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Leitz Cine 90mm f/2.0

The Leitz 90mm f/2.0 M-Mount is a 90mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine 90mm f/2.0

Leitz Cine 90mm f/2.0

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Lens Overview — Leitz 90mm f/2.0 M-Mount

The Leitz Cine 90mm f/2.0 is a prime telephoto cinema lens built for full-frame digital cinema cameras. Mounted in PL Mount, it slots naturally into professional cinema workflows where PL-equipped cameras are the standard. With a maximum aperture of f/2.0, the lens offers solid light-gathering capability for a telephoto prime, giving cinematographers meaningful control over exposure in lower-light environments.

At 90mm on a full-frame format, it sits comfortably in portrait and medium-telephoto territory, making it a strong candidate for close subject work, interviews, and narrative photography where subject isolation is a priority. The lens is manual focus only, which is standard practice in cinema production where focus pullers operate with precision follow-focus systems. It accepts 77mm filters, a common size that integrates well with matte box setups and standard filter kits.

Weighing in at 605g, it is relatively compact for a PL-mount full-frame cinema prime, which has practical advantages for gimbal rigs, drone work, and handheld setups where balance and weight distribution matter. The Leitz Cine 90mm f/2.0 is a purposeful, no-autofocus cinema tool designed for controlled, professional shooting environments.

Key Features — Leitz 90mm f/2.0 M-Mount

90mm Full-Frame Prime: Fixed 90mm focal length with full-frame coverage places the lens in portrait and medium-telephoto territory, well-suited for interviews and narrative scenes requiring subject isolation.

T2.0 Maximum Aperture: A wide maximum aperture for a telephoto prime, giving cinematographers meaningful control over depth of field and exposure in lower-light conditions.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other PL-equipped cinema cameras.

Manual Focus Design: Optimized for follow-focus systems and precision focus pulls, as is standard practice in professional cinema production workflows.

Compact 605g Build: Relatively lightweight for a PL-mount full-frame cinema prime, making it practical for gimbal rigs, drone configurations, and handheld setups.

77mm Filter Thread: Common filter size that integrates cleanly with standard matte box setups and professional filter kits used on cinema productions.

Lens Specifications — Leitz 90mm f/2.0 M-Mount

Leitz 90mm f/2.0 M-Mount full specifications
SpecDetail
Use CasesStudio, Fashion, Video / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length90mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Filter Thread77mm

Description — Leitz 90mm f/2.0 M-Mount

The Leitz Cine 90mm f/2.0 is a prime telephoto cinema lens designed for full-frame digital cinema cameras. Built around a PL Mount, it connects directly to professional cinema camera bodies without adapters, fitting seamlessly into established cinema production rigs. The maximum aperture of f/2.0 delivers meaningful light-gathering performance for a telephoto focal length, giving cinematographers flexibility in controlled and lower-light shooting conditions.

At 90mm, this fixed focal length covers portrait, medium-telephoto, and close-subject framing with consistency and no zoom breathing. The lens is manual focus only, aligning with standard cinema practice where follow-focus systems and dedicated focus pullers manage critical focus work. A 77mm filter thread makes it straightforward to pair with common matte boxes and filter accessories used on professional cinema rigs.

At 605g, the lens is compact enough for weight-sensitive applications while remaining solidly built for the demands of professional production environments.

Pros — Leitz 90mm f/2.0 M-Mount

  • ✓Wide f/2.0 maximum aperture provides strong light-gathering for a telephoto prime
  • ✓Full-frame coverage (lensFormat: Full Frame) ensures compatibility with large-sensor cinema cameras
  • ✓PL Mount is the industry-standard cinema mount, fitting natively into professional cinema workflows

Cons — Leitz 90mm f/2.0 M-Mount

  • ✗Manual focus only — no autofocus support, requiring a dedicated focus puller in most productions
  • ✗Single PL Mount option limits direct use on mirrorless or DSLR camera systems without an adapter
  • ✗No image stabilization, which is typical for cinema primes but worth noting for handheld work

Videos — Leitz 90mm f/2.0 M-Mount

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Resources & Downloads — Leitz 90mm f/2.0 M-Mount

Manuals & Guides

Frequently Asked Questions — Leitz 90mm f/2.0 M-Mount

What camera mount does the Leitz Cine 90mm f/2.0 use?+
The lens uses a PL Mount, which is the standard mount found on professional cinema cameras. This makes it compatible with a wide range of cinema-focused camera bodies without modification.
Does this lens support autofocus?+
No. The Leitz Cine 90mm f/2.0 is manual focus only, with autoFocus listed as false in its specifications. This is standard for cinema lenses, which are typically operated with follow-focus systems and dedicated focus pullers.
What sensor size does this lens cover?+
The lens is designed for full-frame coverage, meaning it will cover the image circle of full-frame cinema sensors without vignetting. It is categorized under the Cinema / Video camera system.
What filter size does the Leitz Cine 90mm f/2.0 accept?+
The lens has a 77mm filter thread, which is a widely used size in both cinema and still photography filter systems, making it easy to pair with standard matte boxes or screw-on filters.
How heavy is the Leitz Cine 90mm f/2.0?+
The lens weighs 605g. This is relatively light for a full-frame PL-mount cinema prime, which can be an advantage when rigging on gimbals or other weight-sensitive setups.
Is this a zoom or prime lens?+
The Leitz Cine 90mm f/2.0 is a prime lens with a fixed 90mm focal length. Its telephoto classification places it well for portrait-style and medium-telephoto cinema work.

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