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RED Weapon Dragon 6K DSMC2 Cinema Camera

The RED Dragon 6K DSMC2 is a Super 35 cinema camera — known for its 35.4MP Super 35 Dragon Sensor and 6K Maximum Resolution. Check GearFocus for current availability, with buyer protection on every purchase.

RED Weapon Dragon 6K DSMC2 Cinema Camera

RED Weapon Dragon 6K DSMC2 Cinema Camera

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Camera Overview — RED Dragon 6K DSMC2

The RED Weapon Dragon 6K DSMC2 is a professional digital cinema camera built around a Super 35 sensor capable of capturing footage at up to 6K maximum video resolution. Designed with modular expandability at its core, the DSMC2 body architecture gives working cinematographers a flexible platform that can be adapted to a wide range of production requirements. The camera records in REDCODE RAW and ProRes, offering both a high-quality proprietary raw format and a widely compatible intermediate codec in a single body.

Media is handled via RED MINI-MAG storage, and the PL Mount lens interface opens the camera to a broad ecosystem of cinema lenses favored in professional film and television production. For monitoring and output, the camera provides HDMI, 3G-SDI, and USB-C connectivity, covering everything from on-set village monitoring to direct transfers. Audio capture is supported through both a 3.5mm mic input and XLR inputs, giving production teams flexible options for on-camera sound.

The camera weighs 1.52kg, making it manageable for handheld and gimbal work while still delivering a cinema-grade feature set. Maximum frame rate reaches 75fps, enabling slow-motion capture at supported resolutions. The maximum ISO is rated at 2000.

Key Features — RED Dragon 6K DSMC2

35.4MP Super 35 Dragon Sensor: RED's Dragon sensor delivers up to 6K resolution with wide dynamic range, capturing fine detail suited to high-end film and television production.

6K Maximum Resolution: Records up to 6144 x 3160 at full sensor readout, providing significant latitude for reframing, cropping, and downscaling in post.

High Frame Rate Options: Captures high-frame-rate footage at supported lower resolutions, enabling usable slow-motion sequences without a dedicated high-speed camera.

REDCODE RAW Recording: Proprietary compressed RAW format retains full sensor data while managing file sizes, giving colorists extensive grading flexibility in post.

ProRes Recording: Onboard ProRes capture provides a widely compatible intermediate codec for productions that require faster turnaround or offline editing workflows.

PL Mount: Industry-standard cinema lens mount compatible with a broad range of professional glass from manufacturers including ARRI, Zeiss, and Cooke.

Camera Specifications — RED Dragon 6K DSMC2

RED Dragon 6K DSMC2 full specifications
SpecDetail
Use CasesVideo / Cinematography, Documentary, Studio
SensorSuper 35
Lens MountPL Mount

Description — RED Dragon 6K DSMC2

The RED Weapon Dragon 6K DSMC2 Cinema Camera is a Super 35 format cinema camera capable of recording at up to 6K maximum video resolution and up to 75fps, delivering meaningful slow-motion capability for high-end productions. It records natively to RED MINI-MAG media in both REDCODE RAW and ProRes formats, giving post-production teams the choice between a raw pipeline and a streamlined ProRes workflow without switching cameras. The PL Mount lens interface ensures compatibility with professional cinema glass, while the HDMI, 3G-SDI, and USB-C outputs cover on-set monitoring and data connectivity needs.

Audio is handled via 3.5mm mic input and XLR inputs, supporting both lightweight and professional audio configurations. With a body weight of 1.52kg and a maximum ISO of 2000, the camera is built for controlled production environments where precision and image quality take priority.

Pros — RED Dragon 6K DSMC2

  • ✓Up to 6K maximum video resolution on a Super 35 sensor for high-resolution cinema capture
  • ✓Dual recording format support — REDCODE RAW and ProRes — provides workflow flexibility in post-production
  • ✓75fps maximum frame rate enables meaningful slow-motion footage at supported resolutions

Cons — RED Dragon 6K DSMC2

  • ✗Maximum ISO of 2000 is relatively modest, which may limit low-light shooting flexibility
  • ✗RED MINI-MAG is a proprietary media format, adding to the overall system cost
  • ✗Body-only weight of 1.52kg means a fully rigged configuration will add significant additional mass

Reviews — RED Dragon 6K DSMC2

Videos — RED Dragon 6K DSMC2

RED Epic DRAGON 6K Camera - Overview and Setup Guide — CINEVO

Resources & Downloads — RED Dragon 6K DSMC2

Frequently Asked Questions — RED Dragon 6K DSMC2

What recording formats does the RED Weapon Dragon 6K DSMC2 support?+
The camera supports REDCODE RAW and ProRes recording formats. This gives cinematographers the option to shoot in RED's proprietary raw format for maximum post-production latitude, or use ProRes for a more universally compatible delivery codec.
What lens mount does this camera use?+
The RED Weapon Dragon 6K DSMC2 uses a PL Mount, the standard cinema lens interface found on a wide range of professional cinema lenses. No additional adapter is required for PL-mount glass.
What outputs are available for monitoring on set?+
The camera offers HDMI, 3G-SDI, and USB-C connectivity. This allows connection to a variety of on-set monitors and village setups, as well as direct data transfer via USB-C.
What type of media does the RED Weapon Dragon 6K DSMC2 record to?+
The camera records to RED MINI-MAG media, which is RED's proprietary storage format. Productions should factor in the cost of RED MINI-MAG cards when budgeting for this system.
What audio inputs does this camera have?+
The camera features both a 3.5mm mic input and XLR audio inputs. This combination supports a range of microphone and audio recording setups, from lightweight on-camera mics to professional balanced audio sources.
What is the maximum frame rate this camera can achieve?+
The RED Weapon Dragon 6K DSMC2 supports a maximum frame rate of 75fps. This enables slow-motion capture for cinematic effect, with the specific resolution available at that frame rate depending on the shooting configuration.

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