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RED RANGER GEMINI 5K S35 Cinema Camera

The RED GEMINI 5K S35 is a Super 35 cinema camera — with 5K video. Check GearFocus for current availability, with buyer protection on every purchase.

RED RANGER GEMINI 5K S35 Cinema Camera

RED RANGER GEMINI 5K S35 Cinema Camera

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Camera Overview — RED GEMINI 5K S35

The RED RANGER GEMINI 5K S35 is a professional cinema camera built around a Super 35 sensor capable of capturing footage up to 5K resolution. Designed for high-end production environments, it supports a maximum frame rate of 96fps, giving cinematographers the flexibility to shoot high-speed sequences without sacrificing image quality. The camera records in both RAW and ProRes formats, providing options for productions that need maximum post-production flexibility or efficient on-set workflows.

A PL Mount lens interface makes it compatible with a wide range of professional cinema glass, which is the industry standard for narrative and commercial productions. Media is handled via RED MINI-MAG, RED's proprietary high-speed storage system. On the connectivity side, the RANGER GEMINI offers SDI, HDMI, USB-C, and Ethernet outputs, making it well-suited for monitor feeds, on-set networking, and data management.

Audio is handled through XLR inputs, supporting professional balanced audio sources. With a maximum ISO of 12800, the camera is built to handle demanding lighting conditions. The camera body weighs between 3.8 and 4 kg, reflecting its integrated, production-ready build.

Key Features — RED GEMINI 5K S35

5K Super 35 Sensor: Captures up to 5K resolution on a Super 35 sensor, delivering cinematic image quality standard in high-end narrative and commercial productions.

High Frame Rate Options: Supports high frame rate shooting for slow-motion sequences; maximum frame rate varies by resolution and recording format.

RAW and ProRes Recording: Records in both REDCODE RAW and Apple ProRes, giving productions the choice between maximum post-production flexibility or faster on-set workflows.

PL Mount: Industry-standard cinema lens mount compatible with a wide range of professional cinema glass from manufacturers like Zeiss, Cooke, and Leica.

Dual Sensitivity Modes: The Gemini sensor offers a dual ISO design with a native low-light mode, extending usable sensitivity for demanding lighting conditions.

RED MINI-MAG Media: Records to RED's proprietary high-speed MINI-MAG storage, designed for reliable high-bitrate RAW capture on set.

Camera Specifications — RED GEMINI 5K S35

RED GEMINI 5K S35 full specifications
SpecDetail
Use CasesVideo / Cinematography, Documentary, Studio
TypeOther
SensorSuper 35
AF SystemManual Focus Only
Max Video Resolution5K
Image StabilizationNone
Storage MediaRED MINI-MAG
Weather SealingNone
Lens MountPL Mount

Description — RED GEMINI 5K S35

The RED RANGER GEMINI 5K S35 Cinema Camera is built for professional production environments where image quality, format flexibility, and on-set connectivity are critical. Capturing video at up to 5K resolution on a Super 35 sensor, the camera delivers high-resolution cinematic imagery suited to narrative film, commercial, and broadcast applications. A maximum frame rate of 96fps enables smooth slow-motion sequences, while support for both RAW and ProRes recording formats ensures the camera fits into a variety of post-production pipelines.

The PL Mount accommodates professional cinema lenses, and media is recorded to RED MINI-MAG storage. Connectivity includes SDI, HDMI, USB-C, and Ethernet, covering monitor feeds, networking, and data workflows. Professional audio is supported via XLR inputs, and the camera reaches a maximum ISO of 12800.

Weighing between 3.8 and 4 kg, the RANGER GEMINI is a robust, integrated camera system designed for demanding production use.

Pros — RED GEMINI 5K S35

  • ✓5K maximum video resolution on a Super 35 sensor provides high-resolution cinematic capture
  • ✓Dual recording formats — RAW and ProRes — offer flexibility for both high-end post pipelines and streamlined workflows
  • ✓Maximum frame rate of 96fps enables high-speed slow-motion shooting

Cons — RED GEMINI 5K S35

  • ✗Body weight of 3.8–4 kg makes handheld operation physically demanding over extended periods
  • ✗RED MINI-MAG proprietary media format adds storage cost and limits media interchangeability on set
  • ✗No hotshoe mount listed, limiting accessory attachment options directly on the body

Reviews — RED GEMINI 5K S35

Videos — RED GEMINI 5K S35

RED Gemini 5K | Hands-On Review — B&H Photo Video Pro Audio

Resources & Downloads — RED GEMINI 5K S35

Manuals & Guides

Frequently Asked Questions — RED GEMINI 5K S35

What recording formats does the RED RANGER GEMINI 5K S35 support?+
The camera supports both RAW and ProRes recording formats. RAW is suited for productions requiring maximum latitude in post-production color grading, while ProRes offers a more efficient codec for faster turnaround workflows.
What type of lens mount does this camera use?+
The RED RANGER GEMINI 5K S35 uses a PL Mount, which is the standard mount for professional cinema lenses. This makes it directly compatible with a wide range of cinema-grade optics without modification.
What media does the RED RANGER GEMINI 5K S35 record to?+
The camera records to RED MINI-MAG media, which is RED's proprietary storage format. Productions will need to budget for RED MINI-MAG cards and compatible offload hardware.
What connectivity options are available on this camera?+
The camera includes SDI, HDMI, USB-C, and Ethernet connectivity. This range of outputs supports external monitors, on-set networking, and data transfer workflows.
What is the maximum frame rate and ISO of the RED RANGER GEMINI 5K S35?+
The camera supports a maximum frame rate of 96fps and a maximum ISO of 12800. These specifications make it suitable for both high-speed cinematography and shooting in lower-light conditions.
What audio inputs does the RED RANGER GEMINI 5K S35 offer?+
The camera features XLR audio inputs, which support professional balanced audio sources such as boom microphones and wireless audio receivers commonly used in professional production environments.

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