handheld or gimbal work.

T2.8 Maximum Aperture: Provides solid light-gathering capability for a wide-angle prime, useful in lower-light shooting conditions.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other PL-compatible bodies.

Super 35 Format Coverage: Designed to cover the Super 35 sensor standard, the dominant format across professional cinema cameras.

Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls in professional narrative and commercial workflows.

114mm Front Diameter: Standard front diameter ensures compatibility with cine matte box systems and follow focus rigs commonly used on set.

Lens Specifications — DZOFilm 16mm T2.8

DZOFilm 16mm T2.8 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypePrime
FormatSuper 35
Zoom/PrimePrime
Focal Length16mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread80mm

Description — DZOFilm 16mm T2.8

The DZOFilm VESPID 16mm T2.8 is a manual-focus prime cinema lens built around the PL mount and optimized for Super 35 sensor coverage. With a maximum aperture of T2.8, this wide-angle prime delivers reliable light gathering across a variety of production environments. Its 16mm focal length makes it a strong tool for wide, immersive perspectives in narrative, documentary, and commercial cinematography.

At 930g, the lens is lightweight enough to pair effectively with gimbals, drones, and handheld rigs without adding undue mass to the setup. The 80mm front filter thread ensures seamless integration with standard cine matte boxes and filter systems widely used across professional productions. As a PL mount lens, it slots naturally into the established ecosystem of professional cinema cameras.

The prime design and manual focus operation are in line with professional cinema production standards, giving focus pullers precise, repeatable control over the focus plane. The VESPID 16mm T2.8 is a purpose-built cinema tool for filmmakers working in the Super 35 format who need a compact, lightweight wide-angle prime with industry-standard mount compatibility.

Pros — DZOFilm 16mm T2.8

  • ✓Wide-angle 16mm focal length well-suited for expansive, immersive shots in cinema and commercial work
  • ✓T2.8 maximum aperture provides useful light gathering for a wide-angle prime in the Super 35 format
  • ✓Lightweight at 930g, keeping handheld, gimbal, and drone configurations practical

Cons — DZOFilm 16mm T2.8

  • ✗Manual focus only — no autofocus support, which may limit use in fast-turnaround or run-and-gun scenarios
  • ✗No image stabilization, so stabilized shots require external support such as a gimbal or steadicam
  • ✗T2.8 maximum aperture, while solid, is less light-efficient than faster T1.5 or T2 cinema primes

Reviews — DZOFilm 16mm T2.8

Videos — DZOFilm 16mm T2.8

I LOVE these Cine lenses | DZOfilm Vespid Primes — Cine Dailies

Resources & Downloads — DZOFilm 16mm T2.8

Manuals & Guides

Frequently Asked Questions — DZOFilm 16mm T2.8

What camera mount does the DZOFilm VESPID 16mm T2.8 use?+
The lens comes in a PL mount configuration. PL is the professional cinema industry standard and is compatible with a wide range of cinema cameras designed around that mount system.
What sensor format does this lens cover?+
The VESPID 16mm T2.8 is specified for Super 35 format coverage. It is not rated for full-frame or larger sensor formats, so users should confirm their camera's sensor size before purchasing.
Does this lens support autofocus?+
No, the VESPID 16mm T2.8 is a manual-focus-only lens. This is standard practice for professional cinema lenses, where a dedicated focus puller manages focus during production.
What filter thread size does the VESPID 16mm T2.8 use?+
The lens has an 80mm front filter thread diameter. This size is commonly found on cine-style lenses and is compatible with most professional matte boxes and cine filter systems.
How heavy is the DZOFilm VESPID 16mm T2.8?+
The lens weighs 930g, making it relatively lightweight for a cinema prime. This makes it practical for use on drones, gimbals, and handheld rigs where weight management is important.
Does this lens have image stabilization?+
No, the VESPID 16mm T2.8 has no image stabilization. For stabilized shooting, an external solution such as a gimbal, steadicam, or other support system would be required.

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