Skip to product overview

Leitz Cine ELSIE 40mm T2.1 Cinema Lens with LPL Mount

The Leitz 40mm T2.1 is a 40mm f/2.1 cinema lens designed for LPL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine ELSIE 40mm T2.1 Cinema Lens with LPL Mount

Leitz Cine ELSIE 40mm T2.1 Cinema Lens with LPL Mount

Get notified when one lists.

We'll text or email you the moment a Leitz Cine ELSIE 40mm T2.1 Cinema Lens with LPL Mount is listed on GearFocus.

Have a Leitz 40mm T2.1 sitting in your bag?

You'd be the first listing for this model.
Serious buyers are already watching — list yours in minutes.

Sell your Leitz 40mm T2.1 on GearFocus

Available Now on GearFocus

Leitz Summicron 5cm F/2 Collapsible 1956
LeitzGood

Leitz Summicron 5cm F/2 Collapsible 1956

$800.00
Trusted partner

Lens Overview — Leitz 40mm T2.1

The Leitz Cine ELSIE 40mm T2.1 is a prime cinema lens built for professional film and high-end video production. Sitting in the standard focal length range, this 40mm prime covers a full-frame image circle, making it well-suited for large-format cinema camera systems. It mounts via the LPL (Large Positive Lock) interface, which is listed in the specifications under the PL Mount family, and is designed for the Cinema / Video camera system category.

The lens operates at a maximum aperture of T2.1, providing solid light-gathering capability in demanding production environments where consistent exposure across a lens set is essential. Focus is entirely manual, which is standard practice in professional cinema workflows where precision and deliberate control are prioritized over automation. With no image stabilization, the lens is intended for use on rigged camera systems, gimbals, or stabilized platforms as part of a traditional cinema setup.

The lens weighs 1.9 kg, which is a notable consideration for rigging, handheld operation, and follow focus system planning. No filter thread size is specified in the available data. Overall, the ELSIE 40mm T2.1 represents Leitz's approach to full-frame cinema optics in a prime lens configuration.

Key Features — Leitz 40mm T2.1

LPL Mount Interface: Large Positive Lock mount offers a wider internal diameter than standard PL, supporting full-frame and large-format cinema cameras from ARRI and other manufacturers.

T2.1 Maximum Aperture: Fast, consistent T-stop rating ensures accurate, repeatable exposure matching when used alongside other lenses in the ELSIE set.

Full-Frame Image Circle: Covers large-format sensors found in cameras like the ARRI ALEXA LF, future-proofing the lens for high-end production workflows.

40mm Standard Focal Length: Sits close to the human field of view, making it a versatile choice for dialogue scenes, environmental shots, and documentary-style coverage.

Manual Focus Design: Precision manual focus ring is built for smooth, repeatable focus pulls in professional cinema workflows using a follow focus or remote lens control system.

1.9 kg Lens Body: Substantial weight is typical for a cinema prime of this caliber and should be factored into rig balance, gimbal payload, and support system planning.

Lens Specifications — Leitz 40mm T2.1

Leitz 40mm T2.1 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length40mm
Maximum Aperturef/2.1
Camera SystemCinema / Video
Lens MountLPL
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1.9kg

Description — Leitz 40mm T2.1

The Leitz Cine ELSIE 40mm T2.1 is a prime cinema lens operating in the standard focal length range, designed specifically for the Cinema / Video camera system category. It features a Full Frame lens format, ensuring compatibility with large-format cinema cameras that use the PL Mount system. The lens delivers a maximum aperture of T2.1, providing reliable light-gathering performance across professional productions where consistent T-stop values within a lens set are critical for exposure matching.

Focus is manual, with no autofocus capability — the expected norm in high-end cinema production environments where follow focus systems and focus pullers handle precise focus control. The lens weighs 1.9 kg, which should be accounted for when configuring camera rigs and support equipment. No image stabilization is included, as noted in the specifications, so external stabilization is required for smooth motion work.

With its full-frame coverage and PL Mount interface, the ELSIE 40mm T2.1 is built to integrate into professional large-format cinema workflows.

Pros — Leitz 40mm T2.1

  • ✓T2.1 maximum aperture provides strong light-gathering for a cinema prime lens
  • ✓Full-frame lens format supports large-format cinema camera systems
  • ✓Prime lens design (40mm fixed focal length) in the standard focal length range suits a wide variety of scenes

Cons — Leitz 40mm T2.1

  • ✗At 1.9 kg, the lens is relatively heavy and may add rigging complexity for handheld or gimbal setups
  • ✗No autofocus capability, which limits use cases outside traditional cinema production
  • ✗No image stabilization, requiring external stabilization solutions

Resources & Downloads — Leitz 40mm T2.1

Manuals & Guides

Frequently Asked Questions — Leitz 40mm T2.1

What mount does the Leitz Cine ELSIE 40mm T2.1 use?+
The lens uses a PL Mount, as listed in the specifications. This is compatible with professional cinema camera systems that accept PL-type mounts, including the LPL variant referenced in the product title.
Does this lens cover full-frame sensors?+
Yes. The specifications explicitly list the lens format as Full Frame, making it suitable for large-format cinema cameras with full-frame-sized sensors.
Is autofocus available on this lens?+
No. The specifications confirm that autofocus is not supported and the focus type is Manual only. This is consistent with professional cinema lens design, where manual focus control is standard.
How much does the Leitz Cine ELSIE 40mm T2.1 weigh?+
The lens weighs 1.9 kg according to the specifications. This is an important consideration when selecting camera rigs, support systems, and follow focus setups for a production.
What is the maximum aperture of this lens?+
The maximum aperture is T2.1, as stated in the specifications. This T-stop rating reflects the actual light transmission of the lens, which is the standard measurement used in cinema production.
Is this lens designed for photo or cinema use?+
This lens is classified as a Cine type lens intended for the Cinema / Video camera system, as confirmed in the specifications. It is not designed for still photography camera mounts.

Similar to Leitz 40mm T2.1

Loading similar products...