P+S TECHNIK TECHNOVISION 40mm T2.2
The P+S TECHNIK 1.5x 40mm T2.2 is a 40mm f/2.2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

P+S TECHNIK TECHNOVISION 40mm T2.2
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Lens Overview — P+S TECHNIK 1.5x 40mm T2.2
Key Features — P+S TECHNIK 1.5x 40mm T2.2
2x Anamorphic Squeeze: Produces the widescreen aspect ratio, oval bokeh, and horizontal lens flares associated with classic anamorphic cinematography.
40mm Prime Focal Length: Standard focal length offers a natural, versatile perspective well suited to dialogue scenes, documentary work, and narrative filmmaking.
T2.2 Maximum Aperture: Solid light-gathering capability for controlled studio environments and lower-light shooting conditions.
Super 35 Coverage: Image circle designed to cover Super 35 sensors, matching the format used by many mainstream cinema cameras.
PL Mount: Industry-standard cinema mount ensures broad compatibility with camera systems from ARRI, RED, Sony, and others.
Manual Focus Design: Built for professional cinema workflows where a focus puller operates the lens via an external follow focus system.
Lens Specifications — P+S TECHNIK 1.5x 40mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Creative Effects |
| Lens Type | Anamorphic |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 40mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Weight | 1500g |
Description — P+S TECHNIK 1.5x 40mm T2.2
The P+S TECHNIK TECHNOVISION 40mm T2.2 is an anamorphic prime cinema lens built for Super 35 format acquisition. Fitted with a PL Mount, it integrates cleanly into professional cinema camera rigs across the industry. The fixed 40mm focal length places it in the standard focal length range — a natural, versatile perspective that suits a wide variety of production styles.
With a maximum aperture of T2.2, this lens offers capable light transmission for demanding production environments. Focus is entirely manual, keeping it consistent with professional cinema practice where follow focus systems and dedicated focus pullers are the norm. The lens carries no image stabilization, as expected for a cinema prime designed for use on a fully rigged camera support.
Weighing 1500g, it has the solid, substantial feel typical of professional anamorphic glass. The Cinema / Video camera system designation confirms its purpose-built role in professional film and video production workflows.
Pros — P+S TECHNIK 1.5x 40mm T2.2
- ✓Anamorphic type delivers the cinematic optical character sought in narrative and commercial production
- ✓Maximum aperture of T2.2 provides strong light intake for a range of shooting conditions
- ✓40mm prime focal length in the standard range offers a versatile, natural perspective
Cons — P+S TECHNIK 1.5x 40mm T2.2
- ✗Manual focus only — no autofocus option for operators who need it in run-and-gun scenarios
- ✗No image stabilization, requiring a rigged or stabilized camera support system
- ✗At 1500g, the weight may add up when building out a full anamorphic prime set
Videos — P+S TECHNIK 1.5x 40mm T2.2
Kowa Anamorphic vs. P+S Technik KOWA 2x Anamorphic Evolution Lenses - Comparison video — Shift 4