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Ikegami HC-HD500 Professional Broadcast Camera

The Ikegami HC-HD500 is a 1920 x 1080 (Full HD) 2/3 inch cinema camera — with 1920 x 1080 (Full HD) video. Check GearFocus for current availability, with buyer protection on every purchase.

Ikegami HC-HD500 Professional Broadcast Camera

Ikegami HC-HD500 Professional Broadcast Camera

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Camera Overview — Ikegami HC-HD500

The Ikegami HC-HD500 is a professional broadcast camera built around a 2/3-inch sensor capable of capturing Full HD resolution at 1920 x 1080. At the heart of its imaging pipeline is Ikegami's own Digital Signal Processing ASIC paired with 12-bit A/D converters, delivering a high-precision signal chain suited to demanding broadcast environments. The camera supports video frame rates of up to 59.94fps, with 50fps also available, making it compatible with both NTSC and PAL broadcast standards.

Video output reaches Full HD at 1920 x 1080, and the system operates with 12-bit depth throughout its signal processing. The lens mount uses a bayonet-style interface, consistent with professional broadcast camera conventions. The camera weighs 5 kg and measures W 148.5 x H 243 x D 340 mm, giving it a substantial form factor appropriate for shoulder-mount or studio rig use.

Image stabilization is not built in, and connectivity features such as Wi-Fi and Bluetooth are absent, reflecting its design as a dedicated professional broadcast tool rather than a hybrid or run-and-gun camera. Storage is handled via an alternative media solution rather than standard consumer card formats.

Key Features — Ikegami HC-HD500

2/3-Inch Broadcast Sensor: The industry-standard 2/3-inch sensor size ensures compatibility with a wide range of professional broadcast lenses and delivers the optical characteristics familiar to broadcast operators.

Full HD 1920x1080 Output: Captures and outputs at 1920x1080 resolution, meeting broadcast delivery specifications for HD production environments.

12-Bit A/D Conversion: Ikegami's own Digital Signal Processing ASIC paired with 12-bit A/D converters produces a high-precision imaging pipeline suited to critical broadcast use.

Dual Standard Frame Rates: Supports both 59.94fps and 50fps, making the camera compatible with NTSC and PAL broadcast standards for international production workflows.

Bayonet Lens Mount: Uses a professional broadcast bayonet mount, providing access to the broad ecosystem of 2/3-inch broadcast lenses from major manufacturers.

Shoulder-Mount Form Factor: At 5 kg and with defined studio dimensions, the camera is sized for shoulder-mount rigs and structured broadcast setups rather than run-and-gun use.

Camera Specifications — Ikegami HC-HD500

Ikegami HC-HD500 full specifications
SpecDetail
Use CasesSports, Studio
TypeOther
Sensor2/3 inch
Resolution1920 x 1080 (Full HD)
ProcessorIkegami Digital Signal Processing ASIC, 12 Bit A/D converters
AF SystemManual Focus Only
Max Photo Resolution1920 x 1080
Max Video Resolution1920 x 1080 (Full HD)
Max Frame Rate59.94fps
Bit Depth12-bit
Image StabilizationNone
Storage MediaOther

Description — Ikegami HC-HD500

The Ikegami HC-HD500 is a professional broadcast camera built for structured, high-demand video production environments. Its 2/3-inch sensor delivers Full HD 1920 x 1080 resolution, processed through Ikegami's proprietary Digital Signal Processing ASIC with 12-bit A/D converters — a signal chain designed to meet broadcast-grade imaging standards. The camera captures video at up to 59.94fps, with 50fps also supported, ensuring compatibility across NTSC and PAL broadcast workflows.

A bayonet lens mount provides access to the professional broadcast lens ecosystem. Physically, the HC-HD500 measures W 148.5 x H 243 x D 340 mm and weighs 5 kg, indicating a camera designed for tripod, studio pedestal, or shoulder-rig deployment rather than handheld use. There is no built-in image stabilization, and the camera does not include Wi-Fi or Bluetooth connectivity, keeping the feature set focused on core broadcast performance.

Weather sealing is not present according to the specifications, so environmental protection should be considered for outdoor deployments.

Pros — Ikegami HC-HD500

  • ✓2/3-inch sensor with Full HD 1920 x 1080 resolution, a proven broadcast-standard sensor size
  • ✓Ikegami Digital Signal Processing ASIC with 12-bit A/D converters for high-fidelity signal processing
  • ✓Supports both 59.94fps and 50fps frame rates, covering NTSC and PAL broadcast requirements

Cons — Ikegami HC-HD500

  • ✗No built-in image stabilization of any kind (optical, digital, or in-body)
  • ✗No Wi-Fi or Bluetooth connectivity for wireless control or file transfer
  • ✗At 5 kg, the camera requires a sturdy support system and is not suited to lightweight handheld use

Resources & Downloads — Ikegami HC-HD500

Manuals & Guides

Frequently Asked Questions — Ikegami HC-HD500

What sensor size does the Ikegami HC-HD500 use?+
The HC-HD500 uses a 2/3-inch sensor, which is a standard size in professional broadcast cameras. It captures Full HD resolution at 1920 x 1080.
What frame rates does the HC-HD500 support?+
The camera supports 59.94fps and 50fps, covering both NTSC and PAL broadcast frame rate standards. The maximum frame rate is 59.94fps.
What type of lens mount does the HC-HD500 use?+
The HC-HD500 uses a bayonet-style lens mount, which is the standard interface for professional broadcast camera lenses.
Does the HC-HD500 have any built-in image stabilization?+
No. The specifications confirm that in-body IS, digital IS, and all other stabilization types are absent. Stabilization would need to be handled externally through a lens or rig.
How does the HC-HD500 process its image signal?+
The camera uses Ikegami's own Digital Signal Processing ASIC combined with 12-bit A/D converters, providing a high bit-depth signal chain across the imaging pipeline.
What are the physical dimensions and weight of the HC-HD500?+
The camera measures W 148.5 x H 243 x D 340 mm (approximately W 5.9 x H 9.6 x D 13.4 inches) and weighs 5 kg, requiring a robust support or mounting solution for operation.

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