Meike 25mm T2.2 MFT Cine Lens
The Meike 25mm T2.2 MFT is a 25mm f/2.2 lens with Micro Four Thirds mount. It features 25mm Prime Focal Length and T2.2 Maximum Aperture. Used prices on GearFocus start from $209.44 with buyer protection and verified sellers.
Meike 25mm T2.2 MFT Cine Lens
Buy Meike 25mm T2.2 MFT
Meike 25mm T2.2 Manual Focus Cinema Lens for Micro 4/3 MFT
Condition: Good
Product Highlights
- Fast T2.2 aperture for low-light shooting
- Micro Four Thirds mount compatibility
- Geared focus and aperture rings
- Compact and lightweight design
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1 Meike 25mm T2.2 MFT Listing on GearFocus
Meike 25mm T2.2 MFT Overview
The Meike 25mm T2.2 is a prime cine lens built for the Micro Four Thirds mount, designed to serve filmmakers and videographers working with MFT mirrorless camera systems. With a fixed 25mm focal length and a fast T2.2 maximum aperture, this lens is well-suited for controlled shooting environments where light management and a shallower depth of field are priorities. As a manual focus lens, it follows the cine lens tradition of putting precise, deliberate control in the hands of the operator — ideal for follow-focus rigs and scripted productions where autofocus is neither expected nor preferred.
The lens carries a 77mm filter thread, which is a notably generous front element size for an MFT cine lens, giving shooters compatibility with larger, professional-grade filters such as NDs and polarizers. At 600g, it has a solid, substantial build that should balance well on a rigged-out camera body. The prime design means a fixed focal length with no zoom creep concerns during production.
For MFT mirrorless shooters looking for a dedicated cine-spec lens with a bright T2.2 aperture, the Meike 25mm offers a purpose-built option in this mount system.
25mm Prime Focal Length: Fixed 25mm lens delivers a standard field of view on MFT cameras, roughly equivalent to 50mm full-frame, with no zoom creep risk during a take.
T2.2 Maximum Aperture: Bright T2.2 transmission rating allows shooting in lower light conditions while providing a shallower depth of field for subject separation.
Micro Four Thirds Mount: Natively compatible with MFT mirrorless cameras from Blackmagic, Panasonic, and Olympus without adapters.
Manual Focus Design: Smooth manual focus ring is built for use with follow-focus rigs and repeatable focus pulls in scripted production workflows.
Cine-Spec Construction: Purpose-built as a cine lens with declicked aperture control and industry-standard markings suited to video and film production use.
77mm Filter Thread: Larger-than-typical front thread for an MFT lens, allowing direct use of professional-grade ND, polarizing, and matte box filters.
600g Solid Build: Substantial 600g weight provides a sturdy feel that balances well when mounted on a fully rigged camera body.
No Image Stabilization: Optical stabilization is absent, so shooters will rely on in-body stabilization or a stabilized rig for handheld work.
Meike 25mm T2.2 MFT Specifications
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Studio, Creative Effects |
| Lens Type | Cine |
| Format | Micro Four Thirds (MFT) |
| Zoom/Prime | Prime |
| Focal Length | 25mm |
| Maximum Aperture | f/2.2 |
| Camera System | Mirrorless |
| Lens Mount | Micro Four Thirds |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
| Weight | 600g |
Description
The Meike 25mm T2.2 is a prime cine lens designed for Micro Four Thirds mirrorless camera systems. It features a T2.2 maximum aperture, providing a bright, consistent light transmission value suited to controlled film and video production environments. The lens is manual focus only, making it a natural fit for professional cine setups using follow-focus systems.
A 77mm filter thread gives access to a wide range of professional filters, and the 600g body weight contributes to a balanced feel on a fully rigged camera. With no image stabilization, shooters will want to pair it with a stabilized rig or platform. The fixed 25mm focal length delivers a standard field of view on MFT sensor cameras, and the prime design ensures consistent optical performance without the variability of a zoom.
This is a purpose-built cine lens for MFT shooters who want T-stop rated glass and manual control.
Pros
- ✓Fast T2.2 maximum aperture suits low-light cine shooting
- ✓Dedicated cine-type lens designed specifically for MFT mirrorless systems
- ✓Large 77mm filter thread accommodates professional-grade ND and polarizing filters
- ✓Prime design eliminates zoom creep during production
- ✓Manual focus operation aligns with professional cine follow-focus workflows
Cons
- ✗No autofocus — manual focus only, which limits run-and-gun or solo shooting flexibility
- ✗No image stabilization, requiring stable rigs or gimbals for smooth footage
- ✗Limited to Micro Four Thirds mount with no cross-platform adaptability noted in specs
- ✗At 600g, it is relatively heavy for a compact MFT system lens
Meike 25mm T2.2 MFT Reviews
Meike 25mm T2.2 MFT Videos
MEIKE 25MM T2.2 | Review | Cinema Lens for the BMPCC 4K — Of Two Lands
Frequently Asked Questions
Does this lens support autofocus?+
No. The Meike 25mm T2.2 is a manual focus only lens. It is designed for cine use where manual focus and follow-focus systems are the standard workflow.
What camera mount does this lens use?+
This lens is built for the Micro Four Thirds mount and is compatible with MFT mirrorless camera systems. No other mount compatibility is listed in the specifications.
What filter size does this lens take?+
The Meike 25mm T2.2 has a 77mm filter thread, which allows use of standard professional filters including neutral density and polarizing filters.
Does this lens have image stabilization?+
No. The specifications confirm that image stabilization is not present on this lens. Users should rely on in-body stabilization if available, or use a gimbal or stabilized rig.
How heavy is this lens?+
The lens weighs 600g according to the specifications, which gives it a solid feel appropriate for rigged cine setups but worth considering for handheld or lightweight builds.
Is this lens suitable for photography as well as video?+
The lens is classified as a cine type and uses T-stop aperture ratings rather than f-stops, reflecting its video-first design. Its manual focus and cine-oriented spec set make it best suited for video production use.