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Ikegami HDK-97ARRI Super 35mm Studio Camera

The Ikegami HDK-97ARRI is a Super 35 cinema camera — with 1920x1080 video. Check GearFocus for current availability, with buyer protection on every purchase.

Ikegami HDK-97ARRI Super 35mm Studio Camera

Ikegami HDK-97ARRI Super 35mm Studio Camera

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Camera Overview — Ikegami HDK-97ARRI

The Ikegami HDK-97ARRI is a professional studio camera built around a Super 35 sensor and engineered for demanding broadcast and high-end television production environments. At its core, the camera is driven by an FPGA DSP — specifically Ikegami's 3G FPGA-based DSP — which handles image processing duties in a platform known for low latency and precision signal handling. Video output reaches up to 1920x1080 resolution with a 16-bit bit depth, providing a substantial tonal foundation for grading and finishing work.

Frame rate support spans 23.976fps, 25fps, 29.97fps, 50fps, and 59.94fps, covering the full range of international broadcast standards as well as cinematic acquisition rates. Color science is handled through Custom Gamma and Cine Gamma profiles, giving operators meaningful flexibility in how the image is shaped at the point of capture. The camera accepts PL Mount lenses, aligning it with the professional cinema lens ecosystem.

Focus is manual only, which is standard practice in scripted studio and film production contexts. The viewfinder system is an External HD LCD Studio Viewfinder, appropriate for a camera of this class. The body is constructed from metal and alloy in a professional studio build configuration.

There is no in-body or digital image stabilization, which is expected for a studio-mounted camera system of this type.

Key Features — Ikegami HDK-97ARRI

Super 35 Sensor: Cinema-standard sensor size delivers a shallower depth of field and a field of view familiar to directors of photography working in film and high-end television.

PL Mount: Industry-standard cinema lens mount compatible with a wide range of professional glass from manufacturers including ARRI, Cooke, and Zeiss.

FPGA-Based DSP: Ikegami's 3G FPGA DSP handles image processing with low latency and precision, supporting demanding live and scripted production workflows.

16-Bit Processing Depth: Wide tonal range at the processing level gives colorists substantial latitude when grading and finishing in post.

Full Broadcast Frame Rate Support: Covers 23.976, 25, 29.97, 50, and 59.94fps to meet international broadcast standards and cinematic acquisition requirements.

Dual Gamma Profiles: Custom Gamma and Cine Gamma options let operators shape the image at capture to match delivery requirements or downstream grading intent.

Camera Specifications — Ikegami HDK-97ARRI

Ikegami HDK-97ARRI full specifications
SpecDetail
Use CasesStudio
TypeOther
SensorSuper 35
ProcessorFPGA DSP (Ikegami 3G FPGA-based DSP)
AF SystemManual Focus Only
Max Video Resolution1920x1080
Max Frame Rate59.94fps
Bit Depth16-bit
Video Color ProfilesCustom Gamma, Cine Gamma
Image StabilizationNone
DisplayExternal Studio Viewfinder
ViewfinderExternal HD LCD Studio Viewfinder

Description — Ikegami HDK-97ARRI

The Ikegami HDK-97ARRI is a professional studio cinema camera built around a Super 35 sensor and powered by an FPGA DSP — Ikegami's own 3G FPGA-based DSP — designed for precision image processing in broadcast and high-end production environments. It captures video at up to 1920x1080 resolution with a 16-bit bit depth, offering a solid foundation for color grading. Supported frame rates include 23.976fps, 25fps, 29.97fps, 50fps, and 59.94fps, ensuring compatibility with international broadcast and cinema workflows.

On-camera color shaping is available through Custom Gamma and Cine Gamma profiles. The camera accepts PL Mount lenses, placing it within the professional cinema lens ecosystem. Focus is manual only, consistent with studio production practice.

The External HD LCD Studio Viewfinder is a separate external unit suited to studio configurations, and the body is constructed from metal and alloy in a professional studio build. Connectivity features such as WiFi and Bluetooth are not present, reflecting the camera's dedicated studio workflow orientation.

Pros — Ikegami HDK-97ARRI

  • ✓Super 35 sensor type suits professional cinema and broadcast acquisition
  • ✓16-bit bit depth delivers a wide tonal range for color grading workflows
  • ✓FPGA DSP (Ikegami 3G FPGA-based DSP) provides a precision, low-latency processing platform

Cons — Ikegami HDK-97ARRI

  • ✗Manual focus only — no autofocus system of any kind, which limits flexibility outside scripted production contexts
  • ✗Maximum video resolution of 1920x1080 does not extend to 4K or higher resolutions
  • ✗No built-in connectivity features — WiFi, Bluetooth, USB, and USB-C are all absent

Reviews — Ikegami HDK-97ARRI

Videos — Ikegami HDK-97ARRI

Ikegami HC-HD300 Full Digital HDTV Studio Camera - Video Review — Take One Broadcast Solutions

Resources & Downloads — Ikegami HDK-97ARRI

Manuals & Guides

Frequently Asked Questions — Ikegami HDK-97ARRI

What frame rates does the HDK-97ARRI support?+
The camera supports 23.976fps, 25fps, 29.97fps, 50fps, and 59.94fps. This covers the primary international broadcast standards as well as the standard cinema acquisition rate of 23.976fps.
What lens mount does the HDK-97ARRI use?+
The camera uses a PL Mount, which is the standard mount for professional cinema lenses. This makes it compatible with a wide range of high-end cinema glass from various manufacturers.
What color profiles are available on this camera?+
The HDK-97ARRI offers Custom Gamma and Cine Gamma color profiles. These allow operators to shape the tonal response of the image at the point of capture to suit different production and post-production workflows.
What is the image processor used in the HDK-97ARRI?+
The camera uses an FPGA DSP, specifically described as Ikegami's 3G FPGA-based DSP. This type of processor is associated with high-precision, low-latency image handling in professional broadcast systems.
Does the HDK-97ARRI have autofocus?+
No — the camera is manual focus only. There is no autofocus system, no subject tracking, and no eye tracking. This is typical for a studio camera designed for scripted broadcast and film production, where focus is handled by dedicated focus pullers.
What viewfinder does the HDK-97ARRI use?+
The camera uses an External HD LCD Studio Viewfinder. This is a separate external unit rather than an integrated eyepiece, which is standard for studio camera configurations.

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