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Leitz Cine 100mm T2.0 Summicron-C Lens - PL Mount, Feet Markings

The Leitz 100mm T2.0 is a 100mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine 100mm T2.0 Summicron-C Lens - PL Mount, Feet Markings

Leitz Cine 100mm T2.0 Summicron-C Lens - PL Mount, Feet Markings

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Lens Overview — Leitz 100mm T2.0

The Leitz Cine 100mm T2.0 Summicron-C is a prime cinema lens mounted in PL Mount configuration with feet markings, designed for professional motion picture production. Built around a Super 35 lens format, it delivers a fixed 100mm focal length in the telephoto range, making it well suited for portrait work, stabilized sequences, and controlled setups where subject compression and separation are priorities. The lens opens to a maximum aperture of T2.0, providing a consistent and calibrated light transmission value that is critical for maintaining exposure continuity across a matched set of cinema lenses.

Focus is entirely manual, as expected in a professional cine context, giving operators and focus pullers direct, tactile control. The filter thread measures 95mm, a standardized front diameter within the Summicron-C line that supports consistent matte box and filter rig setups across the set. Weighing 1,300g, the lens strikes a balance between build quality and portability relative to larger cinema glass.

With no image stabilization onboard, the lens relies on production-side stabilization solutions. The PL Mount provides a secure, industry-standard interface compatible with a wide range of professional cinema camera bodies operating in the Cinema/Video camera system category.

Key Features — Leitz 100mm T2.0

100mm Prime Focal Length: Fixed telephoto perspective delivers subject compression and background separation well suited to portrait framing, close-ups, and controlled setups.

T2.0 Maximum Aperture: Calibrated T-stop value ensures precise, repeatable light transmission for maintaining exposure consistency across a matched Summicron-C lens set.

PL Mount: Industry-standard cinema mount provides a secure, compatible interface with professional camera bodies from ARRI, RED, and other major cinema platforms.

Super 35 Coverage: Image circle is optimized for Super 35 sensors, the most widely used format in professional motion picture and high-end television production.

Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls, giving focus pullers direct tactile control in professional cinema workflows.

95mm Front Filter Thread: Standardized front diameter shared across the Summicron-C line allows consistent matte box and filter rig setups without adapter changes between lenses.

Lens Specifications — Leitz 100mm T2.0

Leitz 100mm T2.0 full specifications
SpecDetail
Use CasesStudio, Video / Cinematography
Lens TypeCine
FormatSuper 35
Zoom/PrimePrime
Focal Length100mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread95mm

Description — Leitz 100mm T2.0

The Leitz Cine 100mm T2.0 Summicron-C is a professional prime cinema lens built for PL Mount camera systems operating in the Cinema/Video category. With a fixed 100mm focal length in the telephoto range, it is well positioned for controlled cinematic setups where precise framing and subject isolation matter. The lens is rated to a Super 35 format, covering one of the most prevalent sensor sizes in professional film and digital cinema production.

At a maximum aperture of T2.0, the lens delivers a calibrated light transmission value that ensures exposure consistency when working within a matched Summicron-C set. Focus is manual, keeping the operator in full control — a standard and preferred approach in professional cinema workflows. The 95mm filter thread provides a standardized front diameter that integrates with matte boxes and filter rigs across compatible lenses in the line.

At 1,300g, the lens balances solid construction with a weight profile that remains practical for handheld, gimbal, and aerial applications. No image stabilization is included, so production-side solutions apply. Markings are in feet, suited for crews working in imperial measurement conventions.

Pros — Leitz 100mm T2.0

  • ✓Maximum aperture of T2.0 provides consistent, calibrated light transmission for matched-set shooting
  • ✓Prime 100mm telephoto focal length offers a fixed, predictable perspective well suited to controlled cinema work
  • ✓Standard 95mm filter thread integrates consistently with matte boxes and filter systems

Cons — Leitz 100mm T2.0

  • ✗Manual focus only — no autofocus, requiring a dedicated focus puller in professional workflows
  • ✗No image stabilization, meaning stabilization must be handled externally
  • ✗Single PL Mount configuration limits direct use on non-PL camera systems without an adapter

Resources & Downloads — Leitz 100mm T2.0

Manuals & Guides

Frequently Asked Questions — Leitz 100mm T2.0

What mount does this lens use?+
The Leitz Summicron-C 100mm T2.0 uses a PL Mount, which is the industry-standard cinema lens mount. It is designed for Cinema/Video camera systems that accept PL Mount lenses.
What is the maximum aperture of this lens?+
The lens has a maximum aperture of T2.0. This is a T-stop value, which measures actual light transmission rather than theoretical aperture, making it precise for consistent exposure across a lens set.
What sensor format does this lens cover?+
The Leitz Summicron-C 100mm T2.0 is designed for the Super 35 lens format, which is one of the most common formats in professional cinema production.
Does this lens support autofocus?+
No, this lens is manual focus only. In professional cinema environments this is standard practice, as focus is typically controlled by a dedicated focus puller using follow focus systems.
What filter thread size does this lens use?+
The lens has a 95mm filter thread. This size is consistent within the Summicron-C line and allows for standardized matte box and filter setups across compatible lenses in the set.
How heavy is this lens?+
The lens weighs 1,300g. This makes it a substantial but manageable cinema prime, suitable for use on a variety of rigs including gimbals and aerial platforms.

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