Fujinon Premista 80-250mm T2.9-3.5 Large-Format Cine Zoom Lens
The Fujifilm 80-250mm T2.9-3.5 is a 80–250mm f/2.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Fujinon Premista 80-250mm T2.9-3.5 Large-Format Cine Zoom Lens
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Lens Overview — Fujifilm 80-250mm T2.9-3.5
Key Features — Fujifilm 80-250mm T2.9-3.5
80-250mm Telephoto Zoom: Covers a wide span of telephoto focal lengths in a single lens, reducing the need to swap glass during production.
T2.9-3.5 Maximum Aperture: Calibrated T-stop rating reflects actual light transmission across the zoom range, giving cinematographers consistent exposure control.
Large-Format Image Circle: Engineered to cover the larger sensors found in modern cinema cameras such as the ARRI ALEXA LF and Sony VENICE, delivering edge-to-edge sharpness.
PL Mount: Industry-standard cinema lens mount ensures direct compatibility with professional camera systems from ARRI, RED, and Sony.
Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls when paired with dedicated follow focus systems.
Internal Zoom Mechanism: Lens length does not change during zooming, maintaining balance on rigged camera setups throughout the focal range.
Lens Specifications — Fujifilm 80-250mm T2.9-3.5
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Zoom |
| Focal Length | 80–250mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 3.8kg |
Description — Fujifilm 80-250mm T2.9-3.5
The Fujinon Premista 80-250mm T2.9-3.5 is a large-format cine zoom lens built for professional cinema and video production. It covers a telephoto focal length range of 80mm to 250mm, with a maximum aperture of T2.9 at the wide end, stepping to T3.5 at the long end. The lens is fitted with a PL Mount, positioning it firmly within the professional cinema camera ecosystem.
Weighing 3.8kg, it is a substantial optic designed for rigged production environments. Focus is entirely manual, which is standard for cinema lenses operated by dedicated focus pullers on set. With no image stabilization, the lens is intended for use on tripods, cranes, gimbals, or other stabilized support systems.
The large-format classification means the lens is built to cover the larger sensor sizes increasingly common in high-end cinema production. Its telephoto zoom range makes it a strong choice for covering mid-to-long focal length work within a single lens in a cinema production kit.
Pros — Fujifilm 80-250mm T2.9-3.5
- ✓Wide telephoto zoom range from 80mm to 250mm covers a broad span of focal lengths in a single lens
- ✓Maximum aperture of T2.9 provides strong light transmission at the wide end of the zoom
- ✓PL Mount ensures direct compatibility with the professional cinema camera ecosystem
Cons — Fujifilm 80-250mm T2.9-3.5
- ✗At 3.8kg, the lens is heavy and will require robust support rigging on set
- ✗No image stabilization means a stabilized rig or support system is essential for smooth footage
- ✗Aperture shifts from T2.9 to T3.5 across the zoom range, which requires exposure management when zooming
Reviews — Fujifilm 80-250mm T2.9-3.5
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FUJINON Premista 80-250mm T/2.9-3.5 Shipping — CineD