Meike 35mm T2.1 FF-Prime Cine Lens for EF Mount
The Meike 35mm T2.1 EF is a 35mm f/2.1 lens designed for Canon EF mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Meike 35mm T2.1 FF-Prime Cine Lens for EF Mount
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Lens Overview — Meike 35mm T2.1 EF
Key Features — Meike 35mm T2.1 EF
35mm Full-Frame Prime: A standard 35mm focal length with full-frame coverage, versatile for narrative, documentary, and run-and-gun video work.
T2.1 Maximum Aperture: Cinema-standard T-stop rating reflects actual light transmission, enabling consistent exposure matching across a set of Meike FF-Prime cine lenses.
Canon EF Mount: Designed for Canon EF-mount cinema and hybrid cameras, with broad compatibility across bodies that accept the EF standard.
Manual Focus Design: Fully manual focus ring built for the deliberate, controlled focus pulls typical of professional cinema workflows.
82mm Filter Thread: Industry-common 82mm front thread works with standard matte boxes, follow focus systems, and filter rigs used in professional video production.
Cinema-Optimized Build: At 1088.6g, the substantial construction is well-suited to rigged camera setups where lens weight and stability are assets rather than drawbacks.
Lens Specifications — Meike 35mm T2.1 EF
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | Canon EF |
| Autofocus | No |
| Focus Type | Manual Focus |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — Meike 35mm T2.1 EF
The Meike 35mm T2.1 FF-Prime Cine Lens is a dedicated manual-focus prime built for Canon EF mount cameras operating in cinema and video workflows. With a T2.1 maximum aperture, it delivers cinema-calibrated light transmission, giving cinematographers the predictable exposure control they need when working across a matched prime set. The full-frame lens format means it is engineered to cover full-frame sensors without vignetting, opening it up to a broad range of modern cinema and hybrid camera bodies.
The 35mm focal length falls squarely in the standard range, making it a go-to choice for versatile narrative and documentary shooting. Practical production features include an 82mm filter thread for compatibility with common matte boxes and filter systems. At 1088.6g, the lens has a substantial, confident weight suited to a properly rigged camera. Image stabilization is not included, consistent with the expectations of the cine lens category, where stabilization is handled externally.
Focus is fully manual, supporting the deliberate, repeatable focus-pulling workflow that professional cinematography demands.
Pros — Meike 35mm T2.1 EF
- ✓T2.1 maximum aperture provides strong, cinema-calibrated light transmission for low-light shooting
- ✓Full-frame lens format ensures coverage across full-frame cinema and hybrid camera bodies
- ✓Canon EF mount offers broad compatibility with EF-mount cinema and hybrid cameras
Cons — Meike 35mm T2.1 EF
- ✗No image stabilization, so handheld or moving shots will require external stabilization support
- ✗At 1088.6g, the lens adds significant weight to a rig, which may be a consideration for run-and-gun setups
- ✗Manual focus only — not suitable for shooters who need autofocus capability
Reviews — Meike 35mm T2.1 EF
Videos — Meike 35mm T2.1 EF
The BEST Affordable S35 Cine Lenses? | Meike 35 / 50 / 75mm T2.1 | Cine Lens Review & Test Footage — CVP