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DZOFilm Vespid2 105mm T1.9 Prime Lens

The DZOFilm 105mm T1.9 is a 105mm f/1.9 lens designed for PL Mount, Canon EF, Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

DZOFilm Vespid2 105mm T1.9 Prime Lens

DZOFilm Vespid2 105mm T1.9 Prime Lens

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Lens Overview — DZOFilm 105mm T1.9

The DZOFilm Vespid2 105mm T1.9 is a full-frame prime lens built for cinema and video production. At 105mm, it sits firmly in telephoto territory, making it a natural choice for portrait-style work, interviews, and isolating subjects at medium-to-long distances. The T1.9 maximum aperture is a genuine strength here — T-stops are measured through the actual light transmission of the optical system, meaning T1.9 represents real-world light delivery rather than a theoretical f-stop figure, which matters when you are pulling exposure across a multi-camera set.

The lens covers a full-frame image circle, so it pairs cleanly with larger sensors without vignetting concerns. Mount options include PL, Canon EF, and Sony E, giving this lens meaningful flexibility across a range of cinema and hybrid camera bodies. Focus is entirely manual, which is standard practice for dedicated cine work where focus pullers rely on consistent, precise manual control.

The 77mm filter thread is a common size that integrates easily with most matte box setups and step rings. Weighing 1200g, it has the heft expected of a full-frame cine prime. No image stabilization is included, which is typical for this class of lens where stabilization is generally handled at the rig or gimbal level.

Key Features — DZOFilm 105mm T1.9

105mm Telephoto Prime: A fixed focal length suited to portrait framing, interviews, and subject isolation at medium-to-long distances.

T1.9 Maximum Aperture: T-stop ratings measure actual light transmission through the optical system, making T1.9 a reliable figure for consistent exposure matching across multi-camera setups.

Full-Frame Image Circle: Covers larger sensors without vignetting, pairing cleanly with full-frame cinema and hybrid camera bodies.

Three Mount Options: Available in PL, Canon EF, and Sony E mounts, giving this lens broad compatibility across professional cinema and hybrid camera systems.

Manual Focus Design: Smooth, precise focus ring built for focus pullers working in dedicated cinema and video production workflows.

77mm Filter Thread: A widely supported filter diameter that integrates easily with most matte boxes, step rings, and filter systems.

Lens Specifications — DZOFilm 105mm T1.9

DZOFilm 105mm T1.9 full specifications
SpecDetail
Use CasesPortrait, Video / Cinematography, Studio
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length105mm
Maximum Aperturef/1.9
Camera SystemCinema / Video
Lens MountPL Mount, Canon EF, Sony E
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

Description — DZOFilm 105mm T1.9

The DZOFilm Vespid2 105mm T1.9 is a full-frame cinema prime built for professional filmmakers who need reliable, measurable optical performance. The T1.9 maximum aperture delivers genuine light transmission data — not a theoretical figure — making exposure matching across cameras more predictable on multi-camera productions. At 105mm, the focal length sits in telephoto range, well suited to subject isolation, portraiture-style cinematography, and medium-distance work.

The lens covers a full-frame image circle, removing coverage concerns when used with larger sensor cinema and hybrid cameras. Mount compatibility spans PL Mount, Canon EF, and Sony E, providing flexibility for a wide range of rigs and bodies. Focus is manual only, consistent with cinema production norms where dedicated focus pullers work with hard stops and lens markings.

The 77mm front filter thread integrates with standard matte box systems and is widely supported by step-ring adapters. At 1200g, the lens has a solid, professional build weight appropriate for shoulder rigs and larger gimbal setups.

Pros — DZOFilm 105mm T1.9

  • ✓T1.9 maximum aperture provides strong, measurable light transmission for low-light cinema work
  • ✓Full-frame lens format ensures complete image circle coverage for larger sensor cameras
  • ✓Three mount options — PL, Canon EF, and Sony E — offer broad camera system compatibility

Cons — DZOFilm 105mm T1.9

  • ✗No autofocus support, limiting its usefulness for run-and-gun or solo shooter scenarios
  • ✗No image stabilization, requiring external stabilization solutions for handheld work
  • ✗At 1200g, the lens adds significant weight to a rig, which may be a consideration for gimbal builds

Videos — DZOFilm 105mm T1.9

The first affordable smart cine lenses - DZOFilm Vespid 2 Primes - Test & Review — Media Division

Resources & Downloads — DZOFilm 105mm T1.9

Manuals & Guides

Frequently Asked Questions — DZOFilm 105mm T1.9

What camera mounts does the DZOFilm Vespid2 105mm T1.9 support?+
The lens is available in three mount options: PL Mount, Canon EF, and Sony E. This covers a broad range of cinema and hybrid camera bodies across different ecosystems.
Does this lens support autofocus?+
No, the Vespid2 105mm T1.9 is a manual focus lens only. This is standard for cinema prime lenses, where focus pullers work with manual control for precise, repeatable focus marks.
What sensors can this lens fully cover?+
The lens is rated for a full-frame image circle, meaning it covers full-frame sensors without vignetting. It will also cover smaller sensor formats.
What does the T1.9 aperture rating mean compared to an f-stop?+
T-stops measure actual light transmission through the lens, whereas f-stops are a theoretical geometric calculation. A T1.9 rating reflects the real amount of light reaching the sensor, which is important for consistent exposure matching across multiple cameras on a set.
What filter size does the Vespid2 105mm T1.9 use?+
The lens has a 77mm filter thread, which is a common diameter that works with a wide range of filters, step rings, and matte box clamp systems.
How heavy is this lens?+
The Vespid2 105mm T1.9 weighs 1200g. This is worth factoring in when planning gimbal payloads or extended handheld shooting rigs.

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