RED KOMODO KOMODO ST Cinema Camera
The RED Digital Cinema KOMODO ST is a 6K Super 35 cinema camera — with 6K video. Check GearFocus for current availability, with buyer protection on every purchase.
RED KOMODO KOMODO ST Cinema Camera
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Camera Overview — RED Digital Cinema KOMODO ST
Key Features — RED Digital Cinema KOMODO ST
6K Super 35 Sensor: Captures up to 6K resolution on a Super 35 sensor, delivering cinema-grade image quality with a familiar depth-of-field characteristic for filmmakers.
REDCODE RAW Recording: Records in REDCODE RAW with up to 16-bit color depth, giving editors and colorists maximum flexibility in post-production.
Wide Frame Rate Range: Supports frame rates from 23.976fps up to 60fps at 6K, covering cinematic, broadcast, and production needs.
Canon RF Lens Mount: Uses the Canon RF mount, opening compatibility with a broad and growing ecosystem of native RF lenses as well as adapted optics via third-party mount adapters.
Compact Aluminum Body: Measures just 4 x 4 x 4 inches and weighs 0.95 kg, making it one of the smallest cinema cameras capable of 6K RAW recording.
Weather-Resistant Construction: Dust and moisture resistant aluminum alloy body allows use in challenging on-location shooting environments.
Camera Specifications — RED Digital Cinema KOMODO ST
| Spec | Detail |
|---|---|
| Use Cases | Video / Cinematography, Documentary, Event, Studio |
| Type | Other |
| Sensor | Super 35 |
| Resolution | 6K |
| ISO Range | 250 – 12800 |
| AF System | Manual Focus Only |
| AF Points | Manual Focus Only |
| Max Video Resolution | 6K |
| Max Frame Rate | 60fps |
| Bit Depth | 16-bit |
| Video Color Profiles | REDCODE RAW, ProRes |
| Image Stabilization | None |
Description — RED Digital Cinema KOMODO ST
The RED Digital Cinema KOMODO ST is a professional cinema camera built around a Super 35 sensor with 6K maximum resolution. Recording in REDCODE RAW and ProRes at 16-bit color depth, it provides serious post-production latitude for color grading and finishing. The camera supports nine frame rates from 23.976fps up to 60fps, making it suitable for both traditional cinematic shooting and higher frame rate applications.
The native ISO 250–12800 range covers a broad spectrum of lighting scenarios. Media is recorded to CFexpress Type B cards, a format capable of handling the high data rates associated with 6K RAW capture. The compact aluminum alloy body measures 4 x 4 x 4 inches and weighs just 0.95 kg, while the weather sealed construction adds durability in varied shooting environments.
A 2.9-inch LCD display with 1440x1440 resolution handles on-camera monitoring. The Canon RF lens mount opens the door to a broad range of compatible optics. Connectivity includes Wi-Fi, Bluetooth, USB-C, 3.5mm mic input, and 3.5mm headphone output, rounding out a capable and compact cinema package.
Pros — RED Digital Cinema KOMODO ST
- ✓6K Super 35 sensor delivers high-resolution cinema capture
- ✓Dual recording format support: REDCODE RAW and ProRes at 16-bit color depth
- ✓Wide frame rate range up to 60fps, including 23.976fps, 24fps, 25fps, 48fps, and 59.94fps
Cons — RED Digital Cinema KOMODO ST
- ✗Autofocus is contrast detection only with no subject tracking or eye tracking — manual focus is the primary workflow
- ✗No image stabilization of any kind (no in-body IS, no digital IS)
- ✗No viewfinder; monitoring is limited to the 2.9-inch LCD display
Reviews — RED Digital Cinema KOMODO ST
- RED KOMODO 6K Lab Test – Dynamic Range and Latitude Test
CineD · 2020-11-01 - RED Komodo vs Komodo X: Which is Right for You?
No Film School · 2023-06-01 - RED KOMODO-X officially unveiled for $9,995 USD
Newsshooter · 2023-05-16 - Red Komodo | The $6,000 6k RED Cinema Camera with AutoFocus!?
Potato Jet - The ULTIMATE RED Komodo long term REVIEW
Ed Prosser
Videos — RED Digital Cinema KOMODO ST
6K RED Komodo Impressions: The Mini Cine Camera! — Marques Brownlee