Leitz Cine Prime 21mm Lens (LPL Mount)
The Leitz 21mm LPL is a 21mm f/1.8 cinema lens designed for LPL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine Prime 21mm Lens (LPL Mount)
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Lens Overview — Leitz 21mm LPL
Key Features — Leitz 21mm LPL
21mm Wide-Angle Prime: A fixed 21mm focal length suited for environmental storytelling, interior spaces, and dramatic wide-angle perspective work.
T1.8 Maximum Aperture: A fast T1.8 stop allows for controlled low-light shooting and shallow depth of field on set.
Full-Frame Image Circle: Covers the full-frame sensor format, making it compatible with large-format digital cinema cameras such as the ARRI ALEXA LF and RED MONSTRO.
LPL Mount Configuration: The LPL mount is the modern large-format cinema standard, offering a wider throat and shorter flange depth than traditional PL for improved optical design.
Manual Focus Design: Smooth, long-throw focus ring engineered for repeatable, precise focus pulls by a dedicated focus puller.
Consistent Lens Matching: Part of the Leitz Cine Prime series, designed to share consistent color rendering, contrast, and exposure across the full focal length set.
Lens Specifications — Leitz 21mm LPL
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 21mm |
| Maximum Aperture | f/1.8 |
| Camera System | Cinema / Video |
| Lens Mount | LPL |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 2.72kg |
Description — Leitz 21mm LPL
The Leitz Cine Prime 21mm in LPL Mount is a wide-angle prime cinema lens built for full-frame coverage in professional Cinema/Video production. With a fixed focal length of 21mm and a maximum aperture of T1.8, it delivers consistent light transmission suited to controlled lighting environments and low-light setups. The lens is entirely manual focus with no autofocus capability, placing full control in the hands of a skilled focus puller — the standard workflow for high-end narrative and commercial production.
Image stabilization is listed as None, so external support systems should be factored into any production rig plan. At 2.72kg, this is a substantial piece of glass that demands proper rigging. The LPL mount ensures compatibility with modern large-format cinema cameras that support this mount standard.
The 21mm focal length places this lens firmly in wide-angle territory, making it a strong choice for expansive environmental shots, dramatic interior scenes, or any situation where a broader field of view is creatively required.
Pros — Leitz 21mm LPL
- ✓Wide maximum aperture of T1.8 supports shooting in lower-light conditions
- ✓Full-frame lens format ensures coverage for large-format cinema cameras
- ✓LPL mount provides compatibility with modern large-format cinema camera bodies
Cons — Leitz 21mm LPL
- ✗At 2.72kg, this is a heavy lens that demands robust support and rigging
- ✗No image stabilization, requiring external support systems for stable handheld or gimbal work
- ✗Manual focus only — not suitable for run-and-gun or single-operator workflows without a dedicated focus puller
Videos — Leitz 21mm LPL
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