Raptor 180mm T2.9 Macro Cinema Lens
The IBE Optics 180mm T2.9 Macro is a 180mm f/2.9 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Raptor 180mm T2.9 Macro Cinema Lens
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Lens Overview — IBE Optics 180mm T2.9 Macro
Key Features — IBE Optics 180mm T2.9 Macro
180mm Prime Focal Length: Fixed telephoto focal length delivers consistent optical performance and a longer working distance well-suited to macro cinematography.
T2.9 Maximum Aperture: Strong light transmission for a telephoto macro lens, enabling shallow depth-of-field work in controlled lighting environments.
Macro Optical Design: Purpose-built for extreme close-up cinematography, allowing detailed reproduction of small subjects with cinematic precision.
PL Mount: Industry-standard cinema lens mount ensures compatibility with professional camera bodies from ARRI, RED, and other major manufacturers.
Super 35 Image Circle: Covers the Super 35 format natively, pairing naturally with the broad range of cinema cameras built around that sensor size.
Manual Focus Design: Smooth, precise focus ring built for repeatable focus pulls and hands-on control by a dedicated focus puller on set.
Lens Specifications — IBE Optics 180mm T2.9 Macro
| Spec | Detail |
|---|---|
| Use Cases | Macro, Video / Cinematography |
| Lens Type | Macro |
| Format | Super 35 |
| Zoom/Prime | Prime |
| Focal Length | 180mm |
| Maximum Aperture | f/2.9 |
| Camera System | Cinema / Video |
| Lens Mount | PL Mount |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 95mm |
Description — IBE Optics 180mm T2.9 Macro
The IBE Optics Raptor 180mm T2.9 Macro Cinema Lens is a precision prime lens built for professional cinema production. Operating at a fixed 180mm focal length within the telephoto range, it opens to a maximum aperture of T2.9, giving directors of photography meaningful control over exposure and depth of field during macro-focused cinematography work. The lens mounts via PL Mount, placing it squarely within the professional cinema camera ecosystem, and covers a Super 35 image circle for broad compatibility with cinema cameras built around that format.
A 95mm filter thread on the front element accommodates the large-format filters commonly used in cinema production. The lens is manual focus only, with no autofocus and no image stabilization, making it a tool for controlled, deliberate shooting environments. At 2.9 kg, it carries the weight of a serious cinema optic and benefits from dedicated lens support on most rigs.
This is a purpose-built tool for cinematographers who require a reliable, high-quality macro telephoto option in a professional cinema lens package.
Pros — IBE Optics 180mm T2.9 Macro
- ✓T2.9 maximum aperture provides strong light transmission for a telephoto macro cinema lens
- ✓PL Mount ensures compatibility with the professional cinema camera ecosystem
- ✓Super 35 image circle coverage suits a broad range of professional cinema camera formats
Cons — IBE Optics 180mm T2.9 Macro
- ✗At 2.9 kg, the lens is quite heavy and may require dedicated lens support on many rigs
- ✗No image stabilization, so handheld or run-and-gun use will require additional stabilization equipment
- ✗Manual focus only with no autofocus capability, limiting solo or fast-paced shooting scenarios
Videos — IBE Optics 180mm T2.9 Macro
Macro Cine lenses for sensors up to VV | ∞ to 1:1 magnification without changing setup & T2.9 — IBE Optics