Meike 16mm T2.2 Wide Angle Cine Lens for Micro Four Thirds
The Meike 16mm T2.2 is a 16mm f/2.2 lens designed for Micro Four Thirds mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.
Meike 16mm T2.2 Wide Angle Cine Lens for Micro Four Thirds
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Lens Overview — Meike 16mm T2.2
Key Features — Meike 16mm T2.2
16mm Fixed Focal Length: Delivers a consistent wide-angle field of view on Micro Four Thirds bodies, equivalent to roughly 32mm in full-frame terms.
T2.2 Maximum Aperture: Bright T-stop rating gives filmmakers reliable exposure control and shallow depth of field in low-light shooting conditions.
Native MFT Mount: Designed specifically for Micro Four Thirds mirrorless cameras, ensuring direct optical and mechanical compatibility without adapters.
Manual Focus Cine Design: Smooth manual focus ring supports precise, repeatable focus pulls suited to professional cinematography workflows.
77mm Filter Thread: Standard 77mm front thread accepts common cine and photo filters straight out of the box with no step-up rings needed.
Cine-Style Aperture Scale: T-stop markings rather than f-stop values allow consistent exposure matching across multiple lenses on set.
Lens Specifications — Meike 16mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Studio, Travel, Video / Cinematography |
| Lens Type | Cine |
| Format | Micro Four Thirds (MFT) |
| Zoom/Prime | Prime |
| Focal Length | 16mm |
| Maximum Aperture | f/2.2 |
| Camera System | Mirrorless |
| Lens Mount | Micro Four Thirds |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
Description — Meike 16mm T2.2
The Meike 16mm T2.2 Wide Angle Cine Lens is a dedicated Micro Four Thirds mount prime built for filmmakers who want a fast, wide lens in a format-native package. The T2.2 maximum aperture — rated as a true T-stop for accurate light transmission measurement — gives cinematographers reliable exposure control and the ability to work in lower-light environments. At a fixed 16mm focal length, it delivers a wide-angle perspective well suited to environmental, architectural, and immersive shooting styles.
Focusing is fully manual, consistent with professional cine practice where deliberate, precise focus control is prioritized over automation. The 77mm filter thread is a practical touch, allowing filmmakers to use standard-sized filters directly. At 743.9g, the lens has a solid, confidence-inspiring weight.
There is no image stabilization, so pairing it with a stabilized rig or body is recommended for smooth handheld work. A purposeful, no-frills wide cine prime for the MFT system.
Pros — Meike 16mm T2.2
- ✓Bright T2.2 maximum aperture supports shooting in lower light conditions
- ✓Fixed 16mm focal length delivers a consistent wide-angle perspective on Micro Four Thirds
- ✓Native Micro Four Thirds mount ensures direct compatibility with MFT mirrorless systems
Cons — Meike 16mm T2.2
- ✗Manual focus only — no autofocus support, which limits use in fast-paced or run-and-gun scenarios
- ✗No image stabilization, requiring external stabilization solutions for handheld work
- ✗Dedicated Micro Four Thirds mount means no native compatibility with other camera systems
Videos — Meike 16mm T2.2
MEIKE 16mm T2.2 | The BEST BUDGET Micro Four Thirds CINE LENS — Stephen Bell