Fujinon 75-400mm T2.8-3.8 Premier PL Cinema Zoom Lens
The Fujinon 75-400mm T2.8-3.8 is a 75–400mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Fujinon 75-400mm T2.8-3.8 Premier PL Cinema Zoom Lens
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Lens Overview — Fujinon 75-400mm T2.8-3.8
Key Features — Fujinon 75-400mm T2.8-3.8
75-400mm Focal Range: A 5x-plus telephoto zoom range in a single lens, covering everything from medium telephoto to extreme long-lens coverage on Super 35 sensors.
T2.8-3.8 Maximum Aperture: Opens to T2.8 at the wide end, maintaining usable light gathering across the zoom range even as it breathes to T3.8 at 400mm.
PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Designed to cover the Super 35 format, matching the sensor size used by the majority of professional digital cinema cameras in active production.
Manual Focus Design: Built for precision focus-pulling workflows, with a manual focus ring suited to narrative and high-end commercial production.
Premier Series Consistency: Shares consistent front barrel diameter and gear ring placement with other lenses in the Premier PL series, enabling fast lens swaps within a matched set.
Lens Specifications — Fujinon 75-400mm T2.8-3.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 75–400mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 7.5kg |
Description — Fujinon 75-400mm T2.8-3.8
The Fujinon 75-400mm Premier PL Cinema Zoom Lens is a telephoto zoom spanning 75mm to 400mm, designed specifically for the Super 35 format and built around the industry-standard PL Mount. With a maximum aperture of T2.8 at the wide end and T3.8 at the long end, it delivers a strong light-gathering capability across a demanding focal length range. Weighing in at 7.5kg, this is a professional-grade optic that demands proper rigging and support — but rewards productions that need genuine telephoto reach from a matched cinema lens set.
The lens is manual focus only, with no autofocus, which aligns with standard cinema production workflows where a dedicated focus puller operates the focus barrel. There is no image stabilization, reinforcing the need for stable camera support at the longer end of the zoom range. As part of the Premier PL series, the 75-400mm is designed for consistency across the lens lineup, with uniform barrel diameter and gear placement that simplifies lens changes on set.
For productions requiring long-reach coverage — from sports and wildlife to dramatic long-lens cinematography — this lens delivers the focal range and aperture performance expected from a premier cinema zoom.
Pros — Fujinon 75-400mm T2.8-3.8
- ✓Wide telephoto zoom range from 75mm to 400mm covers a broad Super 35 focal length spectrum in a single lens
- ✓Fast maximum aperture of T2.8 at 75mm provides strong light gathering at the wide end of the zoom
- ✓PL Mount compatibility integrates with the industry-standard cinema camera ecosystem
Cons — Fujinon 75-400mm T2.8-3.8
- ✗At 7.5kg, the lens is very heavy and will require robust support — handheld or lightweight gimbal use is impractical
- ✗No image stabilization, which at 400mm on a heavy body demands secure rigging and support equipment
- ✗Aperture ranges from T2.8 to T3.8 across the zoom range, meaning the long end loses over a stop compared to the wide end