Hitachi SK-HD1200 Professional Studio Broadcast Camera
The Hitachi SK-HD1200 is a 2.3 MP (1920 x 1080 per channel, 3 sensors) 2/3 inch cinema camera — with Full HD (1080p) video. Check GearFocus for current availability, with buyer protection on every purchase.
Hitachi SK-HD1200 Professional Studio Broadcast Camera
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Camera Overview — Hitachi SK-HD1200
Key Features — Hitachi SK-HD1200
3-Chip 2/3" Sensor Design: Three dedicated 2/3-inch sensors capture 1920x1080 per channel, delivering the discrete RGB imaging pipeline standard in professional broadcast cameras.
38-Bit DSP Processing: Hitachi's 38-bit DSP combined with 16-bit A/D converters provides high-precision signal processing for clean, broadcast-ready image output.
1080p Broadcast Output: Supports 1080p at 50fps, 59.94fps, and 60fps, covering the major international broadcast frame rate standards for live and studio production.
Multiple Color Standards: Compatible with ITU-709, SMPTE-240M, NTSC, EBU, and Ultra Gamma profiles, giving operators flexibility across international broadcast and custom gamma workflows.
2/3" Bayonet Lens Mount: Industry-standard 2/3-inch bayonet mount accepts the broad ecosystem of professional broadcast lenses from major manufacturers.
Studio Power Architecture: 22W camera head draw is designed for studio supply or external broadcast battery operation, suited to fixed and shoulder-mounted studio workflows.
Camera Specifications — Hitachi SK-HD1200
| Spec | Detail |
|---|---|
| Use Cases | Studio, Sports |
| Type | Other |
| Sensor | 2/3 inch |
| Resolution | 2.3 MP (1920 x 1080 per channel, 3 sensors) |
| Processor | Hitachi 38-bit DSP, 16-bit A/D converters |
| ISO Range | 200 – 3200 |
| AF System | Manual Focus Only |
| Max Video Resolution | Full HD (1080p) |
| Max Frame Rate | 60fps |
| Bit Depth | 16-bit A/D, 38-bit DSP processing |
| Video Color Profiles | ITU-709, SMPTE-240M, NTSC, EBU, Ultra Gamma |
| Image Stabilization | None |
Description — Hitachi SK-HD1200
The Hitachi SK-HD1200 is a professional studio broadcast camera designed around a three-sensor architecture, with each 2/3-inch sensor capturing at 1920 x 1080 resolution across 3 dedicated channels. Signal processing is handled by a Hitachi 38-bit DSP paired with 16-bit A/D converters, forming a high-precision imaging pipeline suited to live broadcast and studio production. The camera records at up to 1080p with frame rate options of 50fps, 59.94fps, and 60fps, ensuring compatibility with major international broadcast formats.
Color science is covered by five profiles: ITU-709, SMPTE-240M, NTSC, EBU, and Ultra Gamma, providing flexibility across broadcast and custom gamma workflows. The bayonet lens mount accommodates professional 2/3-inch broadcast glass, and focus is manual only in keeping with traditional broadcast operating practices. An ISO range of 200–3200 is available.
Power comes from an external broadcast battery or studio supply, with a camera head consumption of 22W. The body is constructed from professional broadcast-grade metal and composite materials and weighs 4.4 kg. An optional 2-inch high-resolution B/W CRT external viewfinder can be added for on-camera monitoring.
Pros — Hitachi SK-HD1200
- ✓Three 2/3-inch sensors at 1920 x 1080 per channel deliver a dedicated broadcast-grade imaging pipeline
- ✓38-bit DSP with 16-bit A/D converters provides high-precision signal processing
- ✓Broad color profile support including ITU-709, SMPTE-240M, NTSC, EBU, and Ultra Gamma
Cons — Hitachi SK-HD1200
- ✗Manual focus only — no autofocus system of any kind, requiring a dedicated lens operator
- ✗No image stabilization of any type (in-body or digital)
- ✗No built-in connectivity — no Wi-Fi, Bluetooth, USB, or USB-C
Videos — Hitachi SK-HD1200
Hitachi Demo the Z-HD5000 Camera System on the TNP Broadcast Stand @ BVE 2012 — TNPBroadcastTV