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Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle

The Fujinon MK18-55 & MK50-135 T2.9 is a 18–135mm f/2.9 lens designed for Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle

Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle

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Lens Overview — Fujinon MK18-55 & MK50-135 T2.9

The Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle is a two-lens kit designed to cover a broad focal range from 18mm to 135mm, making it a versatile solution for cinematographers and videographers working in the Super 35 format. Both lenses share a consistent maximum aperture of T2.9, which is critical for maintaining uniform exposure when switching between lenses on set without needing to adjust camera settings. The Sony E mount compatibility makes this bundle a natural fit for a wide range of cinema and video camera systems built around that ecosystem.

Focus is fully manual on both lenses, which aligns with professional cinema workflows where precise, repeatable focus pulls are essential. The 82mm filter thread size is consistent across both lenses, meaning a single set of filters can be used with the entire kit — a practical advantage that saves time and reduces gear costs. Weighing 980g, this bundle offers a manageable physical footprint for a two-lens cine kit.

With a zoom design spanning two overlapping focal length ranges, the MK series bundle provides substantial coverage suitable for narrative filmmaking, documentary, and commercial video production.

Key Features — Fujinon MK18-55 & MK50-135 T2.9

18-135mm Combined Coverage: Two overlapping zoom ranges (18-55mm and 50-135mm) cover wide to telephoto in a matched two-lens kit.

Consistent T2.9 Aperture: Both lenses share the same maximum T2.9 aperture, so exposure stays matched when swapping between them on set.

Super 35 Format Coverage: Designed to cover the Super 35 sensor size used in many professional cinema and video cameras.

Sony E Mount: Compatible with a wide range of cinema and video cameras built around the Sony E mount ecosystem.

Manual Focus Design: Smooth manual focus rings on both lenses support precise, repeatable focus pulls in professional cinema workflows.

Matched 82mm Filter Thread: Both lenses share the same 82mm filter thread size, so one set of filters works across the entire kit.

Lens Specifications — Fujinon MK18-55 & MK50-135 T2.9

Fujinon MK18-55 & MK50-135 T2.9 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatSuper 35
Zoom/PrimeZoom
Focal Length18–135mm
Maximum Aperturef/2.9
Camera SystemCinema / Video
Lens MountSony E
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread82mm

Description — Fujinon MK18-55 & MK50-135 T2.9

The Fujinon MK18-55 & MK50-135 T2.9 Cine Lens Bundle brings together two zoom lenses with a combined focal length range of 18-55mm & 50-135mm, spanning from 18mm wide-angle to 135mm telephoto. Both lenses are built around the Sony E mount and are designed specifically for the Super 35 sensor format, making them well-suited to professional cinema and video camera systems. A shared maximum aperture of T2.9 across both lenses is one of the bundle's most practical attributes, delivering consistent exposure matching when swapping between lenses mid-production.

Focus operation is manual, in keeping with standard cinema workflow practices. The matched 82mm filter thread on both lenses simplifies on-set filter management considerably. With a combined weight starting from 980g, this is a capable two-lens cine kit covering the most commonly used focal lengths in narrative, documentary, and commercial video production.

Pros — Fujinon MK18-55 & MK50-135 T2.9

  • ✓Consistent T2.9 maximum aperture across both lenses ensures matched exposure throughout the 18–135mm focal range
  • ✓Shared 82mm filter thread size on both lenses allows a single filter set to work across the entire kit
  • ✓Broad combined focal range of 18mm to 135mm (specified as 18-55mm & 50-135mm) covers wide to telephoto in two lenses

Cons — Fujinon MK18-55 & MK50-135 T2.9

  • ✗No autofocus support (autoFocus: false), which limits use in run-and-gun or fast-paced shooting scenarios where AF is beneficial
  • ✗No image stabilization on either lens, so handheld or moving-camera work relies entirely on camera-side or rig-based stabilization
  • ✗T2.9 maximum aperture, while consistent, is not as fast as T1.5 or T2 cine lenses for low-light-critical productions

Resources & Downloads — Fujinon MK18-55 & MK50-135 T2.9

Manuals & Guides

Frequently Asked Questions — Fujinon MK18-55 & MK50-135 T2.9

What camera mount do these lenses use?+
Both lenses in the bundle use the Sony E mount, as listed in the specifications. This makes them compatible with Sony E mount cinema and video cameras within the Cinema / Video camera system category.
What sensor format do the MK18-55 and MK50-135 cover?+
Both lenses are designed to cover the Super 35 format, as specified in the lensFormat field. They may not provide full coverage on larger sensor formats beyond Super 35.
Do either of these lenses have autofocus or image stabilization?+
No. Both lenses are manual focus only (autoFocus: false) and neither features image stabilization (imageStabilization: None). They are designed for traditional cinema workflows where manual focus pulls and external stabilization rigs are standard practice.
Can I use one filter set for both lenses?+
Yes. Both lenses share the same 82mm filter thread size, which means a single set of 82mm filters works across the entire bundle without the need for step-up rings or multiple filter sets.
What is the maximum aperture, and is it consistent across both lenses?+
Both lenses have a maximum aperture of T2.9. This consistent T-stop rating means exposure remains matched when switching between lenses, which is a key advantage for multi-lens cinema productions.
What focal lengths does this bundle cover?+
The bundle covers a combined focal length range of 18-55mm and 50-135mm, for an overall span of 18mm to 135mm. The overlapping range between 50mm and 55mm ensures there is no gap in coverage between the two lenses.

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