Great Joy 35mm T2.9 1.8x Anamorphic Lens
The Blazar 35mm T2.9 is a 35mm f/2.9 lens designed for Sony E mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Great Joy 35mm T2.9 1.8x Anamorphic Lens
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Lens Overview — Blazar 35mm T2.9
Key Features — Blazar 35mm T2.9
1.8x Anamorphic Squeeze: Produces the characteristic wide aspect ratio and oval bokeh associated with anamorphic cinema, without requiring a full 2x squeeze crop.
Full-Frame Coverage: Covers full-frame sensors, delivering a natural, slightly wide field of view well-suited to narrative and documentary work.
T2.9 Maximum Aperture: Transmittance-rated T2.9 aperture ensures consistent, predictable exposure when used alongside other cinema lenses in a matched production setup.
Manual Focus Design: Smooth, tactile focus ring built for precise, repeatable focus pulls in professional cinema and video workflows.
Sony E Mount: Natively fits Sony E mount mirrorless cameras, compatible with full-frame bodies like the Sony FX3, FX6, A7S III, and VENICE 2.
82mm Front Filter Thread: Large front element thread accommodates professional filtration, including anamorphic flare-enhancing filters and NDs.
Lens Specifications — Blazar 35mm T2.9
| Spec | Detail |
|---|---|
| Use Cases | Studio, Documentary, Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | Sony E |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — Blazar 35mm T2.9
The Blazar Great Joy 35mm Anamorphic is a manual focus prime built for cinema and video production on Sony E mount cameras. With a T2.9 maximum aperture, it offers solid light transmission for a dedicated anamorphic cinema prime. The lens covers a full-frame image circle, making it well-suited to modern full-frame mirrorless bodies in the Sony ecosystem.
At 1,179g, this is a substantial optic that benefits from proper rigging or support. The 82mm filter thread at the front provides compatibility with a wide range of professional filters. There is no image stabilization on board, so stabilization will need to come from the camera body or an external stabilizer.
Focus is entirely manual, which fits naturally into a cinema production environment where dedicated focus pullers and follow focus systems are the norm. The standard focal length range classification puts the 35mm perspective in versatile territory for a wide range of cinematic applications.
Pros — Blazar 35mm T2.9
- ✓Full-frame coverage (lensFormat: Full Frame) suits a wide range of Sony E mount bodies
- ✓T2.9 maximum aperture provides usable light-gathering in a cinema-grade anamorphic prime
- ✓Standard 35mm focal length offers a versatile, natural field of view for narrative work
Cons — Blazar 35mm T2.9
- ✗No autofocus — manual focus only, which limits use in fast-paced or run-and-gun scenarios
- ✗No image stabilization, requiring a stabilized body or external rig for handheld shooting
- ✗At 1,179g, the weight demands a solid support setup for extended shooting
Reviews — Blazar 35mm T2.9
- Great Joy 35mm T2.9 1.8x Anamorphic Lens Review
Newsshooter · 2022-09-27 - BEST budget Anamorphics? Great Joy 1.8x Anamorphic lenses
Ed Prosser - Going Wide On a Budget! - Great Joy 35mm T2.9 1.8X Full Frame Anamorphic Lens
Anamorphic Cookbook - GREAT JOY 35MM T2.9 | REVIEW | Wide 1.8x Anamorphic Lens ( used on the BMPCC 6K & Pro )
Of Two Lands - ANAMORPHIC REVOLUTION | The 35mm Great Joy 1.8x Anamorphic Review & Test Footage
Joey Helms
Videos — Blazar 35mm T2.9
Great Joy 35mm T2.9 review – 1.8x anamorphic lens — Fenchel & Janisch