Mercury Anamorphic Prime Lens Kit
The Atlas Lens Co. Anamorphic Prime Lens Kit is a 54–138mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Mercury Anamorphic Prime Lens Kit
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Lens Overview — Atlas Lens Co. Anamorphic Prime Lens Kit
Key Features — Atlas Lens Co. Anamorphic Prime Lens Kit
Three-Lens Anamorphic Set: Covers 54mm, 95mm, and 138mm focal lengths as matched primes, giving cinematographers a cohesive telephoto range in a single kit.
1.5x Anamorphic Squeeze: Produces the characteristic widescreen look, oval bokeh, and horizontal lens flares associated with anamorphic cinema production.
Super 35 Coverage: Rated for Super 35 sensor format, making the kit compatible with industry-standard cinema cameras from ARRI, RED, and similar manufacturers.
PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional cinema camera systems used in narrative and commercial production.
T2.2 Maximum Aperture: Consistent T-stop across all three focal lengths, providing useful light-gathering capability and subject separation in controlled production environments.
Matched 95mm Filter Thread: Shared filter thread size across all three lenses allows a single set of filters to be used throughout the kit without step rings.
Lens Specifications — Atlas Lens Co. Anamorphic Prime Lens Kit
| Spec | Detail |
|---|---|
| Use Cases | Fashion, Documentary, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 54–138mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — Atlas Lens Co. Anamorphic Prime Lens Kit
The Atlas Lens Co. Mercury Anamorphic Prime Lens Kit brings together three matched cinema primes — 54mm, 95mm, and 138mm — in a cohesive set built for professional film and video production. All lenses are of the anamorphic type and are designed around the PL Mount, targeting the Cinema / Video camera system ecosystem.
Each prime covers the Super 35 lens format, aligning with the sensor standard used across a wide range of professional cinema cameras. The lenses feature a maximum aperture of f/2.2 and are manual focus only, with no autofocus or image stabilization — specifications that reflect the deliberate, controlled approach of professional cinematography. A shared 95mm filter thread across all three focal lengths is a significant practical benefit, streamlining on-set filter workflows.
Each lens in the kit has a weight of 1.04 kg, keeping the overall rig weight predictable. The focal length range spans from the 54mm minimum to the 138mm maximum, falling within the Telephoto classification and providing useful coverage for a range of cinematic shooting scenarios.
Pros — Atlas Lens Co. Anamorphic Prime Lens Kit
- ✓Consistent 95mm filter thread across all lenses in the kit eliminates the need for multiple filter sizes
- ✓PL Mount compatibility positions the kit for use with professional cinema camera systems
- ✓Anamorphic lens type delivers the distinctive widescreen aesthetic associated with cinematic production
Cons — Atlas Lens Co. Anamorphic Prime Lens Kit
- ✗Manual focus only — no autofocus available, requiring a dedicated focus puller on set
- ✗No image stabilization, which may limit handheld use without additional rigging support
- ✗Maximum aperture of f/2.2, while usable, is not as fast as some competing cinema prime sets
Videos — Atlas Lens Co. Anamorphic Prime Lens Kit
Why Hollywood Uses These Cinematic Lenses // Atlas Mercury Anamorphic — Matti Haapoja