Ikegami HDK-97A Studio Camera
The Ikegami HDK-97A is a 2.3 megapixels 2/3 inch cinema camera — with 1080p video. Check GearFocus for current availability, with buyer protection on every purchase.

Ikegami HDK-97A Studio Camera
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Camera Overview — Ikegami HDK-97A
Key Features — Ikegami HDK-97A
2/3-Inch Broadcast Sensor: The 2/3-inch sensor format is the established standard in professional broadcast studio cameras, ensuring broad compatibility with the wide range of B4-mount lenses built for this format.
AXII Video Processor: Ikegami's proprietary AXII processor handles 16-bit video processing, underpinning the camera's color fidelity and tonal rendering capabilities.
4:2:2 and 4:4:4 Color Sampling: Support for both color sampling modes gives productions the option to capture full-resolution chroma data for demanding compositing and color grading pipelines.
16-Bit Video Processing: 16-bit processing depth provides a wide tonal range that supports precise color correction and grading in post-production workflows.
1080p HDTV Output: Maximum 1080p resolution output meets professional HDTV broadcast delivery standards for studio production.
Multi-Standard Frame Rates: Native support for 23.976, 25, 29.97, 50, and 59.94fps covers both NTSC and PAL broadcast environments for international production flexibility.
Camera Specifications — Ikegami HDK-97A
| Spec | Detail |
|---|---|
| Type | Other |
| Sensor | 2/3 inch |
| Resolution | 2.3 megapixels |
| Processor | AXII Video Processor |
| AF System | Manual Focus Only |
| Max Video Resolution | 1080p |
| Max Frame Rate | 59.94fps |
| Bit Depth | 16-bit |
| Video Color Profiles | 4:2:2, 4:4:4 |
| Image Stabilization | None |
| Viewfinder | External Viewfinder |
Description — Ikegami HDK-97A
The Ikegami HDK-97A is a studio camera system centered on a 2/3-inch sensor delivering 2.3 megapixels of resolution, processed through Ikegami's AXII Video Processor. Video output reaches a maximum of 1080p, with color sampling options of 4:2:2 and 4:4:4 — the latter particularly valuable for high-end production and compositing workflows. Video is processed at 16-bit depth, supporting these color sampling modes.
Frame rate flexibility spans 23.976fps, 25fps, 29.97fps, 50fps, and 59.94fps, covering the full range of standard broadcast formats globally. Audio is routed through an XLR-3 CN 2-channel balanced input at 600 Ω, providing professional-grade connectivity for microphones and line-level sources. Focus is manual only, in keeping with traditional studio production practices.
The viewfinder configuration is external, and the camera carries no image stabilization system, reflecting its design for fixed studio mount operation.
Pros — Ikegami HDK-97A
- ✓Supports both 4:2:2 and 4:4:4 color sampling, providing flexibility for demanding color grading workflows
- ✓16-bit video processing depth via the AXII Video Processor enables rich tonal rendering
- ✓Broad frame rate support across 23.976fps, 25fps, 29.97fps, 50fps, and 59.94fps covers major NTSC and PAL broadcast standards
Cons — Ikegami HDK-97A
- ✗Manual focus only — no autofocus system available, requiring skilled operator support in all scenarios
- ✗Maximum video resolution is 1080p with no 4K or higher output listed in specifications
- ✗No built-in storage media listed, indicating reliance on external recording or transmission infrastructure
Videos — Ikegami HDK-97A
Ikegami HC-HD300 Full Digital HDTV Studio Camera - Video Review — Take One Broadcast Solutions