Fujinon Premier 24-180mm T2.6 Zoom Cinema Lens
The Fujinon Premier 24-180mm T2.6 is a 24–180mm f/2.6 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Fujinon Premier 24-180mm T2.6 Zoom Cinema Lens
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Lens Overview — Fujinon Premier 24-180mm T2.6
Key Features — Fujinon Premier 24-180mm T2.6
24-180mm Focal Range: A 7.5x zoom range covers wide establishing shots through tight telephoto framings without requiring a lens change on set.
Constant T2.6 Aperture: Maintains T2.6 throughout the entire zoom range, keeping exposure consistent whether you are at 24mm or 180mm.
PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Designed for the Super 35 format, aligning with the dominant acquisition standard used across high-end film and television production.
Manual Focus Design: Smooth, cinema-grade manual focus ring built for precise, repeatable focus pulls in professional production workflows.
Supported Rig Build: At 9kg, the lens is sized for tripods, cranes, or rigged camera systems rather than handheld operation.
Lens Specifications — Fujinon Premier 24-180mm T2.6
| Spec | Detail |
|---|---|
| Use Cases | Documentary, Video / Cinematography |
| Lens Type | Zoom |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 24–180mm |
| Maximum Aperture | f/2.6 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 9kg |
Description — Fujinon Premier 24-180mm T2.6
The Fujinon Premier 24–180mm T2.6 cinema zoom lens offers an expansive focal range in a single PL Mount package. Covering from 24mm wide to 180mm telephoto, it gives cinematographers the flexibility to handle a wide variety of shots without changing lenses on set. The constant T2.6 maximum aperture is maintained throughout the zoom range, keeping exposure consistent and predictable regardless of focal length adjustments.
Designed specifically for Super 35 format sensors and built around the PL Mount standard, this lens fits naturally into established professional cinema camera systems. Focus is manual, supporting deliberate and repeatable focus control as expected in a cinema production environment. At 9kg, the lens requires proper support rigging and is designed for use on tripods, cranes, or other stabilized platforms.
There is no image stabilization, reinforcing that this lens is intended for structured, supported production setups where optical stability is handled externally.
Pros — Fujinon Premier 24-180mm T2.6
- ✓Wide 24–180mm focal range covers a broad spectrum of shooting scenarios in a single lens
- ✓Constant T2.6 maximum aperture maintained across the entire zoom range ensures consistent exposure
- ✓PL Mount compatibility integrates with the industry-standard cinema camera ecosystem
Cons — Fujinon Premier 24-180mm T2.6
- ✗At 9kg, the lens is very heavy and will require dedicated lens support and rigging on most setups
- ✗No image stabilization means handheld or unsupported shooting is impractical
- ✗No filter thread size specified, which complicates matte box and filtration planning
Videos — Fujinon Premier 24-180mm T2.6
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