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Hitachi SK-HD2200 Studio Broadcast Camera

The Hitachi SK-HD2200 is a 2.3 megapixels (1920 x 1080 per channel, 3-CCD RGB) 2/3 inch cinema camera — with Full HD (1080p) video. Check GearFocus for current availability, with buyer protection on every purchase.

Hitachi SK-HD2200 Studio Broadcast Camera

Hitachi SK-HD2200 Studio Broadcast Camera

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Camera OverviewHitachi SK-HD2200

The Hitachi SK-HD2200 is a studio broadcast camera head built around a 3-CCD RGB sensor configuration delivering 2.3 megapixels of resolution at 1920 x 1080 per channel. Powered by a 2/3-inch sensor type, the camera runs Hitachi's 38-bit DSP engine with 30-bit 175MHz RGB processing, giving the signal chain considerable depth for demanding broadcast workflows. Video output tops out at 1920 x 1080, with a full range of frame rates supported including 1080/60p, 1080/60i, 1080/50p, 1080/50i, 720/60p, and 720/50p — making it suitable for both 50Hz and 60Hz broadcast environments.

The 10-bit color depth and ITU-R BT.709 color profile support are in line with broadcast standards, and the system also accommodates custom matrix, skin tone detail, and advanced color correction profiles. ISO sensitivity ranges from 100 to 1600. The camera head measures 145mm x 185mm x 340mm and weighs 2.2kg, constructed with a metal chassis and reinforced plastic panels.

Power is handled externally via a studio power supply or battery adapter, and audio connectivity includes dual XLR microphone inputs (MIC1/MIC2) with selectable phantom power. The lens mount uses a bayonet interface standard for broadcast studio lenses. No image stabilization is present, and focus is manual only.

Key FeaturesHitachi SK-HD2200

3-CCD RGB Sensor System: Dedicated red, green, and blue CCD chips capture each color channel independently at 1920 x 1080, delivering cleaner color separation than single-sensor designs.

2/3-Inch Sensor Format: The 2/3-inch sensor size is the broadcast industry standard, ensuring full compatibility with the wide range of ENG and studio bayonet-mount lenses built for this format.

38-Bit DSP Processing: Hitachi's 38-bit DSP engine with 30-bit 175MHz RGB processing provides a deep signal chain that preserves color accuracy and tonal detail through the broadcast pipeline.

10-Bit Color Output: 10-bit color depth meets broadcast standards and provides sufficient headroom for color grading and on-air delivery workflows.

Dual-System Frame Rates: Supports 1080/60p, 1080/60i, 1080/50p, 1080/50i, 720/60p, and 720/50p, making the camera usable in both 50Hz and 60Hz broadcast environments.

ITU-R BT.709 Color Support: Native BT.709 color profile ensures output conforms to the international standard for HD broadcast, with additional custom matrix and skin tone detail options for production flexibility.

Camera SpecificationsHitachi SK-HD2200

Hitachi SK-HD2200 full specifications
SpecDetail
Use CasesStudio
TypeOther
Sensor2/3 inch
Resolution2.3 megapixels (1920 x 1080 per channel, 3-CCD RGB)
ProcessorHitachi 38-bit DSP, 30-bit 175MHz RGB processing
ISO Range100 – 1600
AF SystemOther
AF PointsN/A
Max Photo Resolution1920 x 1080 (per channel, not designed for stills)
Burst Rate0 fps
Max Video ResolutionFull HD (1080p)
Max Frame Rate60fps

DescriptionHitachi SK-HD2200

The Hitachi SK-HD2200 is a studio broadcast camera head built on a 3-CCD RGB sensor system with 2.3 megapixels of resolution per channel at 1920 x 1080. The sensor measures 2/3 inch and is driven by a Hitachi 38-bit DSP running 30-bit 175MHz RGB processing, providing a substantial foundation for broadcast-grade image quality. Video is captured at up to 10-bit color depth across multiple frame rates: 1080/60p, 1080/60i, 1080/50p, 1080/50i, 720/60p, and 720/50p.

Color science includes ITU-R BT.709, custom matrix, skin tone detail, and advanced color correction. ISO sensitivity spans 100 to 1600. The camera's bayonet lens mount accommodates broadcast lenses, while dual XLR microphone inputs (MIC1/MIC2) with selectable phantom power handle audio.

The body measures 145mm x 185mm x 340mm, weighs 2.2kg, and is constructed from a metal chassis with reinforced plastic panels. Power is supplied externally, and a viewfinder must be sourced separately.

ProsHitachi SK-HD2200

  • 3-CCD RGB sensor system with 2.3 megapixels per channel at 1920 x 1080 resolution
  • Hitachi 38-bit DSP with 30-bit 175MHz RGB processing for a robust signal chain
  • Broad frame rate support: 1080/60p, 1080/60i, 1080/50p, 1080/50i, 720/60p, and 720/50p

ConsHitachi SK-HD2200

  • No image stabilization of any kind — optical, in-body, or digital
  • Manual focus only; no autofocus system available
  • No weather sealing, limiting deployment to controlled indoor environments

Resources & DownloadsHitachi SK-HD2200

Manuals & Guides

Frequently Asked QuestionsHitachi SK-HD2200

What video resolutions and frame rates does the SK-HD2200 support?+
The SK-HD2200 supports a maximum video resolution of 1920 x 1080. Available frame rates include 1080/60p, 1080/60i, 1080/50p, 1080/50i, 720/60p, and 720/50p, covering both 50Hz and 60Hz broadcast standards.
What type of lens mount does this camera use?+
The SK-HD2200 uses a bayonet lens mount, which is standard for broadcast studio lenses on 2/3-inch sensor cameras.
Does the camera include a viewfinder?+
No. The viewfinder is optional and not included with the camera head. It accepts an external CRT or LCD viewfinder, with display size and resolution varying depending on the viewfinder model selected.
What audio inputs are available on the SK-HD2200?+
The camera features two XLR microphone inputs (MIC1 and MIC2, 3-pin) with selectable phantom power. Additional audio monitoring is accessible via a CCU or external interface.
How does the SK-HD2200 receive power?+
The camera head does not have a self-contained power source. It is powered externally via a studio power supply or a battery adapter, which is typical for studio broadcast camera systems.
What color profiles does the SK-HD2200 support for video?+
The camera supports ITU-R BT.709, custom matrix, skin tone detail, and advanced color correction profiles, providing flexibility for broadcast color grading and matching workflows.

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