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P+S TECHNIK TECHNOVISION 1.5x 75mm Prime Lens

The P+S TECHNIK 1.5x 75mm Prime Lens is a 75mm f/2.8 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

P+S TECHNIK TECHNOVISION 1.5x 75mm Prime Lens

P+S TECHNIK TECHNOVISION 1.5x 75mm Prime Lens

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Lens Overview — P+S TECHNIK 1.5x 75mm Prime Lens

The P+S TECHNIK TECHNOVISION 1.5x 75mm Prime Lens is a manual-focus cinema prime built for full-frame camera systems and fitted with a PL Mount. Designed squarely for the cinema and video world, this lens operates in the standard focal length range with a fixed 75mm focal length, giving cinematographers a reliable and consistent field of view for narrative, commercial, and documentary work. The maximum aperture of f/2.8 offers a solid degree of light-gathering capability, which combined with a 75mm focal length makes it a practical choice for interviews, medium shots, and general coverage work.

Being a true prime lens, it delivers the optical consistency and rendering character that cinematographers expect from a dedicated cinema optic. The lens is manual focus only, which is standard practice in professional cinema production where focus pullers work with precision follow-focus systems. At 1200 grams, it carries a substantial but manageable weight appropriate for a full-frame cinema prime on a professional rig.

The PL Mount is the industry-standard cinema lens mount, ensuring broad compatibility across professional cinema camera platforms. With no image stabilization — as is typical and expected for a cinema lens used on stabilized rigs — this is a lens built for controlled, deliberate filmmaking environments.

Key Features — P+S TECHNIK 1.5x 75mm Prime Lens

1.5x Anamorphic Squeeze: Produces the characteristic anamorphic widescreen image with oval bokeh and horizontal lens flares when desqueezed in post.

75mm Focal Length: A standard focal length well-suited for interviews, medium shots, and general narrative coverage work.

Full-Frame Coverage: Covers full-frame sensors, making it compatible with modern large-format cinema cameras without vignetting.

PL Mount: Industry-standard cinema lens mount with broad compatibility across professional platforms from ARRI, RED, and Sony.

T2.8 Maximum Aperture: Provides meaningful depth-of-field control and usable light-gathering capability for controlled production environments.

Manual Focus Design: Smooth manual focus ring engineered for precise, repeatable focus pulls with professional follow-focus systems.

Lens Specifications — P+S TECHNIK 1.5x 75mm Prime Lens

P+S TECHNIK 1.5x 75mm Prime Lens full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatFull Frame
Zoom/PrimePrime
Focal Length75mm
Maximum Aperturef/2.8
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1200g

Description — P+S TECHNIK 1.5x 75mm Prime Lens

The P+S TECHNIK TECHNOVISION 1.5x 75mm Prime Lens is a dedicated cinema prime engineered for professional film and video production. It features a PL Mount, the standard for professional cinema cameras, and is designed to cover full-frame sensors. The fixed 75mm focal length places it firmly in the standard focal length range, making it a versatile choice for a wide variety of cinematic applications.

With a maximum aperture of f/2.8, the lens provides meaningful control over depth of field and performs well in controlled lighting environments. Focus is entirely manual, aligning with professional cinema production practices where a focus puller operates the lens via a follow-focus system. The lens weighs 1200 grams, offering a solid feel on a cinema rig without being excessively heavy.

There is no image stabilization, which is consistent with its intended use on stabilized camera support systems. The TECHNOVISION 75mm is a purpose-built cinema prime for filmmakers who demand reliable optical performance and professional-grade hardware compatibility.

Pros — P+S TECHNIK 1.5x 75mm Prime Lens

  • ✓PL Mount provides industry-standard cinema camera compatibility
  • ✓Full-frame coverage (lensFormat: Full Frame) supports larger sensor cinema cameras
  • ✓Fixed 75mm focal length delivers consistent optical rendering in the standard focal length range

Cons — P+S TECHNIK 1.5x 75mm Prime Lens

  • ✗Maximum aperture of f/2.8 is relatively modest compared to faster cinema primes in this focal length range
  • ✗Manual focus only — no autofocus option for run-and-gun or hybrid shooting styles
  • ✗No image stabilization, requiring external stabilization solutions on set

Reviews — P+S TECHNIK 1.5x 75mm Prime Lens

Videos — P+S TECHNIK 1.5x 75mm Prime Lens

P+S Technik Introduces New Full-Frame Front Anamorphic 1.5x 35-70mm T3.2 Lens — No Film School

Resources & Downloads — P+S TECHNIK 1.5x 75mm Prime Lens

Manuals & Guides

Frequently Asked Questions — P+S TECHNIK 1.5x 75mm Prime Lens

What camera mount does the TECHNOVISION 75mm use?+
The lens uses a PL Mount, which is the industry-standard mount for professional cinema cameras. This makes it compatible with a wide range of cinema camera platforms that accept PL Mount lenses.
Does this lens cover full-frame sensors?+
Yes, the lens format is specified as Full Frame, meaning it is designed to cover full-frame camera sensors without vignetting.
What is the maximum aperture of this lens?+
The maximum aperture is f/2.8, providing a reasonable degree of light-gathering capability and depth-of-field control for a cinema prime at 75mm.
Does this lens have autofocus?+
No, this lens is manual focus only. It is intended for professional cinema production where focus is controlled by a dedicated focus puller using a follow-focus system.
How much does the TECHNOVISION 75mm weigh?+
The lens weighs 1200 grams, which is a substantial but workable weight for a full-frame cinema prime intended for use on professional camera rigs.
Does this lens include image stabilization?+
No, image stabilization is listed as None. Cinema lenses of this type are typically used on stabilized rigs, gimbals, or dollies rather than relying on in-lens stabilization.

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