P+S TECHNIK EVOLUTION 2x 100mm T3.2 Prime Lens
The P+S TECHNIK 100mm T3.2 is a 100mm f/3.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

P+S TECHNIK EVOLUTION 2x 100mm T3.2 Prime Lens
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Lens Overview — P+S TECHNIK 100mm T3.2
Key Features — P+S TECHNIK 100mm T3.2
2x Anamorphic Optics: Delivers the 2x anamorphic squeeze factor that produces the wide cinematic aspect ratio and characteristic oval bokeh associated with anamorphic photography.
100mm Telephoto Focal Length: Well-suited for close-ups, portraiture, and compressed perspective shots common in narrative and commercial production.
T3.2 Maximum Aperture: Provides reliable light transmission for a telephoto anamorphic prime, suitable for controlled lighting environments on set.
PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.
Super 35 Coverage: Designed to cover the Super 35 sensor format, aligning with the dominant standard used in modern digital cinema workflows.
Manual Focus Design: Smooth, precise manual focus ring built for repeatable focus pulls by dedicated focus pullers on professional sets.
Lens Specifications — P+S TECHNIK 100mm T3.2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 100mm |
| Maximum Aperture | f/3.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1.6kg |
Description — P+S TECHNIK 100mm T3.2
The P+S TECHNIK EVOLUTION 2x 100mm T3.2 is a Cinema prime lens engineered for professional productions shooting on Super 35 format cameras. With a fixed 100mm telephoto focal length, it delivers the compressed perspective and subject isolation that cinematographers rely on for close-ups, portraiture, and detail shots. The T3.2 maximum aperture provides consistent and measurable light transmission — a critical factor when matching exposure across a set of cinema lenses on a production.
Mounting via the PL Mount, this lens integrates seamlessly with the professional cinema camera ecosystem that relies on PL as its standard interface. Focus is entirely manual, putting precise control in the hands of a dedicated focus puller, as is expected on a professional cine set. The lens weighs 1.6kg, reflecting the robust, production-ready construction that P+S TECHNIK builds into this series.
With no image stabilization, it is designed to work within traditional cinema rigging workflows where external stabilization solutions are standard practice.
Pros — P+S TECHNIK 100mm T3.2
- ✓PL Mount compatibility makes it a natural fit for professional cinema camera systems
- ✓Super 35 format coverage aligns with the dominant sensor standard in modern digital cinema
- ✓T3.2 maximum aperture offers solid light transmission for a telephoto cinema prime
Cons — P+S TECHNIK 100mm T3.2
- ✗T3.2 maximum aperture is relatively modest compared to faster cinema primes in this focal length range
- ✗No image stabilization, though this is standard for cinema primes relying on external rigging
- ✗Manual focus only — no autofocus option for any shooting scenario
Videos — P+S TECHNIK 100mm T3.2
DCS P+S Technik Anamorphic Lens Comparison — Digital Cinema Society