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RED Scarlet-X Mysterium-X DSMC1 Cinema Camera

The RED Mysterium-X DSMC1 is a 5K Super 35 cinema camera — with 5K video. Check GearFocus for current availability, with buyer protection on every purchase.

RED Scarlet-X Mysterium-X DSMC1 Cinema Camera

RED Scarlet-X Mysterium-X DSMC1 Cinema Camera

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Camera Overview — RED Mysterium-X DSMC1

The RED Scarlet-X Mysterium-X DSMC1 is a Super 35 cinema camera built around a 6K sensor, offering serious resolving power for professional film and video productions. Housed in a machined aluminum alloy body measuring 154 x 118 x 120 mm and weighing 2.26 kg, it strikes a balance between durability and portability for a cinema-grade system. The camera records in both RAW and ProRes formats, giving filmmakers flexibility in post-production workflows — whether they need the full fidelity of RAW or the more immediately editable ProRes files.

Video is captured at up to 6K resolution across standard frame rates of 24fps, 30fps, and 60fps, with 16-bit color depth and color science delivered through REDColor and REDGamma profiles. The native ISO range runs from 200 to 1600, suited to well-lit controlled production environments. Storage is handled exclusively via RED MINI-MAG media.

Connectivity includes HDMI and USB outputs, and audio can be captured through a 3.5mm microphone input. A 4.7-inch LCD monitor at 1280x720 resolution is included for on-camera monitoring. The camera uses a PL Mount lens interface and runs on V-Mount batteries.

There is no image stabilization of any kind, and focusing is entirely manual.

Key Features — RED Mysterium-X DSMC1

Mysterium-X Super 35 Sensor: RED's Mysterium-X sensor in a Super 35 format, suitable for professional cinema and episodic productions.

RAW and ProRes Recording: Records in both REDCODE RAW and ProRes formats, giving editors the choice between maximum image fidelity and more immediately editable files in post.

High Dynamic Range Capture: REDColor and REDGamma profiles provide wide latitude for professional color grading workflows.

Up to 5K at 120fps: The Scarlet-X shoots up to 5K at 12fps, 4K at 12fps, and high frame rates at lower resolutions — maximum 120fps at 2K. Frame rate limits vary by resolution.

PL Mount Lens Interface: Industry-standard PL mount provides compatibility with a broad range of professional cinema lenses from manufacturers including Zeiss, Cooke, and Leica.

RED MINI-MAG Storage: Records exclusively to RED MINI-MAG media, a purpose-built solid-state storage system designed for reliable high-bandwidth cinema capture.

Camera Specifications — RED Mysterium-X DSMC1

RED Mysterium-X DSMC1 full specifications
SpecDetail
Use CasesVideo / Cinematography, Documentary, Event
TypeOther
SensorSuper 35
Resolution5K
ISO Range200 – 1600
AF SystemManual Focus Only
Max Video Resolution5K
Max Frame Rate120fps
Bit Depth16-bit
Video Color ProfilesREDColor, REDGamma
Image StabilizationNone
Display4.7 inches LCD

Description — RED Mysterium-X DSMC1

The RED Scarlet-X Mysterium-X DSMC1 Cinema Camera is a Super 35 format camera capable of recording up to 6K resolution video in both RAW and ProRes formats. Its 16-bit color depth, combined with REDColor and REDGamma color profiles, provides a solid foundation for professional color grading pipelines. The camera supports frame rates of 24fps, 30fps, and 60fps, covering the full range of standard cinematic and broadcast delivery requirements.

The native ISO range spans 200 to 1600, making it most effective in well-controlled lighting conditions. For monitoring, an onboard 4.7-inch LCD display with 1280x720 resolution is included. The PL Mount lens interface provides access to professional cinema glass, while audio capture is available via a 3.5mm microphone input.

Connectivity is provided through HDMI and USB outputs. The body is machined from aluminum alloy, measuring 154 x 118 x 120 mm and weighing 2.26 kg, with storage handled exclusively through RED MINI-MAG media and power supplied by a V-Mount battery system.

Pros — RED Mysterium-X DSMC1

  • ✓6K maximum video resolution on a Super 35 sensor provides substantial resolving power for cinema productions
  • ✓Dual recording format support — RAW and ProRes — offers significant post-production flexibility
  • ✓16-bit color depth paired with REDColor and REDGamma profiles supports professional color grading workflows

Cons — RED Mysterium-X DSMC1

  • ✗Manual focus only — no autofocus system of any kind, requiring dedicated focus pullers or skilled operators
  • ✗ISO range tops out at 1600, limiting low-light shooting flexibility compared to more modern cinema cameras
  • ✗No image stabilization of any type (no in-body or digital IS), demanding stabilized lenses or rigs for smooth shots

Videos — RED Mysterium-X DSMC1

RED Cinema Camera Under $2,000! — DSLR Video Shooter

Resources & Downloads — RED Mysterium-X DSMC1

Manuals & Guides

Frequently Asked Questions — RED Mysterium-X DSMC1

What lens mount does the RED Scarlet-X use?+
The RED Scarlet-X uses a PL Mount, which is the standard lens interface for professional cinema lenses. This makes it compatible with a broad ecosystem of cinema-grade glass.
What recording formats does the camera support?+
The camera supports both RAW and ProRes recording formats. RAW provides maximum image data for post-production, while ProRes offers a more manageable file size for faster editing workflows.
What storage media does the RED Scarlet-X require?+
The camera records exclusively to RED MINI-MAG media. No other storage formats are supported, so productions will need to budget for RED MINI-MAG cards and compatible readers.
Does the camera have any autofocus capability?+
No — the RED Scarlet-X is manual focus only, with no autofocus system. Productions will need to rely on skilled focus operators or follow-focus rigs for precise focus control.
What is the camera's ISO range?+
The camera has a native ISO range of 200 to 1600. This range is best suited to controlled lighting environments typical of studio or well-lit location shoots.
What power source does the RED Scarlet-X use?+
The camera runs on V-Mount batteries. Battery life varies by configuration, so productions should plan their power setup based on their specific accessory load and shooting duration.

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