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Leitz Cine Prime 25mm Lens (Feet, LPL Mount)

The Leitz 25mm (Feet, LPL Mount) is a 25mm f/1.8 cinema lens designed for LPL mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine Prime 25mm Lens (Feet, LPL Mount)

Leitz Cine Prime 25mm Lens (Feet, LPL Mount)

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Lens Overview — Leitz 25mm (Feet, LPL Mount)

The Leitz Cine Prime 25mm is a manual-focus cinema prime lens designed for full-frame coverage, available here in LPL mount with focus markings in feet. Sitting in the standard focal length range, it offers a maximum aperture of f/1.8, making it well-suited for low-light cinematography and shallow depth-of-field work. The lens is built for the Cinema / Video camera system and carries the robust construction expected of professional cine glass.

Weighing in at 1.542 kg, it has the solid heft typical of a lens engineered for demanding production environments. As a prime lens, it delivers a fixed 25mm focal length with no zoom capability, allowing optical designers to optimize performance at that single focal length. The full-frame format coverage means it is compatible with large-sensor cinema cameras running LPL-mount systems.

Image stabilization is not present, which is standard for a manual-focus cine prime intended for use on stabilized rigs or controlled sets. The LPL mount provides a modern, large-diameter interface suited to full-frame cinema bodies. This is a purpose-built tool for cinematographers who prioritize consistent, high-quality optics at a versatile wide-to-standard focal length.

Key Features — Leitz 25mm (Feet, LPL Mount)

LPL Mount: Large-diameter LPL interface provides compatibility with full-frame cinema cameras from ARRI and other LPL-supported systems.

Full-Frame Coverage: Covers large-format cinema sensors without vignetting, making it suitable for cameras like the ARRI ALEXA LF and similar platforms.

T1.8 Maximum Aperture: Wide maximum aperture allows for shallow depth-of-field work and maintains exposure in lower-light shooting conditions.

Fixed 25mm Focal Length: A versatile standard-to-wide perspective optimized at a single focal length for consistent optical performance across the frame.

Manual Focus Design: Smooth, precise manual focus ring with industry-standard gearing for repeatable, controlled focus pulls on set.

Focus Markings in Feet: Calibrated in feet for straightforward distance measurement and compatibility with focus pulling workflows common in North American productions.

Lens Specifications — Leitz 25mm (Feet, LPL Mount)

Leitz 25mm (Feet, LPL Mount) full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeCine
FormatFull Frame
Zoom/PrimePrime
Focal Length25mm
Maximum Aperturef/1.8
Camera SystemCinema / Video
Lens MountLPL
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1.542kg

Description — Leitz 25mm (Feet, LPL Mount)

The Leitz Cine Prime 25mm in LPL mount is a dedicated cinema prime built for full-frame sensor coverage, with focus markings calibrated in feet for on-set convenience. Operating at a fixed focal length of 25mm in the standard focal length range, this lens is optimized for a single focal length rather than the compromises inherent in zoom design. The maximum aperture of f/1.8 opens up creative possibilities in challenging lighting environments and supports cinematic shallow depth-of-field aesthetics.

Focus is entirely manual, placing control firmly in the hands of the camera team — exactly as expected on professional cinema productions. The lens weighs 1.542 kg, reflecting the solid, production-grade construction typical of this class of optic. Designed for the Cinema / Video camera system, it integrates with LPL-mount cinema bodies.

No image stabilization is included, consistent with the expectation that cinema lenses are used on stabilized rigs, dollies, or controlled setups. The 25mm focal length and full-frame coverage make this a versatile choice across a range of cinematic applications.

Pros — Leitz 25mm (Feet, LPL Mount)

  • ✓Wide maximum aperture of f/1.8 enables strong performance in lower-light shooting conditions
  • ✓Full-frame lens format ensures compatibility with large-sensor cinema camera systems
  • ✓LPL mount provides a modern, large-diameter mount interface for supported cinema bodies

Cons — Leitz 25mm (Feet, LPL Mount)

  • ✗No autofocus — manual-only operation requires a dedicated focus puller on most productions
  • ✗No image stabilization, so handheld or mobile shooting requires external stabilization solutions
  • ✗At 1.542 kg, the weight may add up when building out a full cine prime set

Videos — Leitz 25mm (Feet, LPL Mount)

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Resources & Downloads — Leitz 25mm (Feet, LPL Mount)

Manuals & Guides

Frequently Asked Questions — Leitz 25mm (Feet, LPL Mount)

What camera mount does this lens use?+
This lens is fitted with an LPL mount, as listed under the mount specifications. LPL is a large-format cinema lens mount used with compatible cinema camera systems. No other mounts are listed for this lens.
Does this lens support autofocus?+
No. The lens is manual focus only, with autofocus listed as false in the specifications. This is typical for professional cinema prime lenses, where focus is handled by a dedicated focus puller using the lens's focus ring.
What is the maximum aperture of this lens?+
The maximum aperture is f/1.8, as specified in the product data. This wide aperture allows for shooting in lower-light conditions and achieving a shallower depth of field.
What sensor format does this lens cover?+
The lens is specified as a full-frame format lens, meaning it is designed to cover full-frame cinema sensors. It falls within the standard focal length range at 25mm.
Are focus markings in feet or meters?+
Based on the product title, this version of the lens is calibrated with focus markings in feet. This is relevant for focus pullers who work with feet-based measurement systems on set.
How much does this lens weigh?+
The lens weighs 1.542 kg according to the specifications. This is worth factoring in when planning camera builds, particularly for handheld or gimbal setups where balance is critical.

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