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Fujinon Premier 24-180mm T2.6 Zoom Cinema Lens

The Fujinon Premier 24-180mm T2.6 is a 24–180mm f/2.6 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Fujinon Premier 24-180mm T2.6 Zoom Cinema Lens

Fujinon Premier 24-180mm T2.6 Zoom Cinema Lens

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Lens Overview — Fujinon Premier 24-180mm T2.6

The Fujinon Premier 24-180mm T2.6 is a professional cinema zoom lens built for demanding production environments. Covering a focal range from 24mm to 180mm, it delivers substantial versatility in a single lens, allowing cinematographers to move fluidly between wide establishing shots and tighter telephoto framings without swapping glass. The lens maintains a constant maximum aperture of T2.6 throughout the entire zoom range, which is a critical practical advantage on set — exposure remains consistent as you zoom, simplifying the work of both the camera operator and the focus puller.

Mounted via PL Mount, it integrates seamlessly into standard cinema camera setups built around the industry-standard PL ecosystem. The lens is designed for Super 35 format sensors, aligning with the dominant acquisition format used across high-end film and television production. Focus is manual, as expected on a cinema-grade lens of this caliber, supporting precise, repeatable focus pulls.

Weighing in at 9kg, this is a substantial piece of glass that will typically require proper lens support and a matte box rig. There is no image stabilization, so it is best deployed on supported setups such as tripods, cranes, or camera rigs rather than handheld.

Key Features — Fujinon Premier 24-180mm T2.6

24-180mm Focal Range: A 7.5x zoom range covers wide establishing shots through tight telephoto framings without requiring a lens change on set.

Constant T2.6 Aperture: Maintains T2.6 throughout the entire zoom range, keeping exposure consistent whether you are at 24mm or 180mm.

PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Super 35 Coverage: Designed for the Super 35 format, aligning with the dominant acquisition standard used across high-end film and television production.

Manual Focus Design: Smooth, cinema-grade manual focus ring built for precise, repeatable focus pulls in professional production workflows.

Supported Rig Build: At 9kg, the lens is sized for tripods, cranes, or rigged camera systems rather than handheld operation.

Lens Specifications — Fujinon Premier 24-180mm T2.6

Fujinon Premier 24-180mm T2.6 full specifications
SpecDetail
Use CasesDocumentary, Video / Cinematography
Lens TypeZoom
FormatSuper 35
Zoom/PrimeZoom
Focal Length24–180mm
Maximum Aperturef/2.6
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight9kg

Description — Fujinon Premier 24-180mm T2.6

The Fujinon Premier 24–180mm T2.6 cinema zoom lens offers an expansive focal range in a single PL Mount package. Covering from 24mm wide to 180mm telephoto, it gives cinematographers the flexibility to handle a wide variety of shots without changing lenses on set. The constant T2.6 maximum aperture is maintained throughout the zoom range, keeping exposure consistent and predictable regardless of focal length adjustments.

Designed specifically for Super 35 format sensors and built around the PL Mount standard, this lens fits naturally into established professional cinema camera systems. Focus is manual, supporting deliberate and repeatable focus control as expected in a cinema production environment. At 9kg, the lens requires proper support rigging and is designed for use on tripods, cranes, or other stabilized platforms.

There is no image stabilization, reinforcing that this lens is intended for structured, supported production setups where optical stability is handled externally.

Pros — Fujinon Premier 24-180mm T2.6

  • ✓Wide 24–180mm focal range covers a broad spectrum of shooting scenarios in a single lens
  • ✓Constant T2.6 maximum aperture maintained across the entire zoom range ensures consistent exposure
  • ✓PL Mount compatibility integrates with the industry-standard cinema camera ecosystem

Cons — Fujinon Premier 24-180mm T2.6

  • ✗At 9kg, the lens is very heavy and will require dedicated lens support and rigging on most setups
  • ✗No image stabilization means handheld or unsupported shooting is impractical
  • ✗No filter thread size specified, which complicates matte box and filtration planning

Videos — Fujinon Premier 24-180mm T2.6

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Resources & Downloads — Fujinon Premier 24-180mm T2.6

Frequently Asked Questions — Fujinon Premier 24-180mm T2.6

What camera mount does this lens use?+
The Fujinon Premier 24-180mm T2.6 uses a PL Mount, which is the standard mount for professional cinema cameras. It is not compatible with DSLR or mirrorless mounts without an adapter.
Does the aperture change as you zoom?+
No. The lens maintains a constant maximum aperture of T2.6 across the full 24–180mm focal range. This means your exposure settings remain consistent whether you are shooting at 24mm or 180mm.
What sensor format does this lens cover?+
The lens is designed for Super 35 format sensors, which is the dominant acquisition format in professional cinema and high-end television production.
Is this lens suitable for handheld shooting?+
The lens weighs 9kg and has no image stabilization, making it poorly suited for handheld use. It is best deployed on a tripod, crane, gimbal, or other supported rig with proper lens support.
Does this lens support autofocus?+
No. The Fujinon Premier 24-180mm T2.6 is a manual focus lens, which is standard for professional cinema lenses and supports the precise, controlled focus pulls required in professional filmmaking.

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