Leica Summicron-C 100mm T2.0 Cine Lens
The Leica 100mm T2.0 is a 100mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leica Summicron-C 100mm T2.0 Cine Lens
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Lens Overview — Leica 100mm T2.0
Key Features — Leica 100mm T2.0
100mm Fixed Focal Length: A dedicated telephoto prime well-suited for portraiture, close-up coverage, and subject isolation at distance.
T2.0 Maximum Aperture: Provides strong light-gathering capability for shooting in controlled or low-light environments without sacrificing depth-of-field control.
Super 35 and Full-Frame Coverage: Covers Super 35 and full-frame sensor formats, compatible with a wide range of professional digital cinema cameras.
PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, and other major manufacturers without the need for adapters.
Manual Focus Design: Smooth, precise focus ring engineered for repeatable focus pulls in professional cine workflows.
Summicron-C Lens Family: Part of Leica's matched Summicron-C set, allowing cinematographers to maintain consistent optical characteristics and front diameter across focal lengths.
Lens Specifications — Leica 100mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Portrait, Video / Cinematography, Studio |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 100mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1600g |
Description — Leica 100mm T2.0
The Leica Summicron-C 100mm T2.0 is a dedicated prime cinema lens built for full-frame professional cinematography. Operating at a fixed 100mm focal length in the telephoto range, it excels in subject isolation and close-up coverage. The T2.0 maximum aperture provides meaningful light-gathering capability for demanding lighting conditions.
Mounted in the PL Mount, it integrates directly into professional cinema camera ecosystems without adapters. The lens is manual focus only, with no autofocus, placing focus control entirely in the hands of the camera team — the preferred approach for scripted narrative and high-end production work. With no image stabilization, it is designed to be paired with stabilized support rigs or locked-off camera setups.
Covering a full-frame image circle, it is compatible with the largest sensor formats available in cinema cameras today. The lens weighs 1,600g, reflecting a robust professional build. For cinematographers building or completing a Summicron-C prime set, the 100mm T2.0 delivers a reliable telephoto option with consistent cine-standard ergonomics and control.
Pros — Leica 100mm T2.0
- ✓T2.0 maximum aperture offers solid light-gathering performance for a telephoto prime
- ✓Full-frame coverage supports larger sensor cinema camera formats
- ✓PL Mount ensures broad compatibility with professional cinema camera systems
Cons — Leica 100mm T2.0
- ✗Manual focus only — no autofocus capability, requiring a dedicated focus puller on set
- ✗No image stabilization, necessitating use on a stabilized rig or support system
- ✗At 1,600g, the lens carries significant weight that may affect rig balance
Videos — Leica 100mm T2.0
NAB 2017: New Leica Cine Lenses from CW Sonderoptic - Thalia, 15mm Summicron-C, Classic Crons, M 0.8 — RedDotForum









