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DZOFilm VESPID Cyber 50mm T2.1 Prime Lens for Full Frame

The DZOFilm 50mm T2.1 is a 50mm f/2.1 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

DZOFilm VESPID Cyber 50mm T2.1 Prime Lens for Full Frame

DZOFilm VESPID Cyber 50mm T2.1 Prime Lens for Full Frame

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Lens Overview — DZOFilm 50mm T2.1

The DZOFilm VESPID Cyber 50mm T2.1 is a full-frame prime cinema lens built for professional cinematography workflows. Sitting in the standard focal length range, the 50mm perspective delivers a natural field of view well-suited to narrative work, documentary, and commercial production. The T2.1 maximum aperture provides solid low-light capability while giving cinematographers meaningful control over depth of field.

Mounted in PL, this lens integrates directly with professional cinema camera bodies that rely on the industry-standard PL mount system. Being a fully manual focus lens, it aligns perfectly with follow-focus systems and wireless lens control rigs that are standard on professional sets. The 95mm front filter thread is a widely adopted size in the cine world, offering broad compatibility with matte boxes and filter systems used across productions of all scales.

At 732g, the VESPID Cyber 50mm strikes a practical balance — substantial enough to feel purposeful on a cinema rig, yet light enough to work comfortably on gimbals, drones, and handheld setups where weight distribution matters. Part of DZOFilm's VESPID Cyber series, it is designed specifically for the cinema and video camera system environment, making it a focused tool for operators who prioritize manual control, consistent front diameter, and full-frame coverage in a prime lens package.

Key Features — DZOFilm 50mm T2.1

50mm Full-Frame Prime: A standard focal length delivering a natural field of view well-suited to narrative, documentary, and commercial cinematography on full-frame sensors.

T2.1 Maximum Aperture: Provides meaningful low-light capability and precise depth-of-field control for cinematographers working in varied lighting conditions.

PL Mount: Industry-standard cinema lens mount offering direct compatibility with professional camera bodies from ARRI, RED, and others.

Manual Focus Design: Fully manual focus ring built for seamless integration with follow-focus systems and wireless lens control rigs standard on professional sets.

95mm Front Filter Thread: A widely adopted cine filter diameter offering broad compatibility with matte boxes and filter systems across productions of all scales.

Full-Frame Coverage: Designed to cover full-frame sensor formats, ensuring clean, vignette-free imaging on large-sensor cinema cameras.

Lens Specifications — DZOFilm 50mm T2.1

DZOFilm 50mm T2.1 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length50mm
Maximum Aperturef/2.1
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread95mm

Description — DZOFilm 50mm T2.1

The DZOFilm VESPID Cyber 50mm T2.1 is a prime cinema lens designed for the cinema and video camera system, built around a PL Mount for direct integration with professional cinema bodies. Covering a full-frame image format, it delivers a standard focal length perspective at 50mm with a maximum aperture of T2.1, giving cinematographers meaningful light-gathering capability and depth-of-field control. The lens is manual focus only, making it an ideal companion for follow-focus systems, lens control motors, and the precision-driven workflows of professional film and video sets.

A 95mm front filter thread ensures broad compatibility with cine matte boxes and filter accessories used across the industry. Weighing in at 732g, the VESPID Cyber 50mm is practical for a range of camera configurations, from traditional cinema rigs to weight-sensitive gimbal and drone setups. With no image stabilization, users will rely on external stabilization systems for smooth handheld or moving shots.

As part of the VESPID Cyber series from DZOFilm, this lens is purpose-built for the demands of professional cinematography.

Pros — DZOFilm 50mm T2.1

  • ✓T2.1 maximum aperture offers solid low-light performance and depth-of-field control
  • ✓Full-frame lens format ensures coverage across large-sensor cinema cameras
  • ✓PL Mount provides direct compatibility with professional cinema camera bodies

Cons — DZOFilm 50mm T2.1

  • ✗Manual focus only — no autofocus capability, which may limit run-and-gun or solo shooting scenarios
  • ✗Single PL Mount configuration listed in specs, with no additional mount options confirmed in specifications
  • ✗No image stabilization, requiring external stabilization solutions for handheld use

Reviews — DZOFilm 50mm T2.1

Videos — DZOFilm 50mm T2.1

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Frequently Asked Questions — DZOFilm 50mm T2.1

What camera mount does the DZOFilm VESPID Cyber 50mm T2.1 use?+
The lens uses a PL Mount, which is the standard mount found on professional cinema cameras. This makes it directly compatible with PL-equipped cinema bodies without the need for an adapter.
Does this lens cover full-frame sensors?+
Yes, the VESPID Cyber 50mm T2.1 has a full-frame lens format, meaning it is designed to cover the image circles of full-frame cinema cameras without vignetting.
Does the VESPID Cyber 50mm support autofocus?+
No, this is a fully manual focus lens with no autofocus capability. It is designed for professional cinema workflows where manual focus control via follow-focus systems or wireless lens motors is standard practice.
What filter thread size does this lens use?+
The lens has a 95mm front filter thread, which is a common size in professional cinema setups and is compatible with the majority of cine-style matte boxes and filter systems.
How heavy is the DZOFilm VESPID Cyber 50mm T2.1?+
The lens weighs 732g, making it a manageable option for use on gimbals, drones, or handheld rigs where weight is a consideration alongside traditional cinema camera builds.
What is the aperture rating of this lens?+
The maximum aperture is T2.1, expressed as a T-stop, which is the calibrated light transmission measurement standard used for cinema lenses rather than the f-stop system used on photographic lenses.

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