Leitz Cine ELSIE 25mm T2.1 Cinema Lens with LPL Mount
The Leitz 25mm T2.1 is a 25mm f/2.1 cinema lens designed for LPL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine ELSIE 25mm T2.1 Cinema Lens with LPL Mount
Get notified when one lists.
We'll text or email you the moment a Leitz Cine ELSIE 25mm T2.1 Cinema Lens with LPL Mount is listed on GearFocus.
Have a Leitz 25mm T2.1 sitting in your bag?
You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.
Available Now on GearFocus
Lens Overview — Leitz 25mm T2.1
Key Features — Leitz 25mm T2.1
25mm Prime Focal Length: A standard-range perspective well suited to a wide variety of scenes, from close character work to broader environmental compositions.
T2.1 Maximum Aperture: Transmittance-rated aperture ensures consistent, predictable exposure when cutting between lenses in a matched set across shooting days.
Large-Format Image Circle: Covers large-format cinema sensors, making it compatible with cameras like the ARRI ALEXA LF, RED MONSTRO 8K VV, and Sony VENICE.
LPL Mount: Large Positive Lock mount supports the latest generation of large-format cinema cameras while maintaining a shorter flange depth for optical flexibility.
Manual Focus Design: Precision manual focus ring gives camera assistants full mechanical control for accurate, repeatable focus pulls on professional sets.
Cinema-Grade Build: Built to professional cinema tolerances with consistent front diameter and gear ring positioning for seamless lens changes mid-production.
Lens Specifications — Leitz 25mm T2.1
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 25mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | LPL |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2kg |
Description — Leitz 25mm T2.1
The Leitz Cine ELSIE 25mm T2.1 is a professional prime cinema lens engineered for full-frame cinema production. Fitted with a PL Mount, it integrates directly with professional cinema cameras operating in the Cinema / Video system. The lens delivers a T2.1 maximum aperture — a transmittance-based rating that ensures consistent, measurable light delivery across scenes and shooting days, making it a dependable choice for cinematographers building or working within a matched prime set.
The manual focus design, with no autofocus capability, is purpose-built for professional narrative and commercial workflows where a dedicated focus puller operates a follow-focus system. The full-frame image circle enables use with large-format cinema sensors, positioning this lens for high-end productions demanding the most from their camera platforms. Weighing 2kg, the ELSIE is a substantial optic that benefits from proper cinema rig support.
With no image stabilization, stabilized camera movement is handled through external equipment. The standard focal length range of this 25mm prime makes it a versatile tool across a broad range of shot types and production contexts.
Pros — Leitz 25mm T2.1
- ✓T2.1 maximum aperture provides consistent, transmittance-rated exposure for reliable matching across a lens set
- ✓Full-frame image circle supports large-format cinema sensor coverage
- ✓PL Mount compatibility connects directly to a wide range of professional cinema cameras
Cons — Leitz 25mm T2.1
- ✗No image stabilization, requiring external rigging solutions for stabilized shots
- ✗No autofocus capability, which limits run-and-gun or solo operator flexibility
- ✗At 2kg, the lens adds significant weight to handheld or lightweight rig setups
Videos — Leitz 25mm T2.1
Leitz Showscases HUGO and ELSIE Prime Cinema Lenses at Cine Gear LA 2023 — ProductionHUBTV
