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P+S TECHNIK EVOLUTION 2x 50mm T2.4 S35 Prime Lens - PL Mount

The P+S TECHNIK 50mm T2.4 S35 Prime Lens is a 50mm f/2.4 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

P+S TECHNIK EVOLUTION 2x 50mm T2.4 S35 Prime Lens - PL Mount

P+S TECHNIK EVOLUTION 2x 50mm T2.4 S35 Prime Lens - PL Mount

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Lens Overview — P+S TECHNIK 50mm T2.4 S35 Prime Lens

The P+S TECHNIK EVOLUTION 2x 50mm T2.4 is a manual-focus anamorphic prime lens built for Super 35 cinema cameras with a PL mount. Designed squarely for the Super 35 format, this lens offers a 50mm focal length paired with a maximum aperture of T2.4, giving cinematographers a solid combination of a standard field of view and reasonable light-gathering capability in a dedicated anamorphic package. The lens is manual focus only, with no autofocus or image stabilization — consistent with professional cinema production workflows where precise, repeatable focus pulls are handled by dedicated focus operators.

Weighing in at 1.2 kg, it sits in a manageable weight class for a cinema prime, making it compatible with a wide range of rigs and gimbal setups without imposing excessive load. As a PL mount lens, it integrates naturally into the broader professional cinema ecosystem, compatible with a wide array of S35-sensor cinema bodies that accept PL glass. The EVOLUTION 2x designation indicates this is part of P+S TECHNIK's anamorphic series.

For cinematographers seeking a dedicated 50mm anamorphic prime on a Super 35 platform with a familiar PL interface, this lens represents a purpose-built tool for narrative and commercial production.

Key Features — P+S TECHNIK 50mm T2.4 S35 Prime Lens

2x Anamorphic Squeeze: Delivers the full anamorphic widescreen image characteristic — horizontal squeeze, oval bokeh, and lens flares — native to the optical design.

50mm Standard Focal Length: Provides a natural, close-to-human-eye perspective well suited to dialogue scenes, portraits, and narrative cinematography.

T2.4 Maximum Aperture: Offers solid light-gathering capability for an anamorphic cinema prime, allowing usable exposure in lower-light conditions.

Super 35 Coverage: Designed to cover the Super 35 format, matching the sensor size of most professional cinema cameras from ARRI, RED, and Sony.

PL Mount: Industry-standard cinema mount ensures direct compatibility with a wide range of S35 cinema bodies without adapters.

Manual Focus Design: Smooth manual focus ring supports precise, repeatable focus pulls as part of a dedicated focus operator workflow.

Lens Specifications — P+S TECHNIK 50mm T2.4 S35 Prime Lens

P+S TECHNIK 50mm T2.4 S35 Prime Lens full specifications
SpecDetail
Use CasesDocumentary, Video / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimePrime
Focal Length50mm
Maximum Aperturef/2.4
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1.2kg

Description — P+S TECHNIK 50mm T2.4 S35 Prime Lens

The P+S TECHNIK EVOLUTION 2x 50mm T2.4 is an anamorphic prime lens purpose-built for Super 35 cinema cameras, interfacing via a PL Mount. With a fixed 50mm focal length and a maximum aperture of T2.4, it delivers a standard cinematic perspective with reliable low-light performance for narrative, commercial, and documentary production. The lens is manual focus only — there is no autofocus system — which is entirely at home in professional cinema environments where focus pullers handle all focus operations. Image stabilization is not present, so shooters should plan for appropriate support systems when handheld or moving shots are required.

At 1.2 kg, the lens strikes a practical balance between optical build quality and on-set usability, remaining compatible with a broad range of camera rigs. The PL Mount standard ensures seamless integration with the wider professional cinema camera ecosystem. As part of P+S TECHNIK's anamorphic lineup, this 50mm prime is a dedicated tool for cinematographers working in the Cinema / Video camera system category who require a dependable standard focal length in an anamorphic form factor.

Pros — P+S TECHNIK 50mm T2.4 S35 Prime Lens

  • ✓Anamorphic prime type designed specifically for Super 35 coverage, confirmed by lensFormat: Super 35
  • ✓T2.4 maximum aperture provides solid light-gathering for a cinema anamorphic prime
  • ✓Standard 50mm focal length offers a versatile, natural perspective for narrative work

Cons — P+S TECHNIK 50mm T2.4 S35 Prime Lens

  • ✗No autofocus capability — fully manual operation may limit run-and-gun or solo shooting scenarios
  • ✗No image stabilization, requiring stabilized rigs or gimbals for smooth handheld work
  • ✗No filter thread size specified, which may complicate on-set filtration planning

Videos — P+S TECHNIK 50mm T2.4 S35 Prime Lens

The BEST "budget" anamorphic lenses? | DZOFilm PAVOs — Ed Prosser

Resources & Downloads — P+S TECHNIK 50mm T2.4 S35 Prime Lens

Manuals & Guides

Frequently Asked Questions — P+S TECHNIK 50mm T2.4 S35 Prime Lens

What camera mount does this lens use?+
The P+S TECHNIK EVOLUTION 2x 50mm T2.4 uses a PL Mount, as specified in the mount data. This makes it compatible with professional cinema cameras that accept PL glass and cover a Super 35 sensor.
Does this lens support autofocus?+
No. This lens is manual focus only, with autoFocus listed as false in the specifications. It is designed for traditional cinema workflows where a focus puller controls focus manually.
What sensor format does this lens cover?+
The lens is designed for the Super 35 format, as indicated by the lensFormat specification. It is not specified for larger formats such as Full Frame or Large Format.
How heavy is this lens?+
The lens weighs 1.2 kg according to the specifications. This is a relatively manageable weight for a cinema anamorphic prime and should be compatible with a variety of rigs and support systems.
Is this lens part of a series, and does it have image stabilization?+
The lens is categorized as an anamorphic prime in the Cinema / Video camera system category, and image stabilization is listed as None in the specifications. Shooters should plan for stabilized support if smooth footage is required.
What is the maximum aperture of this lens?+
The maximum aperture is T2.4, as listed in the maximumAperture field of the specifications. This T-stop rating reflects the actual light transmission of the lens, which is the standard measurement used in cinema production.

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