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Remus 45mm T2.0 1.5X Full Frame Anamorphic Lens

The Remus 45mm T2.0 1.5X is a 45mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Remus 45mm T2.0 1.5X Full Frame Anamorphic Lens

Remus 45mm T2.0 1.5X Full Frame Anamorphic Lens

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Lens OverviewRemus 45mm T2.0 1.5X

The Remus 45mm T2.0 is a prime anamorphic cinema lens built for full-frame camera systems, designed to meet the demands of professional cinematography workflows. Mounted in the industry-standard PL Mount configuration, it offers straightforward integration with a wide range of professional cinema cameras. At a focal length of 45mm, it sits comfortably in the standard range, making it a versatile choice for dialogue scenes, environmental storytelling, and general narrative work.

The lens opens to a maximum aperture of T2.0, providing meaningful light-gathering capability for challenging shooting conditions and helping cinematographers achieve a distinct separation between subject and background. As a manual focus prime, it fits naturally into a professional follow-focus workflow where precise, repeatable focus pulls are a priority. Weighing in at 1,200g, the lens has a substantial build that signals cinema-grade construction while remaining manageable on a shoulder rig or gimbal with appropriate support.

The anamorphic format designation confirms its role in delivering the characteristic widescreen image quality that the format is known for, built on a full-frame optical coverage area. For cinematographers working on narrative, commercial, or documentary projects who need a standard focal length anamorphic option in PL Mount, the Remus 45mm T2.0 presents a focused, purpose-built option worth serious consideration.

Key FeaturesRemus 45mm T2.0 1.5X

1.5X Anamorphic Squeeze: Delivers the characteristic widescreen image, oval bokeh, and horizontal lens flares associated with the anamorphic format.

45mm Full-Frame Prime: A standard focal length with full-frame coverage, well-suited for dialogue scenes, environmental storytelling, and general narrative work.

T2.0 Maximum Aperture: Fast light transmission supports shooting in low-light conditions and helps achieve clear subject-to-background separation.

PL Mount: Industry-standard cinema lens mount compatible with professional camera systems from ARRI, RED, and other major cinema platforms.

Manual Focus Design: Smooth manual focus ring built for precise, repeatable focus pulls in a professional follow-focus workflow.

Full-Frame Optical Coverage: Designed to cover full-frame sensors, making it compatible with modern large-format cinema cameras without vignetting.

Lens SpecificationsRemus 45mm T2.0 1.5X

Remus 45mm T2.0 1.5X full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatFull Frame
Zoom/PrimePrime
Focal Length45mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1200g

DescriptionRemus 45mm T2.0 1.5X

The Remus 45mm T2.0 is a prime anamorphic cinema lens designed for full-frame camera systems and mounted in the professional PL Mount standard. With a maximum aperture of T2.0, it delivers solid low-light performance and the shallow depth of field characteristics that cinematographers look for in narrative and commercial work. The 45mm focal length places it squarely in the standard range, offering a natural perspective that works across a broad variety of shooting scenarios.

Weighing 1,200g, the lens is built with the heft expected of professional cinema glass and is best paired with a properly configured camera support system. Focus is entirely manual, integrating cleanly with follow-focus systems and the pulling techniques standard in professional production environments. With no image stabilization and a PL Mount interface, this lens is clearly positioned for controlled, rigged cinema production rather than casual or handheld shooting.

The anamorphic type classification and full-frame format coverage make it a specialized tool built for cinematographers committed to the anamorphic look on larger sensor platforms.

ProsRemus 45mm T2.0 1.5X

  • Fast T2.0 maximum aperture provides strong light-gathering performance for a cinema prime
  • PL Mount offers compatibility with a broad range of professional cinema camera platforms
  • 45mm focal length covers the versatile standard range, suitable for a wide variety of shot types

ConsRemus 45mm T2.0 1.5X

  • No autofocus — manual focus only, which may not suit all run-and-gun or documentary workflows
  • No image stabilization, requiring additional rigging or stabilization equipment for handheld use
  • Filter thread size is unspecified, which may complicate filter system selection

VideosRemus 45mm T2.0 1.5X

The BUDGET Anamorphic Lens We All WANTED | Blazar Remuscammackey

Resources & DownloadsRemus 45mm T2.0 1.5X

Frequently Asked QuestionsRemus 45mm T2.0 1.5X

What camera mount does the Remus 45mm T2.0 use?+
The lens is available in PL Mount, which is the standard mount used across a wide range of professional cinema cameras. This makes it a natural fit for established cinema production pipelines.
Does this lens support autofocus?+
No — the Remus 45mm T2.0 is a manual focus lens only. This is consistent with professional cinema production practices where follow-focus systems are used for precise and repeatable focus control.
What sensor size does this lens cover?+
The lens is designed for full-frame coverage, meaning it is optically engineered to illuminate full-frame sensors without vignetting under its intended use conditions.
How much does the Remus 45mm T2.0 weigh?+
The lens weighs 1,200g. While this is a meaningful amount of weight, it is typical of cinema-grade prime lenses and is best used with appropriate camera support systems such as shoulder rigs or matte box setups.
Does this lens have image stabilization?+
No, the specifications confirm that image stabilization is not present on this lens. Cinematographers requiring stabilized shots will need to rely on external stabilization solutions such as gimbals or steadicam rigs.

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