Leitz Cine THALIA 30mm T2.9 Lens
The Leitz 30mm T2.9 is a 30mm f/2.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Leitz Cine THALIA 30mm T2.9 Lens
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Lens Overview — Leitz 30mm T2.9
Key Features — Leitz 30mm T2.9
Large Format Prime: Designed to cover large format sensors, making it compatible with cameras like the ARRI ALEXA LF, RED Monstro, and similar large format cinema platforms.
T2.9 Maximum Aperture: Offers solid light-gathering capability for a wide-angle cinema prime, useful for low-light scenes and achieving shallow depth of field on large format sensors.
30mm Wide-Angle Focal Length: Fixed 30mm perspective delivers a natural wide-angle field of view well suited to environmental shots, interiors, and immersive storytelling compositions.
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from ARRI, RED, Sony, and others.
Manual Focus Design: Smooth, precise manual focus ring built for deliberate focus-pulling workflows on professional narrative productions.
95mm Filter Thread: Standardized front filter diameter simplifies the use of common matte box systems and screw-in filters across a production.
Lens Specifications — Leitz 30mm T2.9
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 30mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Leitz 30mm T2.9
The Leitz Cine THALIA 30mm T2.9 is a prime cinema lens designed for large format digital cinema cameras using the PL Mount. With a fixed 30mm focal length sitting in the wide-angle range, it offers a maximum aperture of T2.9, providing solid light-gathering performance for professional production environments. The lens operates in manual focus mode exclusively, consistent with the focus-pulling practices standard in professional narrative and commercial filmmaking.
It features a 95mm front filter thread, a practical standardized size for integrating filters and matte boxes on a cinema rig. Weighing 1.5kg, it is a substantial optic built to the tolerances expected of professional cine glass. With no image stabilization and no autofocus, the THALIA 30mm is a purpose-built tool for cinematographers working on stabilized rigs who prioritize deliberate optical control.
Its large format coverage makes it relevant for productions shooting on today's large format cinema sensor platforms.
Pros — Leitz 30mm T2.9
- ✓Large format coverage suits modern large format cinema camera sensors
- ✓T2.9 maximum aperture provides meaningful light-gathering for a wide-angle cine prime
- ✓PL Mount ensures broad compatibility with professional cinema camera platforms
Cons — Leitz 30mm T2.9
- ✗At 1.5kg, the lens adds considerable weight to a cinema rig, which may be a factor for handheld or gimbal work
- ✗T2.9 aperture, while usable, is not among the fastest options in the large format cinema prime category
- ✗Manual focus only — no autofocus capability for any shooting scenario
Videos — Leitz 30mm T2.9
Leitz Cine 66 Hugo. The best Leica lens you haven't heard of! — Kevin Fickling
