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Remus 65mm T2.0 1.5X Full Frame Anamorphic Lens

The Remus 65mm T2.0 1.5X is a 65mm f/2 cinema lens designed for PL Mount mount cameras. Check GearFocus for current availability, with buyer protection on every purchase.

Remus 65mm T2.0 1.5X Full Frame Anamorphic Lens

Remus 65mm T2.0 1.5X Full Frame Anamorphic Lens

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Lens Overview — Remus 65mm T2.0 1.5X

The Remus 65mm T2.0 is a prime anamorphic cinema lens built for full-frame camera systems and mounted via PL Mount. Designed specifically for the cinema and video camera system, it carries a manual focus configuration with no autofocus capability, making it a deliberate, operator-driven tool suited to professional production environments where precise focus control is prioritized. The lens operates at a maximum aperture of T2.0, providing a relatively fast light-gathering capability that opens up shooting options in challenging lighting conditions and allows for meaningful depth-of-field separation in the frame.

At a focal length of 65mm on a full-frame format, it occupies a standard focal length range, making it a versatile choice for a wide variety of scene types from dialogue-driven close coverage to environmental mid-shots. The lens is classified as an anamorphic type and is designed for full-frame coverage, meaning it is built to project an image circle sufficient for full-frame sensors. Weighing in at 1500g, it is a substantial piece of glass that will require appropriate lens support on most rigs.

There is no image stabilization on board, which is standard for a PL-mount cinema prime of this nature. No filter thread size is specified in the data.

Key Features — Remus 65mm T2.0 1.5X

1.5X Anamorphic Squeeze: A 1.5x squeeze ratio delivers the widescreen anamorphic look — including horizontal lens flares and oval bokeh — while remaining compatible with full-frame sensors without the extreme crop of 2x designs.

65mm Full-Frame Prime: A standard focal length on full-frame that translates to a natural, slightly portrait-leaning perspective well suited to dialogue scenes, mid-shots, and environmental coverage.

T2.0 Maximum Aperture: A fast T2.0 stop allows shooting in lower ambient light and produces meaningful depth-of-field separation characteristic of the anamorphic format.

PL Mount: Industry-standard cinema lens mount ensures broad compatibility with professional camera systems from manufacturers such as ARRI, RED, and others.

Manual Focus Design: Operator-driven manual focus with no autofocus mechanism, built for precise, repeatable focus pulls in professional production and focus-pulling workflows.

Full-Frame Image Circle: Designed to cover full-frame sensors, making it usable on cameras such as the ARRI ALEXA LF, RED MONSTRO, and similar large-format cinema bodies.

Lens Specifications — Remus 65mm T2.0 1.5X

Remus 65mm T2.0 1.5X full specifications
SpecDetail
Use CasesVideo / Cinematography, Creative Effects
Lens TypeAnamorphic
FormatFull Frame
Zoom/PrimePrime
Focal Length65mm
Maximum Aperturef/2
Camera SystemCinema / Video
Lens MountPL Mount
AutofocusNo
Focus TypeManual
Image StabilizationNone
Weight1500g

Description — Remus 65mm T2.0 1.5X

The Remus 65mm T2.0 is a prime anamorphic lens built for full-frame cinema and video camera systems, mounted via the industry-standard PL Mount. With a maximum aperture of T2.0, it offers solid light-gathering performance for a cinema prime, giving cinematographers meaningful control over exposure and depth of field in a range of shooting environments. The fixed 65mm focal length places it in the standard focal length range, making it well-suited to a broad set of shooting scenarios.

Focus is entirely manual, with no autofocus system, which aligns with professional cinema production workflows where a dedicated focus puller operates the lens. The lens weighs 1500g, so adequate lens support and a properly balanced rig are recommended for comfortable operation. Image stabilization is not included, which is consistent with its cinema prime positioning. The lens is classified as anamorphic type and is designed to cover the full-frame format.

Pros — Remus 65mm T2.0 1.5X

  • ✓Fast T2.0 maximum aperture enables shooting in lower light conditions
  • ✓Full-frame lens format provides coverage for full-frame cinema cameras
  • ✓Standard 65mm focal length offers versatile framing options across scene types

Cons — Remus 65mm T2.0 1.5X

  • ✗Manual focus only — no autofocus support, requiring skilled focus operators or dedicated AC work
  • ✗At 1500g, the lens is relatively heavy and will likely require lens support on most camera rigs
  • ✗No image stabilization, which can be a limiting factor in handheld or run-and-gun shooting scenarios

Videos — Remus 65mm T2.0 1.5X

If I Had To Use One LENS Forever.. Blazar Remus 33mm 1.5x Anamorphic — Brady Bessette

Resources & Downloads — Remus 65mm T2.0 1.5X

Manuals & Guides

Frequently Asked Questions — Remus 65mm T2.0 1.5X

What mount does the Remus 65mm T2.0 use?+
The lens uses a PL Mount, which is a standard professional cinema lens mount. This means it is compatible with cameras and bodies that accept PL-mount lenses.
Does this lens support autofocus?+
No. The Remus 65mm T2.0 is a manual focus lens only. Focus must be set and pulled by hand, which is standard practice for professional cinema prime lenses.
What is the maximum aperture of this lens?+
The maximum aperture is T2.0. T-stop ratings measure actual light transmission through the lens, making them particularly useful for consistent exposure matching across a set of cinema lenses.
What sensor format does this lens cover?+
The lens is specified as a full-frame format lens, meaning its image circle is designed to cover full-frame sensors. It is categorized for use with cinema and video camera systems.
How much does the Remus 65mm T2.0 weigh?+
The lens weighs 1500g. This is a significant weight consideration and users should plan for appropriate lens support, particularly on lighter camera rigs.
Does this lens have image stabilization?+
No. The specifications confirm that image stabilization is not present on this lens. Stability must be managed through the camera rig, support system, or shooting technique.

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