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P+S TECHNIK TECHNOVISION 1.5x 40-70mm T3.2

The P+S TECHNIK 1.5x 40-70mm T3.2 is a 40–70mm f/3.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

P+S TECHNIK TECHNOVISION 1.5x 40-70mm T3.2

P+S TECHNIK TECHNOVISION 1.5x 40-70mm T3.2

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Lens Overview — P+S TECHNIK 1.5x 40-70mm T3.2

The P+S TECHNIK TECHNOVISION 1.5x 40-70mm T3.2 is an anamorphic zoom lens built for the cinema and video market. Mounted on a PL Mount and designed around a Super 35 image format, this lens covers a standard focal length range from 40mm to 70mm while maintaining a constant T3.2 aperture throughout the zoom range — a meaningful advantage when consistency of exposure matters across a shot. As an anamorphic type lens, it delivers the characteristic widescreen look that cinematographers seek, and the 1.5x designation appears in the product title, though squeeze ratio data is not confirmed in the specification fields.

Focus is entirely manual, which aligns with professional cinema production workflows where focus pullers operate dedicated follow focus systems. The lens tips the scales at 3.5kg, which is substantial and worth accounting for when selecting rigs, gimbals, or support systems. With no image stabilization, it is intended for use on stabilized platforms or in controlled shooting environments.

The PL Mount is the industry-standard cinema mount, ensuring broad compatibility with professional cinema camera bodies.

Key Features — P+S TECHNIK 1.5x 40-70mm T3.2

1.5x Anamorphic Squeeze: Delivers the characteristic widescreen cinematic look with anamorphic bokeh and lens flares sought after in professional film production.

40–70mm Zoom Range: Covers a versatile standard focal length range suitable for establishing shots through to tighter compositional framing.

Constant T3.2 Aperture: Maintains consistent exposure across the full zoom range, eliminating the need for exposure compensation when reframing during a shot.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, Sony, and others.

Super 35 Coverage: Image circle is optimized for Super 35, the most widely used sensor format in digital cinema production.

Manual Focus Design: Fully manual focus ring built for use with dedicated follow focus systems in professional cinema workflows.

Lens Specifications — P+S TECHNIK 1.5x 40-70mm T3.2

P+S TECHNIK 1.5x 40-70mm T3.2 full specifications
SpecDetail
Use CasesVideo / Cinematography
Lens TypeAnamorphic
FormatSuper 35
Zoom/PrimeZoom
Focal Length40–70mm
Maximum Aperturef/3.2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight3.5kg

Description — P+S TECHNIK 1.5x 40-70mm T3.2

The P+S TECHNIK TECHNOVISION 1.5x 40-70mm T3.2 is a professional anamorphic zoom lens engineered for the demands of cinema and video production. Covering a focal length range from 40mm to 70mm, it maintains a constant T3.2 aperture throughout — a key feature for cinematographers who need predictable exposure without adjustment as they zoom. The lens is built around a Super 35 image format and mounts via a PL Mount, the established standard in professional digital cinema.

Focus is manual, making it well suited to productions that rely on dedicated focus pullers and follow focus systems. With a body weight of 3.5kg, it is a substantial piece of glass that demands proper support rigging. There is no image stabilization, so use on a stabilized platform is recommended.

No filter thread size is specified in the available data. Overall, this lens is a purpose-built cinema tool designed for professional sets where optical consistency, anamorphic character, and reliable performance across a standard zoom range are priorities.

Pros — P+S TECHNIK 1.5x 40-70mm T3.2

  • ✓Constant T3.2 aperture maintained across the full 40–70mm zoom range, ensuring consistent exposure without compensation
  • ✓Anamorphic lens type delivers the cinematic widescreen aesthetic preferred in professional film production
  • ✓PL Mount is the industry-standard cinema mount, offering broad compatibility with professional cinema camera systems

Cons — P+S TECHNIK 1.5x 40-70mm T3.2

  • ✗At 3.5kg, the lens is heavy and will require robust rigging and support systems
  • ✗No image stabilization, meaning stabilized platforms or controlled environments are necessary for smooth handheld or moving shots
  • ✗No filter thread size listed in specifications, which may complicate the use of front-mounted filtration

Videos — P+S TECHNIK 1.5x 40-70mm T3.2

DCS P+S Technik Anamorphic Lens Comparison — Digital Cinema Society

Resources & Downloads — P+S TECHNIK 1.5x 40-70mm T3.2

Manuals & Guides

Frequently Asked Questions — P+S TECHNIK 1.5x 40-70mm T3.2

What camera mount does the TECHNOVISION 40-70mm T3.2 use?+
This lens uses a PL Mount, which is the standard mount found on professional cinema cameras. It is not compatible with DSLR or mirrorless mounts without an adapter.
What sensor format does this lens cover?+
The lens is designed for the Super 35 format, which is one of the most common sensor sizes used in digital cinema production.
Does the aperture change throughout the zoom range?+
No. The lens maintains a constant T3.2 aperture across the entire 40–70mm focal length range, so exposure remains consistent as you zoom.
Does this lens have autofocus or image stabilization?+
Neither. The lens is manual focus only and has no image stabilization. It is designed to be used with follow focus systems and on stabilized camera rigs or controlled shooting platforms.
How heavy is the TECHNOVISION 40-70mm T3.2?+
The lens weighs 3.5kg, which is considerable. Shooters should ensure their camera support system — whether a tripod, shoulder rig, or other platform — is rated to handle this weight comfortably.
Is this lens suitable for video or only film production?+
The lens is classified under the Cinema / Video camera system and is designed for professional cinema and video production. Its PL Mount and manual focus design make it best suited for structured production environments rather than run-and-gun video work.

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