Meike 35mm T2.1 S35 Cine
The Meike 35mm T2.1 S35 is a 35mm f/2.1 lens designed for Canon EF, Sony E, Micro Four Thirds, Nikon Z, Fujifilm X, L Mount Alliance mount cameras. Used copies start from $435.2 on GearFocus, with buyer protection on every purchase.
Meike 35mm T2.1 S35 Cine
Used Meike 35mm T2.1 S35 Listings on GearFocus
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$435.20
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Lens Overview — Meike 35mm T2.1 S35
Key Features — Meike 35mm T2.1 S35
35mm T2.1 Prime: A standard focal length with a T2.1 maximum aperture, providing reliable light-gathering for controlled set and low-light shooting.
Super 35 Coverage: Designed for the Super 35 sensor format, the most widely used frame size in professional cinema production.
Manual Focus Design: Fully manual focus with a cine-style ring built for repeatable, precise focus pulls by a dedicated focus puller.
Six Mount Options: Available in Canon EF, Sony E, Micro Four Thirds, Nikon Z, Fujifilm X, and L-Mount, allowing use across a wide range of camera systems.
82mm Filter Thread: Standard 82mm front thread integrates directly with common matte boxes and filter systems used on cine rigs.
910g Solid Build: At 910g, the lens has a substantial, cinema-grade feel that sits stably on a rigged camera setup.
Lens Specifications — Meike 35mm T2.1 S35
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Portrait, Studio, Creative Effects |
| Lens Type | Cine |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 35mm |
| Maximum Aperture | f/2.1 |
| Camera System | Cinema / Video |
| Lens Mount | Canon EF, Sony E, Micro Four Thirds, Nikon Z, Fujifilm X, L Mount Alliance |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 82mm |
Description — Meike 35mm T2.1 S35
The Meike 35mm T2.1 S35 Cine is a Super 35 format prime lens built specifically for Cinema / Video workflows. It features a T2.1 maximum aperture and is a manual focus prime — no autofocus, no image stabilization — which places it squarely in the hands of cinematographers and focus pullers working in structured production environments. The 35mm focal length sits in the standard range, making it a natural choice for interview setups, narrative scenes, and documentary work on Super 35 cameras.
An 82mm filter thread at the front ensures compatibility with common cine matte boxes and filter systems. At 910g, the lens has a physically reassuring weight typical of cinema glass. Mount options cover a broad range of systems: Canon EF, Sony E, Micro Four Thirds, Nikon Z, Fujifilm X, and L-Mount, giving this lens genuine cross-platform utility for rental houses and owner-operators running mixed equipment fleets.
The Super 35 format designation means it is built to cover that specific sensor size efficiently.
Pros — Meike 35mm T2.1 S35
- ✓T2.1 maximum aperture provides useful light-gathering performance for a cine prime
- ✓Super 35 format coverage suits the most widely used sensor size in cinema production
- ✓Broad mount compatibility across Canon EF, Sony E, Micro Four Thirds, Nikon Z, Fujifilm X, and L-Mount
Cons — Meike 35mm T2.1 S35
- ✗No autofocus — unsuitable for run-and-gun or solo shooters who rely on AF
- ✗No image stabilization, which limits handheld flexibility without a gimbal or rig
- ✗Super 35 format coverage means it is not designed for full-frame sensors
Reviews — Meike 35mm T2.1 S35
Videos — Meike 35mm T2.1 S35
The BEST Affordable S35 Cine Lenses? | Meike 35 / 50 / 75mm T2.1 | Cine Lens Review & Test Footage — CVP