DZOFilm Vespid 50mm T2.1 Cine Lens
The DZOFilm 50mm T2.1 Cine is a 50mm f/2.1 lens designed for PL Mount, Canon EF, Sony E mount cameras. Used copies start from $999.99 on GearFocus, with buyer protection on every purchase.
DZOFilm Vespid 50mm T2.1 Cine Lens
Used DZOFilm 50mm T2.1 Cine Listings on GearFocus
Lens Overview — DZOFilm 50mm T2.1 Cine
Key Features — DZOFilm 50mm T2.1 Cine
50mm T2.1 Aperture: A fast T2.1 maximum aperture allows strong light transmission in low-light environments and helps achieve shallow depth of field on set.
Full-Frame Coverage: Covers a full-frame image circle, making it compatible with large-sensor cinema and mirrorless cameras without vignetting.
Manual Focus Design: Purpose-built manual focus ring delivers smooth, precise, and repeatable focus pulls suited to professional cinema workflows.
Multi-Mount Availability: Available in PL, Canon EF, and Sony E mount configurations, allowing cinematographers to match the lens to their existing camera system.
PL Mount Option: The PL mount version is compatible with professional cinema camera systems from manufacturers such as ARRI and RED.
77mm Filter Thread: Standard 77mm front thread makes it straightforward to attach matte boxes, ND filters, or polarizers commonly used in cinema production.
Lens Specifications — DZOFilm 50mm T2.1 Cine
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Studio, Creative Effects |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 50mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount, Canon EF, Sony E |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
Description — DZOFilm 50mm T2.1 Cine
The DZOFilm Vespid 50mm T2.1 Cine Lens is a full-frame prime lens built specifically for cinema and video production. With a T2.1 maximum aperture, it offers reliable performance in a range of lighting conditions while giving filmmakers control over depth of field. As a manual focus prime with no image stabilization, it is designed for the structured workflows of narrative and commercial cinematography, where focus is pulled deliberately and cameras are typically rigged and supported.
The lens accepts 77mm filters, making it straightforward to integrate with standard cinema filtration and matte box systems. Weighing 950g, it is built with the kind of mass that signals professional-grade construction. The Vespid 50mm is available in PL Mount, Canon EF, and Sony E mount variants, providing genuine flexibility for productions working across different camera systems.
Its 50mm focal length places it firmly in the standard range, making it a natural choice for interview setups, dialogue scenes, and general-purpose cinema work on full-frame camera systems.
Pros — DZOFilm 50mm T2.1 Cine
- ✓T2.1 maximum aperture provides strong light-gathering capability for cinema work
- ✓Full-frame coverage supports larger-sensor camera systems
- ✓Available in three mount options: PL Mount, Canon EF, and Sony E
Cons — DZOFilm 50mm T2.1 Cine
- ✗No autofocus — not suitable for run-and-gun or documentary work requiring fast AF
- ✗No image stabilization, requiring stabilized rigs or gimbals for handheld use
- ✗950g weight may be demanding for lightweight or handheld mirrorless rigs
Reviews — DZOFilm 50mm T2.1 Cine
Videos — DZOFilm 50mm T2.1 Cine
DZOFILM Vespid Primes Review: SUPRISINGLY GOOD Full Frame Cine Lenses! — Gerald Undone