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Leica Summicron-C 100mm T2.0 Cine Lens

The Leica 100mm T2.0 is a 100mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leica Summicron-C 100mm T2.0 Cine Lens

Leica Summicron-C 100mm T2.0 Cine Lens

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Lens Overview — Leica 100mm T2.0

The Leica Summicron-C 100mm T2.0 is a prime cinema lens built for professional cinematography on full-frame camera systems. Mounted in the industry-standard PL Mount, it slots into established cine camera workflows without the need for adapters on compatible bodies. At a fixed focal length of 100mm, it sits firmly in telephoto territory, making it well-suited for portraiture, close-up coverage, and isolating subjects at a distance.

The maximum aperture of T2.0 provides solid light-gathering capability for controlled or low-light shooting environments, while the manual focus design gives camera assistants and focus pullers precise, repeatable control over focus pulls — a key requirement on professional sets. Weighing in at 1,600g, the lens has a substantial build consistent with professional cine glass. It covers a full-frame image circle, making it compatible with larger sensor cinema cameras.

With no image stabilization, the lens is intended for use on stabilized rigs, gimbals, or locked-off setups. The Summicron-C 100mm T2.0 is a focused, purpose-built tool for cinematographers who demand consistent optical performance and a familiar, manual cine-style workflow.

Key Features — Leica 100mm T2.0

100mm Fixed Focal Length: A dedicated telephoto prime well-suited for portraiture, close-up coverage, and subject isolation at distance.

T2.0 Maximum Aperture: Provides strong light-gathering capability for shooting in controlled or low-light environments without sacrificing depth-of-field control.

Super 35 and Full-Frame Coverage: Covers Super 35 and full-frame sensor formats, compatible with a wide range of professional digital cinema cameras.

PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, and other major manufacturers without the need for adapters.

Manual Focus Design: Smooth, precise focus ring engineered for repeatable focus pulls in professional cine workflows.

Summicron-C Lens Family: Part of Leica's matched Summicron-C set, allowing cinematographers to maintain consistent optical characteristics and front diameter across focal lengths.

Lens Specifications — Leica 100mm T2.0

Leica 100mm T2.0 full specifications
SpecDetail
Use CasesPortrait, Video / Cinematography, Studio
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length100mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1600g

Description — Leica 100mm T2.0

The Leica Summicron-C 100mm T2.0 is a dedicated prime cinema lens built for full-frame professional cinematography. Operating at a fixed 100mm focal length in the telephoto range, it excels in subject isolation and close-up coverage. The T2.0 maximum aperture provides meaningful light-gathering capability for demanding lighting conditions.

Mounted in the PL Mount, it integrates directly into professional cinema camera ecosystems without adapters. The lens is manual focus only, with no autofocus, placing focus control entirely in the hands of the camera team — the preferred approach for scripted narrative and high-end production work. With no image stabilization, it is designed to be paired with stabilized support rigs or locked-off camera setups.

Covering a full-frame image circle, it is compatible with the largest sensor formats available in cinema cameras today. The lens weighs 1,600g, reflecting a robust professional build. For cinematographers building or completing a Summicron-C prime set, the 100mm T2.0 delivers a reliable telephoto option with consistent cine-standard ergonomics and control.

Pros — Leica 100mm T2.0

  • ✓T2.0 maximum aperture offers solid light-gathering performance for a telephoto prime
  • ✓Full-frame coverage supports larger sensor cinema camera formats
  • ✓PL Mount ensures broad compatibility with professional cinema camera systems

Cons — Leica 100mm T2.0

  • ✗Manual focus only — no autofocus capability, requiring a dedicated focus puller on set
  • ✗No image stabilization, necessitating use on a stabilized rig or support system
  • ✗At 1,600g, the lens carries significant weight that may affect rig balance

Videos — Leica 100mm T2.0

NAB 2017: New Leica Cine Lenses from CW Sonderoptic - Thalia, 15mm Summicron-C, Classic Crons, M 0.8 — RedDotForum

Resources & Downloads — Leica 100mm T2.0

Manuals & Guides

Frequently Asked Questions — Leica 100mm T2.0

What camera mount does the Leica Summicron-C 100mm T2.0 use?+
The lens uses a PL Mount, which is the standard mount found on professional cinema cameras. This makes it compatible with a wide range of industry-standard cine camera bodies without the need for third-party adapters.
Does this lens cover full-frame sensors?+
Yes, the Summicron-C 100mm T2.0 is specified for a full-frame lens format, meaning it is designed to cover the image circle of full-frame cinema sensors.
Is autofocus available on this lens?+
No, the lens is manual focus only. It is designed for professional cine workflows where a focus puller controls focus pulls with precision and repeatability, rather than relying on autofocus systems.
How heavy is the Leica Summicron-C 100mm T2.0?+
The lens weighs 1,600g. This is a meaningful consideration when planning rig balance and support configurations for production use.
Does the lens include image stabilization?+
No, the specifications indicate that image stabilization is not present on this lens. It is intended to be used on stabilized camera rigs, gimbals, or other support systems to control unwanted movement.
Is this lens part of a matched cine lens set?+
The Summicron-C 100mm T2.0 is part of Leica's Summicron-C cine lens line. As a prime lens at a fixed 100mm focal length, it is designed to be used alongside other focal lengths within the same series for matched optical characteristics across a production.

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