Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle
The Fujinon MK18-55 & MK50-135 T2.9 is a 18–135mm f/2.9 lens designed for Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle
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Lens Overview — Fujinon MK18-55 & MK50-135 T2.9
Key Features — Fujinon MK18-55 & MK50-135 T2.9
18-135mm Combined Coverage: Two overlapping zoom ranges (18-55mm and 50-135mm) cover wide to telephoto in a matched two-lens kit.
Consistent T2.9 Aperture: Both lenses share the same maximum T2.9 aperture, so exposure stays matched when swapping between them on set.
Super 35 Format Coverage: Designed to cover the Super 35 sensor size used in many professional cinema and video cameras.
Sony E Mount: Compatible with a wide range of cinema and video cameras built around the Sony E mount ecosystem.
Manual Focus Design: Smooth manual focus rings on both lenses support precise, repeatable focus pulls in professional cinema workflows.
Matched 82mm Filter Thread: Both lenses share the same 82mm filter thread size, so one set of filters works across the entire kit.
Lens Specifications — Fujinon MK18-55 & MK50-135 T2.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 18–135mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | Sony E |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — Fujinon MK18-55 & MK50-135 T2.9
The Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle brings together two zoom lenses with a combined focal length range of 18-55mm & 50-135mm, spanning from 18mm wide-angle to 135mm telephoto. Both lenses are built around the Sony E mount and are designed specifically for the Super 35 sensor format, making them well-suited to professional cinema and video camera systems. A shared maximum aperture of T2.9 across both lenses is one of the bundle's most practical attributes, delivering consistent exposure matching when swapping between lenses mid-production.
Focus operation is manual, in keeping with standard cinema workflow practices. The matched 82mm filter thread on both lenses simplifies on-set filter management considerably. With a combined weight starting from 980g, this is a capable two-lens cine kit covering the most commonly used focal lengths in narrative, documentary, and commercial video production.
Pros — Fujinon MK18-55 & MK50-135 T2.9
- ✓Consistent T2.9 maximum aperture across both lenses ensures matched exposure throughout the 18–135mm focal range
- ✓Shared 82mm filter thread size on both lenses allows a single filter set to work across the entire kit
- ✓Broad combined focal range of 18mm to 135mm (specified as 18-55mm & 50-135mm) covers wide to telephoto in two lenses
Cons — Fujinon MK18-55 & MK50-135 T2.9
- ✗No autofocus support (autoFocus: false), which limits use in run-and-gun or fast-paced shooting scenarios where AF is beneficial
- ✗No image stabilization on either lens, so handheld or moving-camera work relies entirely on camera-side or rig-based stabilization
- ✗T2.9 maximum aperture, while consistent, is not as fast as T1.5 or T2 cine lenses for low-light-critical productions
Reviews — Fujinon MK18-55 & MK50-135 T2.9
- Fujinon MK 50-135mm T2.9 and MK 18-55mm T2.9 review
Newsshooter · 2017-06-07 - FUJINON MK18-55mm Technical Review - The New E-Mount Cine Zoom in the Lab
CineD · 2017-01-01 - REVIEW: Fujifilm MK 18-55 Zoom Lens
No Film School · 2017-02-01 - I Spent $8000 on Cinema Zooms - Was It Worth It?
Luc Forsyth - FUJINON MK 18-55 Cine Zoom Lens - Vistek Hands-on Review
Vistek
Videos — Fujinon MK18-55 & MK50-135 T2.9
FUJINON MK 50-135mm Review – A Worthy Cine Zoom For Your Kit? — CineD