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Panasonic AG-AF100 Camcorder

The Panasonic AG-AF100 is a 12.4 MP Micro Four Thirds cinema camera — with 1920x1080 video. Check GearFocus for current availability, with buyer protection on every purchase.

Panasonic AG-AF100 Camcorder

Panasonic AG-AF100 Camcorder

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Camera OverviewPanasonic AG-AF100

The Panasonic AG-AF100 is a professional cinema camcorder built around a 12.4 MP Type 4/3 (Four Thirds) sensor with a Micro Four Thirds lens mount, giving filmmakers access to a broad ecosystem of interchangeable lenses. It records video at up to 1920x1080 resolution across a versatile range of frame rates — 24fps, 25fps, 30fps, 50fps, and 60fps — making it adaptable for both cinematic and broadcast production workflows. Internally, the camera captures 8-bit footage, while its Full HDMI output enables 10-bit external recording for greater post-production flexibility.

The AG-AF100's ISO range runs from 200 to 3200, processed through an 18-bit DSP. For monitoring, the camera offers a 3.45-inch fixed LCD display with 920,000 dots of resolution, complemented by an LCD EVF running at 60Hz with 1,220,000 dots. Audio is a clear strength: the camera provides dual XLR inputs with phantom power alongside a 3.5mm stereo microphone jack and a 3.5mm headphone jack for on-set monitoring.

The body is constructed from magnesium alloy and polycarbonate, weighing 1,315g with dimensions of 164 x 195 x 291 mm. Storage is handled via SD, SDHC, and SDXC cards. Multiple color profiles — including Cine-Like D, Cine-Like V, Dynamic Range Stretch, and Gamma Select — round out its video-oriented feature set.

Key FeaturesPanasonic AG-AF100

Micro Four Thirds Mount: Interchangeable lens system compatible with a wide ecosystem of MFT and adapted lenses, giving filmmakers broad creative flexibility.

1080p Multi-Frame Rate Recording: Records at 24, 25, 30, 50, and 60fps in 1080p, covering both cinematic and broadcast production requirements in a single camera.

10-Bit External Recording: Full HDMI output enables 10-bit signal capture to an external recorder, providing greater color grading latitude in post-production.

Dual XLR Inputs with Phantom Power: Two XLR connectors with 48V phantom power support professional microphones and audio equipment directly on-camera.

Cine-Like Color Profiles: Includes Cine-Like D, Cine-Like V, Dynamic Range Stretch, and Gamma Select for flat, log-style image capture suited to color grading workflows.

LCD Electronic Viewfinder: 1,220,000-dot electronic viewfinder running at 60Hz allows accurate focus and exposure monitoring in bright outdoor conditions.

Camera SpecificationsPanasonic AG-AF100

Panasonic AG-AF100 full specifications
SpecDetail
Use CasesDocumentary, Video / Cinematography
TypeOther
SensorMicro Four Thirds (MFT)
Resolution12.4 MP
Processor18-bit DSP
ISO Range200 – 3200
AF SystemContrast Detection, Face Detection AF
AF PointsArea-based autofocus
Max Photo ResolutionNot designed for stills
Burst Rate0 fps
Max Video Resolution1920x1080
Max Frame Rate60fps

DescriptionPanasonic AG-AF100

The Panasonic AG-AF100 is a cinema-oriented camcorder centered on a 12.4 MP Type 4/3 (Four Thirds) sensor processed by an 18-bit DSP. Its Micro Four Thirds lens mount enables the use of a wide variety of interchangeable lenses, giving operators creative flexibility over focal length and depth of field. Video is captured at up to 1920x1080 resolution at frame rates of 24fps, 25fps, 30fps, 50fps, and 60fps, with 8-bit internal and 10-bit external recording via its Full HDMI output.

The camera's ISO range spans 200 to 3200, and its color profile options — including Cine-Like D, Cine-Like V, Dynamic Range Stretch, and Gamma Select — provide meaningful creative control over image rendering. For monitoring, a 3.45-inch fixed LCD at 920,000 dots pairs with an LCD EVF at 1,220,000 dots and 60Hz refresh. Audio connectivity includes dual XLR inputs with phantom power and a 3.5mm stereo microphone jack, with a 3.5mm headphone jack for live monitoring.

The body, built from magnesium alloy and polycarbonate, measures 164 x 195 x 291 mm and weighs 1,315g. Storage is via SD, SDHC, and SDXC cards.

ProsPanasonic AG-AF100

  • Micro Four Thirds lens mount opens compatibility to a wide range of interchangeable lenses
  • 10-bit external recording via Full HDMI output for enhanced post-production latitude
  • Dual XLR inputs with phantom power plus a 3.5mm mic jack offer professional-grade audio connectivity

ConsPanasonic AG-AF100

  • No image stabilization of any kind — in-body, optical, or digital — per specifications
  • ISO tops out at 3200, which may limit shooting in very low-light environments
  • Maximum video resolution is 1920x1080 with no 4K or higher resolution option

VideosPanasonic AG-AF100

Panasonic's $500 Cinema Camera is GREAT in 2025Zach Mayfield

Resources & DownloadsPanasonic AG-AF100

Manuals & Guides

Frequently Asked QuestionsPanasonic AG-AF100

What lenses are compatible with the AG-AF100?+
The AG-AF100 uses a Micro Four Thirds lens mount, allowing it to accept any Micro Four Thirds compatible lens. The specifications confirm Micro Four Thirds as the sole lens mount for this camera.
Can the AG-AF100 record 10-bit video?+
Internal recording is 8-bit, but the camera supports 10-bit external recording through its Full HDMI output. This allows shooters to connect an external recorder for greater color depth in post-production.
What audio inputs does the AG-AF100 provide?+
The camera features two XLR inputs with phantom power for professional microphones, as well as a 3.5mm stereo mini jack for microphone input. A 3.5mm stereo headphone jack is also included for audio monitoring during recording.
What storage media does the AG-AF100 use?+
The AG-AF100 records to SD, SDHC, and SDXC cards. These are widely available and affordable card formats suitable for on-set production use.
What is the camera's ISO range?+
The AG-AF100 has a native ISO range of 200 to 3200, processed through an 18-bit DSP. There are no extended ISO modes listed in the specifications.
Does the AG-AF100 have image stabilization?+
No. The specifications confirm that neither in-body nor digital image stabilization is present, and the stabilization type is listed as 'None.' Any stabilization would need to come from the lens itself or an external rig.

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