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Hitachi Z-HD5000 Professional HDTV Studio Camera

The Hitachi Z-HD5000 is a 800 TV lines 2/3 inch cinema camera — with 1080i video. Check GearFocus for current availability, with buyer protection on every purchase.

Hitachi Z-HD5000 Professional HDTV Studio Camera

Hitachi Z-HD5000 Professional HDTV Studio Camera

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Camera Overview — Hitachi Z-HD5000

The Hitachi Z-HD5000 is a professional HDTV studio camera built for broadcast and field production environments where reliable, high-quality video output is essential. At the heart of the system is a 2/3-inch sensor paired with a 14-bit Digital Signal Processor, delivering a horizontal resolution of 800 TV lines — a figure that speaks directly to the camera's broadcast-grade imaging credentials. The camera supports 1080i video at up to 60fps, as well as 720p operation, giving operators flexibility across different broadcast standards and production workflows.

Focusing is handled manually, which is standard practice in studio and live production settings where a dedicated focus puller or remote focus system is typically employed. The lens mount uses a bayonet interface, consistent with the 2/3-inch broadcast lens ecosystem. An optional 7-inch HD Color LCD viewfinder is available for operators who require on-camera monitoring, rounding out a system designed for integration into larger broadcast infrastructures.

Whether deployed in a fixed studio setup or used in field production, the Z-HD5000 is a purpose-built tool for serious broadcast work, offering a well-defined feature set anchored by its 14-bit signal processing and 800-line resolution capability.

Key Features — Hitachi Z-HD5000

2/3-Inch Broadcast Sensor: Industry-standard 2/3-inch sensor size ensures compatibility with the full ecosystem of professional broadcast lenses and accessories.

800 TV Lines Resolution: Horizontal resolution of 800 TV lines meets broadcast-grade imaging standards required for professional studio and field production.

14-Bit Digital Signal Processor: 14-bit DSP delivers precise, high-fidelity video signal processing for accurate color reproduction and tonal gradation.

1080i/60 & 720p Support: Dual-format video output gives operators flexibility to match different broadcast standards and production workflow requirements.

B4 Bayonet Lens Mount: Standard 2/3-inch B4 bayonet mount accepts the broad range of professional broadcast lenses from manufacturers such as Fujinon and Canon.

Manual Focus Operation: Manual-only focus control aligns with standard studio and live production workflows where a dedicated focus puller or remote system is used.

Camera Specifications — Hitachi Z-HD5000

Hitachi Z-HD5000 full specifications
SpecDetail
Use CasesSports, Studio
TypeOther
Sensor2/3 inch
Resolution800 TV lines
Processor14-bit Digital Signal Processor
AF SystemManual Focus Only
Max Video Resolution1080i
Max Frame Rate59.94fps
Display7 inch Optional 7" HD LCD Viewfinder
ViewfinderOptional HD Color LCD
Lens MountBayonet

Description — Hitachi Z-HD5000

The Hitachi Z-HD5000 is a professional HDTV studio camera designed for broadcast and field production applications. Built around a 2/3-inch sensor and powered by a 14-bit Digital Signal Processor, the camera achieves 800 TV lines of horizontal resolution, meeting the demands of high-quality broadcast imaging. Video output options include 1080i/60 and 720p, with a maximum frame rate of 60fps, providing the flexibility to work across multiple broadcast standards.

The bayonet lens mount ensures compatibility with the professional 2/3-inch broadcast lens ecosystem, giving operators access to a wide range of optics. Focus is manual only, in keeping with studio production conventions where dedicated focus control is standard practice. For on-camera monitoring, an optional 7-inch HD Color LCD viewfinder can be added to the system.

The Z-HD5000 is purpose-built for integration into professional broadcast infrastructures, delivering consistent, high-resolution video output driven by its precision digital signal processing pipeline.

Pros — Hitachi Z-HD5000

  • ✓800 TV lines horizontal resolution from the 2/3-inch sensor provides broadcast-grade image detail
  • ✓14-bit Digital Signal Processor enables precise, high-fidelity video signal handling
  • ✓Supports both 1080i/60 and 720p frame rate modes for flexible broadcast format compatibility

Cons — Hitachi Z-HD5000

  • ✗Manual focus only — no autofocus system for operators who require it in run-and-gun scenarios
  • ✗No built-in viewfinder; HD Color LCD monitoring requires an additional optional accessory purchase
  • ✗No connectivity specifications documented (HDMI, audio I/O, USB), limiting pre-purchase integration planning

Videos — Hitachi Z-HD5000

InfoComm 2015: HITACHI Details the SK-UHD4000 Production Camera — rAVe [PUBS]

Resources & Downloads — Hitachi Z-HD5000

Manuals & Guides

Frequently Asked Questions — Hitachi Z-HD5000

What video resolutions and frame rates does the Hitachi Z-HD5000 support?+
The Z-HD5000 supports 1080i/60 and 720p video modes, with a maximum frame rate of 60fps. These options cover the primary broadcast television standards used in professional production environments.
What type of lens mount does the Z-HD5000 use?+
The camera uses a bayonet lens mount, which is the standard interface used across professional 2/3-inch broadcast lenses. This makes it compatible with the broad ecosystem of broadcast-grade zoom and prime lenses built around this mount type.
Does the Z-HD5000 have a built-in viewfinder?+
No, the camera does not include a built-in viewfinder as standard. An optional 7-inch HD Color LCD viewfinder is available as an add-on accessory for operators who need on-camera monitoring.
What is the sensor size and resolution of the Z-HD5000?+
The camera features a 2/3-inch sensor and delivers 800 TV lines of horizontal resolution. Image processing is handled by a 14-bit Digital Signal Processor.
Does the Z-HD5000 support autofocus?+
No, the Z-HD5000 is a manual focus only camera. This is typical for professional studio and broadcast cameras, where focus control is generally managed by a dedicated operator or remote focus system.

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