Leitz Cine 55-125mm T2.8 Zoom Lens
The Leitz 55-125mm T2.8 is a 55–125mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine 55-125mm T2.8 Zoom Lens
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Lens Overview — Leitz 55-125mm T2.8
Key Features — Leitz 55-125mm T2.8
55-125mm Standard Zoom: Covers a versatile focal range from medium to telephoto, useful for everything from two-shots and coverage to tight portraiture and close action.
Constant T2.8 Aperture: Maintains a fixed T2.8 throughout the entire zoom range, ensuring consistent exposure without adjustment when reframing.
PL Mount: Industry-standard cinema mount compatible with professional camera systems from ARRI, RED, and other major cinema platforms.
Super 35 Coverage: Image circle designed to cover Super 35 sensors, aligning with the dominant format used in professional film and high-end video production.
Manual Focus Design: Smooth, precise focus ring built for dedicated focus pullers working in narrative, commercial, and episodic production workflows.
Robust Cinema Build: Substantial construction designed for rigged cinema camera setups, offering the durability and mechanical consistency expected on professional sets.
Lens Specifications — Leitz 55-125mm T2.8
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Zoom |
| Focal Length | 55–125mm |
| Maximum Aperture | f/2.8 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 4.4kg |
Description — Leitz 55-125mm T2.8
The Leitz Cine 55-125mm T2.8 Zoom Lens is a dedicated cinema zoom covering a 55mm to 125mm focal length range with a constant T2.8 maximum aperture maintained throughout. Designed for the Super 35 format and equipped with a PL Mount, it integrates directly into professional cinema camera setups without adapters or compromises. The manual focus operation is tailored for scripted productions where a focus puller works alongside the camera operator, delivering precise and repeatable focus control.
Weighing 4.4kg, this lens is built with the robustness expected of high-end cinema glass and is best deployed on a fully supported cinema rig. No image stabilization is present, consistent with the expectation that stabilization in cinema production is handled at the rig or platform level. The standard zoom focal length range makes this lens a practical tool for narrative cinematographers who need reliable, consistent optical performance across medium to telephoto focal lengths in a single lens.
Pros — Leitz 55-125mm T2.8
- ✓Constant T2.8 aperture across the full 55–125mm zoom range ensures consistent exposure throughout the focal length sweep
- ✓PL Mount compatibility makes it immediately deployable on a wide range of professional cinema cameras
- ✓Super 35 coverage aligns with the dominant cinema sensor format used in professional production
Cons — Leitz 55-125mm T2.8
- ✗At 4.4kg, the lens is very heavy and requires a robust rig or support system — not suitable for handheld or lightweight setups
- ✗No image stabilization, so any camera movement control must be managed externally through rigging or support equipment
- ✗Manual focus only means this lens is not suitable for solo operators or run-and-gun shooting where autofocus is expected
Reviews — Leitz 55-125mm T2.8
Videos — Leitz 55-125mm T2.8
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