DZOFilm Vespid2 35mm T1.9 Prime Lens
The DZOFilm 35mm T1.9 is a 35mm f/1.9 lens designed for PL Mount, Canon EF, Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
DZOFilm Vespid2 35mm T1.9 Prime Lens
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DZO Vespid 7 Lens PL Mount Kit B (w/ Hard Case and 90mm Macro)
Lens Overview — DZOFilm 35mm T1.9
Key Features — DZOFilm 35mm T1.9
35mm T1.9 Aperture: A fast T1.9 maximum aperture allows for shallow depth of field and capable performance in low-light shooting conditions.
Full-Frame Image Circle: Covers full-frame sensors without vignetting, supporting large-format cinema and mirrorless camera bodies.
Three Mount Options: Available in PL, Canon EF, and Sony E mounts, allowing the same lens to be deployed across a wide range of cinema and mirrorless camera platforms.
PL Mount Compatibility: PL mount version is compatible with professional cinema cameras from ARRI, RED, and similar systems used in high-end production.
Cinema Manual Focus Design: Purpose-built manual focus ring with consistent throw and marked focus distances, designed for use with a dedicated focus puller.
Standard Focal Length: A 35mm focal length sits in the versatile standard range, suitable for narrative, documentary, and commercial cinematography.
Lens Specifications — DZOFilm 35mm T1.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Studio, Creative Effects |
| Lens Type | Prime |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/1.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount, Canon EF, Sony E |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
Description — DZOFilm 35mm T1.9
The DZOFilm Vespid2 35mm T1.9 Prime Lens is a full-frame cinema prime built for the demands of professional video and film production. Its T1.9 maximum aperture makes it well-suited for low-light environments and scenes requiring a shallow depth of field. Operating as a manual focus lens, it is purpose-built for cinema and video camera systems where focus control is typically handled by a dedicated focus puller.
The 35mm focal length places it in the standard range, giving cinematographers a natural perspective that works across a variety of scene types and shooting styles. Mount versatility is a key practical advantage — the Vespid2 35mm is available in PL Mount, Canon EF, and Sony E configurations, enabling use across a diverse range of professional and mirrorless camera platforms. The full-frame image circle ensures the lens delivers edge-to-edge coverage on larger sensor bodies.
Pros — DZOFilm 35mm T1.9
- ✓Fast T1.9 maximum aperture supports strong low-light shooting and shallow depth of field
- ✓Full-frame lens format provides broad sensor coverage across large-format camera systems
- ✓Available in PL Mount, Canon EF, and Sony E mount options for multi-platform flexibility
Cons — DZOFilm 35mm T1.9
- ✗Manual focus only — no autofocus support, which limits use in run-and-gun or solo shooting scenarios
- ✗No image stabilization, meaning handheld or gimbal-stabilized rigs are required for smooth footage
- ✗Filter thread size is unspecified, complicating filter system planning
Reviews — DZOFilm 35mm T1.9
Videos — DZOFilm 35mm T1.9
DZOFILM Vespid Primes Review: SUPRISINGLY GOOD Full Frame Cine Lenses! — Gerald Undone