Rokinon 135mm T2.2 Cine DS Lens
The Rokinon 135mm T2.2 is a 135mm f/2.2 lens designed for Canon EF, Nikon F, Sony E, Micro Four Thirds mount cameras. Used copies start from $600 on GearFocus, with buyer protection on every purchase.

Rokinon 135mm T2.2 Cine DS Lens
Used Rokinon 135mm T2.2 Listings on GearFocus
Lens Overview — Rokinon 135mm T2.2
Key Features — Rokinon 135mm T2.2
135mm Telephoto Prime: Fixed focal length delivers consistent subject compression and background separation, making it well-suited for portraiture, interviews, and narrative close-ups.
T2.2 Maximum Aperture: Fast T-stop rating (as opposed to f-stop) provides accurate exposure calibration for video workflows and allows strong light gathering in low-light conditions.
Full-Frame Coverage: Image circle covers full-frame sensors, ensuring compatibility with a wide range of camera bodies without vignetting.
Cine DS Design: Purpose-built for video production with declicked aperture, cinema-standard gear rings, and smooth manual focus for use with follow-focus systems.
Four Mount Options: Available in Canon EF, Nikon F, Sony E, and Micro Four Thirds mounts, making it easy to match existing camera systems.
77mm Filter Thread: Standard front thread diameter fits directly into most matte boxes and accepts common filter sizes without requiring step-up rings.
Lens Specifications — Rokinon 135mm T2.2
| Spec | Detail |
|---|---|
| Use Cases | Studio, Video / Cinematography |
| Lens Type | Cine |
| Format | Full Frame |
| Zoom/Prime | Prime |
| Focal Length | 135mm |
| Maximum Aperture | f/2.2 |
| Camera System | Cinema / Video |
| Lens Mount | Canon EF, Nikon F, Sony E, Micro Four Thirds |
| Autofocus | No |
| Focus Type | Manual |
| Image Stabilization | None |
| Filter Thread | 77mm |
Description — Rokinon 135mm T2.2
The Rokinon 135mm T2.2 Cine DS is a manual-focus prime lens purpose-built for cinema and video production, classified as a Cine type lens with a Full Frame image circle. Its 135mm fixed focal length places it in the telephoto range, delivering the subject compression and background separation that telephoto primes are valued for in narrative and commercial cinematography. The maximum aperture of T2.2 offers strong light-gathering capability, useful in controlled or low-light environments.
With no autofocus and no image stabilization, the lens is firmly oriented toward professional video workflows where manual control and external stabilization are the norm. It is offered in four mount options — Canon EF, Nikon F, Sony E, and Micro Four Thirds — giving it broad compatibility across popular camera platforms. The 77mm front filter thread integrates cleanly with standard filter and matte box systems.
Weighing in at 836g, it has the heft expected of a professional cine lens built for rig-based shooting. The camera system classification is Cinema / Video, confirming its intended use case.
Pros — Rokinon 135mm T2.2
- ✓Wide T2.2 maximum aperture enables strong low-light performance for a cine prime at this focal length
- ✓Full-frame coverage (lensFormat: Full Frame) makes it compatible with a broad range of camera sensor sizes
- ✓Available in four mounts — Canon EF, Nikon F, Sony E, and Micro Four Thirds — covering a wide range of camera systems
Cons — Rokinon 135mm T2.2
- ✗Manual focus only with no autofocus — not suitable for run-and-gun or documentary shooters who need AF
- ✗No image stabilization, requiring external stabilization solutions for handheld or moving shots
- ✗At 836g, the lens adds meaningful weight to a rig, which may be a consideration for lightweight or gimbal builds
Videos — Rokinon 135mm T2.2
Hands-On Review: Rokinon | 135mm f/2.0 and 50mm f/1.4 Lenses — B&H Photo Video Pro Audio







