Leica Summicron-C 50mm T2.0 Cine Lens
The Leica 50mm T2.0 is a 50mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Leica Summicron-C 50mm T2.0 Cine Lens
Get notified when one lists.
We'll text or email you the moment a Leica Summicron-C 50mm T2.0 Cine Lens is listed on GearFocus.
Have a Leica 50mm T2.0 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Available Now on GearFocus
Lens Overview — Leica 50mm T2.0
Key Features — Leica 50mm T2.0
50mm Prime Focal Length: Fixed standard focal length closely mirrors the human field of view, making it well-suited for dialogue scenes, documentary work, and general narrative cinematography.
T2.0 Maximum Aperture: Calibrated T-stop rating provides accurate, repeatable exposure readings essential when cutting between lenses in a matched set.
Super 35 Image Circle: Designed to cover Super 35 cinema sensors; full-frame coverage is not confirmed for the Summicron-C series and should be verified before use on large-format bodies.
PL Mount: Industry-standard cinema mount ensures compatibility with a wide range of professional cinema cameras from ARRI, RED, and Sony.
Manual Focus Design: Smooth, precise focus ring built for professional focus-pulling workflows with consistent, repeatable marks.
Cinema-Grade Construction: Robust build with a professional housing designed to withstand the demands of daily production use.
Lens Specifications — Leica 50mm T2.0
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Studio, Documentary |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 50mm |
| Maximum Aperture | f/2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1600g |
Description — Leica 50mm T2.0
The Leica Summicron-C 50mm T2.0 is a prime cinema lens designed for professional film and video production. It features a PL mount, the de facto standard for professional cinema cameras, and is built to cover full-frame sensors, making it suitable for modern large-format digital cinema workflows. With a maximum aperture of T2.0 — a calibrated T-stop for consistent exposure matching across a lens set — it delivers reliable light transmission data that is essential on multi-lens productions.
The focal length is fixed at 50mm, placing it squarely in the standard focal length range and making it a go-to choice for a wide variety of scenes. Focus is manual, in keeping with professional cinema lens conventions, and there is no image stabilization, with external support solutions expected as part of the production setup. At 1600g, the lens has a solid, professional-grade build.
The filter thread size is not specified, so confirming filter compatibility with the manufacturer before use is advisable.
Pros — Leica 50mm T2.0
- ✓Calibrated T2.0 maximum aperture provides accurate, repeatable exposure readings critical for multi-lens productions
- ✓PL mount ensures broad compatibility with professional cinema camera systems
- ✓Full-frame coverage accommodates large-format and full-frame cinema sensors
Cons — Leica 50mm T2.0
- ✗At 1600g, the lens is relatively heavy, which may add strain to handheld or gimbal setups
- ✗No image stabilization, requiring external stabilization solutions for smooth handheld work
- ✗Filter thread size is unspecified, complicating direct filter attachment planning
Videos — Leica 50mm T2.0
Why It's Expensive - Tiny Leica 50mm Lens! - Leica Summicron-M 50mm F2 (Ep. 10) — ZY Cheng









